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A farm boy from the mountains of North Carolina, Rufus Edmisten could not have been prepared for the halls of power in Washington, D.C., during the Vietnam War era, as young men burned their draft cards and pro-cannabis factions held "smoke-ins" in the capital. A University of North Carolina Chapel Hill graduate, he earned a law degree at George Washington University and landed a job as counsel to U.S. senator Samuel J. Ervin, Jr. This led to Edmisten's appointment as Deputy Chief Counsel for the Senate Watergate Committee--he personally served Richard Nixon the first ever subpoena of a sitting president by Congress. Returning to North Carolina, he served as Attorney General and Secretary of State before retiring from public life to practice law and participate in charitable activities. Written with humor and candor, his memoir recalls the cultural contrasts of American life in the 1970s and 1980s, and affirms that the business of government is to enable us to live together peacefully.
Adam Silvera reminds us that there’s no life without death and no love without loss in this devastating yet uplifting story about two people whose lives change over the course of one unforgettable day. #1 New York Times bestseller * 4 starred reviews * A School Library Journal Best Book of the Year * A Kirkus Best Book of the Year * A Booklist Editors' Choice * A Bustle Best YA Novel * A Paste Magazine Best YA Book * A Book Riot Best Queer Book * A Buzzfeed Best YA Book of the Year * A BookPage Best YA Book of the Year On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They’re going to die today. Mateo and Rufus are total strangers, but, for different reasons, they’re both looking to make a new friend on their End Day. The good news: There’s an app for that. It’s called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure—to live a lifetime in a single day. In the tradition of Before I Fall and If I Stay, They Both Die at the End is a tour de force from acclaimed author Adam Silvera, whose debut, More Happy Than Not, the New York Times called “profound.” Plus don't miss The First to Die at the End: #1 New York Times bestselling author Adam Silvera returns to the universe of international phenomenon They Both Die at the End in this prequel. New star-crossed lovers are put to the test on the first day of Death-Cast’s fateful calls.
Rufus's owner Posy thinks he is a lazy cat, but he actually has a lot of "work" to do every day, from guarding the bird bath and pruning the catnip to keeping the sun off the rug.
Want to encourage a child to write creatively? Introduce him to Rufus! The joy of writing (and reading) fills every page of this charming picture book. Why have a lemonade stand when you can have a story stand? That’s what Rufus, a boy with a big imagination, decides. And once he’s in business, he starts creating little gems for his friends and family. Millie and Walter trade a shell for his story called “Why Orange Is the Best Color.” Rufus writes little sister Annie a story for her birthday about a girl who shrinks to the size of a teacup. Sara trades flowers for a story about a family of buttons. And then they all sit down and read the wonderful stories together.
An Alabama Story is based on the accounts a southern man living in Alabama related to the author - he will here be referred to as Billy Bob. When Hammarberg came across Billy Bob, he was able to share in captivating tales of Billy Bob's family life and how he and his family (here called the Hix) had interacted with their surrounding community. When Billy Bob let the author share in his tales, he made the author swear that he wouldn't let anyone else hear about them. Yet the author decided that these tales were simply too remarkable for the world to be denied them. Hence this book was written, a compilation of the tales Billy Bob had told the author about a year in the life of the Hix family. Hopefully Billy Bob will forgive Hammarberg for breaking his vow and publishing the book. Billy Bob insisted that even though many of his tales simply required the suspension of disbelief, every single one of them were absolutely true. But since the author doesn't want to jeopardize his good name by categorizing this work as non-fiction, in the case that some of them turn out not true, it sorts under Young-Adult Fiction. Inside the covers of this book, the reader will be treated to anecdotes like these from the Hix family life: The time the Hix burglarized a mansion as a family and brought home a hundred grand's worth of loot The time Billy Bob and one of his sons chased all the blacks out of the Birmingham welfare office How Billy Bob managed to prevent his lesbian daughter from marrying a 50-year-old woman The story of when Billy Bob ran for mayor of Birmingham How two of the family members became local heroes in the pro-wrestling circus During this year, the family ran into a number of celebrities as well, and these encounters are retold in full detail. Hopefully reading the book will bring many hours of enjoyment, and perhaps even spark a debate about freedom of speech. Speaking of free speech - prior to the publication of this novel, certain well-known voices in American public life demanded that their commentary on the book would be included with its distribution. The author had no problems with including them, and their messages are listed below: "Once again the white devil has put his racist sentiments on display for all of us to see. Peaceful activists such as myself are doing the best we can to let our nation heal the wounds it's suffered under white supremacist rule, then this book comes along and ruins it all!" /A. Sharpton "This book will singlehandedly set us back at least 50 years in the struggle for women's liberation. Not a single woman in this book has a career or works for a living; and even worse, the family's lesbian daughter is constantly bullied throughout the whole book!" /J. Fonda "This is an outrage! In spite of a lifetime spent fighting for civil rights, I'm being scoffed and ridiculed in the pages of this book! Us blacks need to picket the Capitol over this!" /J. Jackson "I fear that after this book has been widely circulated, even more young queers than today will make that tragic step into the great beyond by taking their own lives, tormented by homophobia. Before you buy this book, think of the children!" /D. Savage "I feel that the language and the narrative elements of this book are very racially divisive and that they're entirely inappropriate for 21st-century America. I'm especially appalled at the disrespectful references to me as a person and I urge you not to buy the book!" /B.H. Obama For more information, go to alabamastory.com.
A studio executive’s “superb memoir” of his years in the industry, filled with hilarious stories and hard-earned wisdom (Library Journal). From watching his colleague get shot in the testicles by a jealous producer to running Hollywood’s most successful TV studio, Harris Katleman had a front row seat in the development of the television industry. A classic account of the business side of entertainment, this book shares what really happened in the early careers of Hollywood stars and the development of iconic programs. Through a number of funny behind-the-scenes anecdotes, Katleman shares his journey from office boy to talent agent to television producer, and finally to studio head at both MGM and Twentieth Century Fox. Along the way, we meet industry giants including Rupert Murdoch, Bob Iger, Barry Diller, Marvin Davis, Kirk Kerkorian, Mark Goodson, and Lew Wasserman. This memoir goes beyond the story of a life in Hollywood. It is the story of crucial developments—how motion picture film libraries were opened for television licensing, how The Simpsons was birthed, and much more. “Not only does this book show his leadership in the television business, it shows how strongly he fought for groundbreaking shows that transformed the industry.”—David E. Kelley “A worthy entry in the lexicon of books chronicling Hollywood of yesteryear.”—Booklist
A collection of 51 plays that features previously unpublished works, contemporary plays by women, and the modern classics.