Download Free Thats Mine Horace Book in PDF and EPUB Free Download. You can read online Thats Mine Horace and write the review.

Horace loves the little yellow truck that he finds in the schoolyard, but he has a problem when a classmate tries to claim it.
By examining the relationship of the iambic tradition with ritual, this book studies how Horace’s Epodes are more than partisan (consolidating Octavian’s victory by projecting hostilities onto powerless others) but a meta-partisan project (forming fractured entities into a diversified unity).
In what questions are scholars of Horace currently interested? What opportunities does this core Roman author offer twenty-first-century critics? This book discusses recent work on Horace by genre, moving from the early Satires through to the late Epistles. It also suggests new scholarly approaches to the poet, providing various ways of interpreting Horace’s background, genre categories, metaphors, and ethics. The target readership consists of scholars new to the field seeking to familiarize themselves swiftly with the formidable bibliography, and of specialists interested in a different perspective on this important but notoriously evasive author.
The thrust of the book is to emphasize the radical nature of Pope's interpretation of Horace, an engagement both dynamic and changing.
Horace Walpole, famous for his novel The Castle of Otranto and his gothick castle-villa, Strawberry Hill, has been oddly shielded by his previous admirers. The most famous of these was W. S. Lewis, a rich American scholar, who collected virtually all of Walpole's surviving letters and papers and edited them in forty-eight impressive volumes. He was however a conventional man of his times and could not bring himself to acknowledge Walpole's homosexuality and its implications. R. W. Ketton-Cremer, who wrote what was otherwise a very good biography of Walpole, was similarly evasive. Timothy Mowl's study of Horace Walpole is the first to give a complete and convincing picture of the whole man. It is the first to show that, despite his aristocratic connections (he was the youngest son of Sir Robert Walpole, Britain's first Prime Minister) Horace Walpole was a sexual and social outsider whose talents as a publicist were used to serve his own agenda. Also revealed for the first time is Walpole's passionate affair with the 9th Earl of Lincoln. The ending of that relationship, and Walpole's subsequent resentment of Lincoln's relatives, affected his judgment, friendships and emotions for the rest of his life. This book provides an honest and radical reassessment of one of the most influential men of taste of the eighteenth-century, and is reissued to coincide with a major Victoria and Albert Museum exhibition dedicated to Horace Walpole and Strawberry Hill. 'This is a lively, provocative and hugely entertaining book. Whatever one makes of Dr Mowl's interpretation of Walpole's career, it is always intelligently argued, and presented with a polemical vigour and sense of style which are worthy of his subject's own.' John Adamson, Sunday Review '. . . he is lively and convincing on the gradual accretions to Strawberry Hill, and often shrewd on the character of his subject . . .' Pat Rogers, Times Literary Supplement 'In general, Mowl writes delightfully, and there are witticisms that Horry (Horace Walpole) himself would relish.' Bevis Hillier, The Spectator 'In this vivid and entertaining biography, Horace Walpole is properly outed.' Duncan Sprott, Gay Times '. . .he presents the most credible picture of the man and his achievement to date.' Martin Postle, Apollo 'This wicked, enjoyable book should provoke wide debate.' David Watkin, Evening Standard
This book explores how Horace's poems construct the literary and social authority of their author. Bridging the traditional distinction between 'persona' and 'author', Ellen Oliensis considers Horace's poetry as one dimension of his 'face' - the projected self-image that is the basic currency of social interactions. She reads Horace's poems not only as works of art but also as social acts of face-saving, face-making and self-effacement. These acts are responsive, she suggests, to the pressure of several audiences: Horace shapes his poetry to promote his authority and to pay deference to his patrons while taking account of the envy of contemporaries and the judgement of posterity. Drawing on the insights of sociolinguistics, deconstruction and new historicism Dr Oliensis charts the poet's shifting strategies of authority and deference across his entire literary career.
This book examines the career of the Roman poet Horace, one of the greatest writers in Roman literature. It introduces his poetry with illustrations from all his works, and contextualises his career in Greek and Roman literary tradition and within the tumultuous events of his life as civil war gave way to the reign of the first emperor Augustus.
This explosive first novel from a reformed career criminal comes with authenticity stamped throughout and blows all the other so-called crime books out of the water. 'The Essex Boys!' Don't make Horace laugh. Sounds like one of them knock-off Chippendale striptease acts that performs in working mens clubs and bingo halls. Some Muscle-Marys drive to a supposed drug meet on an unlit country road and get their nuts blown off. Duh! JUDAS PIG is the real deal, written by someone who lived the life, not the lie. This is a man who has had a contract hanging over him for twenty years and ain't dead yet. By contrast his enemies seem cursed. One has not long ago been publicly humilated having lost a multi-million pound lawsuit and now faces financial ruin. The same man's former solicitor was also struck off by The Law Society. Also, two men hired to kill the author are both dead. One by 'natural causes' while another was shot dead outside a pub in east London. Meanwhile, a third man, a treacherous little toerag by the name of Gary 'Tichy' Oxley, will probably die in prison after being sentenced to life for the gangland murder of Joey Oliffe in 2009. The author awaits with expectant anticipation to see what tragedy or misfortune befalls the remaining bottom-feeding scavangers feasting on the leftovers in this sordid swamp. And unlike other supposed gangsters, you won't ever catch Horace Silver standing on nightclub doors in a penguin suit, or following criminals around with his tongue hanging out, and a bulge in his trousers. Fact: Having your picture taken with gangsters don't make you a gangster. If it did then surely Barbara Windsor would be the most feared woman in London!