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A groundbreaking examination of the implications of synthetic biology for biodiversity conservation Nature almost everywhere survives on human terms. The distinction between what is natural and what is human-made, which has informed conservation for centuries, has become blurred. When scientists can reshape genes more or less at will, what does it mean to conserve nature? The tools of synthetic biology are changing the way we answer that question. Gene editing technology is already transforming the agriculture and biotechnology industries. What happens if synthetic biology is also used in conservation to control invasive species, fight wildlife disease, or even bring extinct species back from the dead? Conservation scientist Kent Redford and geographer Bill Adams turn to synthetic biology, ecological restoration, political ecology, and de-extinction studies and propose a thoroughly innovative vision for protecting nature.
The Strange Liberalism of Alexis de Tocqueville places Tocqueville's political though in the context of his time and place, and shows why his ideas defy easy classification. Responding to the twentieth-century tendency to impose anachronistic political categories on Tocqueville, Roger Boesche reminds us that like Stendhal, Balzac, Hugo, Lamartine, Flaubert, and other writers of his generation, he was a nineteenth-century Frenchman reacting to contemporary French concerns, aspirations, and anxieties.
This is the first book in English on the seventeenth-century Chinese masterpiece Liaozhai's Records of the Strange (Liaozhai zhiyi) by Pu Songling, a collection of nearly five hundred fantastic tales and anecdotes written in Classical Chinese.
World War I began disastrously for the English when the Germans routed them at Mons, Belgium, on August 23 and 24, 1914. On September 29, 1914, the Anglo-Welsh writer Arthur Machen fictionalized this encounter in a newspaper story, claiming that the English were saved by the appearance of angelic bowmen sent by St. George. But his fiction became accepted as fact. The believers--notables G. K. Chesterton, Arthur Conan Doyle and C. S. Lewis, along with almost forgotten figures like Harold Begbie, Phyllis Campbell and T. W. H. Crosland--wrote pamphlets, testimonies and poems, performed music and created motion pictures attesting to the existence of the guardian angels. This history of the Angels of Mons controversy for the first time collects and annotates Machen's work and the responses it inspired, most of which have not been available since their publication a century ago. Also reprinted for the first time are several of Machen's responses to the believers, including "The Angels of Mons: Absolutely My Last Word on the Subject" and "The Return of the Angels: This Time They Are at Ypres."
This Strange Loneliness is the first comprehensive account of the poetic relationship between Seamus Heaney and William Wordsworth. Peter Mackay explores how Heaney repeatedly turns to the Romantic poet's work for inspiration, corroboration, and amplification, and as a model for the fortifying power of poetry itself, which offers the fundamental lesson that "it is on this earth 'we find our happiness, or not at all.'" Through an in-depth look at archival materials, and at uncollected poems and prose by Heaney, Mackay traces the evolution of Heaney's readings of Wordsworth throughout his career, revealing their shared interest in the connections between poetry and education, the possibility of a beneficial understanding of poetic influence, the complexities of place and displacement, ideas of transcendence, and ultimately the importance of "late style": later poems by Wordsworth might prove a cautionary tale, as well as example, for any poet. Placing Heaney's readings within their political, historical, and poetic contexts the book also explores how he negotiated the complex relationship between Irish and British culture and identity to claim a persistent form of kinship, and forge a strange community, with the Romantic poet. With illuminating readings that reveal new contexts to and currents in Heaney's work, This Strange Loneliness is a powerful evocation of the Irish poet's sense of the "uplift" that poetry can provide.
This carefully crafted ebook: "John Keats - The Man Behind The Lyrics: Life, letters, and literary remains" is formatted for your eReader with a functional and detailed table of contents. John Keats (1795-1821) was an English Romantic poet. The poetry of Keats is characterized by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analyzed in English literature. During the 19th century, critics deemed them unworthy of attention, distractions from his poetic works. During the 20th century they became almost as admired and studied as his poetry, and are highly regarded within the canon of English literary correspondence. T. S. Eliot described them as "certainly the most notable and most important ever written by any English poet." Keats spent a great deal of time considering poetry itself, its constructs and impacts, displaying a deep interest unusual amongst his milieu who were more easily distracted by metaphysics or politics, fashions or science. Table of Contents: Biographies: Life of John Keats by Sidney Colvin Life, letters, and literary remains, of John Ketas by Richard Monckton Milnes Complete Letters: To Messrs, Taylor and Hessey To Jane Reynolds To Charles Wentworth Dilke To Joseph Severn To John Taylor To Benjamin Robert Haydon To Benjamin Bailey To John Hamilton Reynolds To George and Thomas Keats To Fanny Keats To James Rice To Leigh Hunt To Richard Woodhouse To Thomas Keats To James Elmes To Mrs. Brawne To Charles Cowden Clarke To George and Georgiana Keats To Percy Bysshe Shelley To Mrs. Reynolds To Georgiana Keats To Mariane and Jane Reynolds To Mrs. Wylie To Charles Brown...
A collection of 15 fantasy short stories, similar to the "Arabian Nights", set in Chicago. Excerpt: The Manner in Which Mr. Edward Middleton Encounters the Emir Achmed Ben Daoud. It was a lowering and gloomy night in the early part of the present century. Mr. Edward Middleton, a gallant youth, who had but lately passed his twenty-third year, was faring northward along the southern part of that famous avenue of commerce, Clark Street, in the city of Chicago, wending his way toward the emporium of Mr. Marks Cohen. Suddenly the rain which the cloudy heaven had been promising for many hours, began to descend in great scattered drops that presaged a heavy shower. Mr. Middleton hastened his steps. It was possible that if the dress-suit he wore, hired for the occasion of the wedding of his friend, Mr. Chauncey Stackelberg, should become imbued with moisture in the shower that now seemed imminent, Mr. Cohen, of whom he had hired the suit, would not add to the modicum agreed upon, a charge for pressing it. But if his own suit for everyday wear, which he was carrying under his arm with the purpose of putting it on at good Mr. Cohen’s establishment, should become wet, that would be a serious matter. It was, in fact, his only suit and that will explain the anxiety with which he scanned the heavens. Suddenly, Pluvius unloosed all the fountains of the sky, and with scarcely a thought whither he was going, Mr. Middleton darted into the first haven of refuge, a little shop he happened to be just passing. As the door closed behind him with the tinkle of a bell in some remote recess, for the first time he realized that the place he had entered was utterly dark. His ears, straining to their uttermost to make compensation for the inability of his eyes to be of service to him in this juncture, could no more than inform him that the place was utterly silent. But to his nose came the powerful fragrance of strange foreign aromas such as he had never had experience of before,—which, heavy and oppressive in their cloying perfume, seemed the very breath of mystery. All traffic had ceased without, as the night was well advanced and the rain beat so heavily that the few whom business or pleasure had called abroad at that hour, had sought shelter. But though the rain now fell with a steady roar, Mr. Middleton, perturbed by a nameless disquiet, was about to rush forth into the tempest and seek other shelter, when a door burst open and, outlined against a glare of light, stood a gigantic man who said in a deep, low voice that seemed to pervade every corner of the room and cause the air to shake in slow vibrations... About Wardon Allan Curtis: (1867-1940) US author, a contributor to several pre-sf fiction magazines. His most important sf is a short Identity Transfer story about a brain transplant, "The Monster of Lake LaMetrie" (September 1899 Pearson's), in which the brain is human and the recipient body that of a prehistoric survival – an elasmosaurus (see Dinosaurs) – from a bottomless lake that may lead into a Symmesian Hollow Earth. Curtis also wrote an Arabian Nights fantasy, "The Seal of Solomon the Great" (February 1901 Argosy) and The Strange Adventures of Mr Middleton (coll 1903), which contains a mixture of Oriental fantasy and bizarre mystery. (from Science Fiction Encyclopedia)
Novelist and scholar Damien Broderick offers an exhilarating report on the state of science fiction at the start of the millennium. In the 21st century, we see a new wave rising in SF: it's complex, transreal, slipstreamy, post-postmodern. It unleashes the strange!
What’s that Scripture mean? Ever asked yourself this question when you’re reading through the Bible? We all have. Whether we’ve been saved a long time or are just beginning to follow Christ, there are portions of Scripture that go over our heads. They’re puzzling. Odd. Complicated. Strange. What’s baptism on behalf of the dead? (1 Corinthians 15:29) Wasn’t it rude for Jesus to call a woman a dog? (Mark 7:27) If Jesus is eternal, why is he called the firstborn? (Colossians 1:15) How can we do greater works than Christ? (John 14:12) Scriptures like these are not preached from the pulpit as commonly as our favorite texts. You rarely hear about them in your small group Bible study. And it’s definitely not easy to explain what they mean. Think of it like this: if the Bible were an apple orchard, the Scriptures we’re most familiar with are like the luscious Honeycrisp. They’re our favorites. Like, “I can do all things through Christ who strengthens me” and “Love never fails.” But strange Scriptures are more like an unripe Granny Smith. There’s juice in it, all right, but if you want meaning and life application, you have to do a whole lot more squeezing. That’s where Strange Scriptures comes in. Within each short study, author Chris Palmer has aimed to represent scholarship, Greek exegesis, and life application to bring forth a full-bodied study to nourish your soul.