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Throughout Bobby Wabalanginy's young life the ships have been arriving, bringing European settlers to the south coast of Western Australia, where Bobby's people, the Noongar people, have always lived. Bobby, smart, resourceful and eager to please, has befriended the settlers, joining them as they hunt whales, till the land, and work to establish their new colony. He is welcomed into a prosperous white family and eventually finds himself falling in love with the daughter, Christine.But slowly - by design and by hazard - things begin to change. Not everyone is so pleased with the progress of the white colonists. Livestock mysteriously starts to disappear, crops are destroyed, there are 'accidents' and injuries on both sides. As the Europeans impose ever-stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind, and Bobby is forced to take sides, inexorably drawn into a series of events that will for ever change the future of his country.That Deadman Dance is haunted by tragedy, as most stories of first contact between European and native peoples are. But through Bobby's life, this novel exuberantly explores a moment in time when things might have been different, when black and white lived together in amazement rather than fear of the other, and when the world suddenly seemed twice as large and twice as promising.
From the two-times winner of the Miles Franklin Award From Kim Scott, two-times winner of the Miles Franklin Literary Award, comes a work charged with ambition and poetry, in equal parts brutal, mysterious and idealistic, about a young woman cast into a drama that has been playing for over two hundred years ... Taboo takes place in the present day, in the rural South-West of Western Australia, and tells the story of a group of Noongar people who revisit, for the first time in many decades, a taboo place: the site of a massacre that followed the assassination, by these Noongar's descendants, of a white man who had stolen a black woman. They come at the invitation of Dan Horton, the elderly owner of the farm on which the massacres unfolded. He hopes that by hosting the group he will satisfy his wife's dying wishes and cleanse some moral stain from the ground on which he and his family have lived for generations. But the sins of the past will not be so easily expunged. We walk with the ragtag group through this taboo country and note in them glimmers of re-connection with language, lore, country. We learn alongside them how countless generations of Noongar may have lived in ideal rapport with the land. This is a novel of survival and renewal, as much as destruction; and, ultimately, of hope as much as despair. WINNER OF THE NSW PREMIER'S AWARD BOOK OF THE YEAR 2018 WINNER OF THE NSW PREMIER'S INDIGENOUS WRITER'S PRIZE 2018 WINNER OF THE UNIVERSITY OF QUEENSLAND FICTION BOOK AWARD 2018 WINNER OF THE VICTORIAN PERMIER'S LITEARRY AWARD FOR INDIGENOUS WRITING 2019 SHORTLISTED FOR THE VICTORIAN PREMIER'S LITERARY AWARD FOR FICTION 2018 SHORTLISTED FOR THE PRIME MINISTER'S LITERARY AWARD FOR FICTION 2018 SHORTLISTED FOR THE COLIN RODERICK AWARD 2018 LONGLISTED FOR THE MILES FRANKLIN LITERARY AWARD 2018 LONGLISTED FOR THE ABIA LITERARY FICTION BOOK OF THE YEAR 2018 LONGLISTED FOR THE INDIE BOOK AWARDS FICTION 2018 LONGLISTED FOR THE INTERNATIONAL DUBLIN LITERARY AWARD 2019 PRAISE FOR TABOO "If Benang was the great novel of the assimilation system, and That Deadman Dance redefined the frontier novel in Australian writing, Taboo makes a strong case to be the novel that will help clarify - in the way that only literature can - what reconciliation might mean" Australian Book Review "Scott's book is stunning - haunted and powerful ... Verdict: Must Read" Herald Sun "Remarkable" Stephen Romei, Weekend Australian "Stunning prose" Saturday Paper "This is a complex, thoughtful, and exceptionally generous offering by a master storyteller at the top of his game" The Guardian "Undaunted, and daring as ever Scott goes back to his ancestral Noongar country in Western Australia's Great Southern region; back in time as well to killings (or a massacre, the point is contested) of whites and Aborigines there in 1880. . . Taboo never becomes a revenge story, whether for distant or recent wrongs . . . The politics of Taboo - not to presume or simplify too much - are quietist, rather than radical. Ambitious, unsentimental [and] morally challenging" Sydney Morning Herald "Scott is one of the most thoughtful, exciting and powerful storytellers of this continent today, with great courage and formidable narrative prowess- and Taboo is his most daring novel yet" Sydney Review of Books
Mechele is young, attractive, and looking to cash in on her aesthetic assets when she moves from New Orleans to Alaska in 1994 to earn money for college tuition. Her charms ensnare the affections of three men, and the combined effects of jealously, lust, and greed take a deadly turn in this true crime story. Before a murder in the woods shatters her contented life, Mechele works as an exotic dancer at the Alaska Bush Company, where she spends her days pleasing a procession of hard-working men. John, Scott, and Kent are simultaneously smitten with Mechele, and offer affection in the form of lavish gifts and ultimately engagement rings. While the three men begin their affairs on the same path, violent murder blasts apart their parallel lives. One of the trio is shot in the back; another is accused of the murder. Dead Man's Dancer follows this murder case from 1996 throughout Mechele's tumultuous trial in 2006 that becomes a nationwide sensation. Shocking in its detailed portrayal of murder and convoluted love affairs, Dead Man's Dancer excites horror in readers that lingers far after the last page is turned.
Billy is drifting, looking for a place to land. A young school teacher, he arrives in Australia's remote far north in search of his own history, his Aboriginality, and his future. He finds himself in a region of abundance and beauty but also of conflict, dispossession and dislocation. On the desperate frontier between cultures, Billy must find his place of belonging.
Hot on the trail of a killer in Manhattan, FBI Special Agent Pendergast must face his most brilliant and dangerous enemy: his own brother. Two brothers. One a top FBI agent. The other a brilliant, twisted criminal. An undying hatred between them. Now, a perfect crime. And the ultimate challenge: Stop me if you can...
Originally published: Australia: Allen & Unwin, 2010.
Zarek's Point of View: Dark-Hunter: A soulless guardian who stands between mankind and those who would see mankind destroyed. Yeah, right. The only part of that Code of Honor I got was eternity and solitude. Insanity: A condition many say I suffer from after being alone for so long. But I don't suffer from my insanity-I enjoy every minute of it. Trust: I can't trust anyone...not even myself. The only thing I trust in is my ability to do the wrong thing in any situation and to hurt anyone who gets in my way. Truth: I endured a lifetime as a Roman slave, and 900 years as an exiled Dark-Hunter. Now I'm tired of enduring. I want the truth about what happened the night I was exiled-I have nothing to lose and everything to gain. Astrid (Greek, meaning star): An exceptional woman who can see straight to the truth. Brave and strong, she is a point of light in the darkness. She touches me and I tremble. She smiles and my cold heart shatters. Zarek: They say even the most damned man can be forgiven. I never believed that until the night Astrid opened her door to me and made this feral beast want to be human again. Made me want to love and be loved. But how can an ex-slave whose soul is owned by a Greek goddess ever dream of touching, let alone holding, a fiery star?
Steeped in myth and magical realism, this story exposes the heartbreaking realities of Aboriginal life as indigenous tribes fight to protect their natural resources, sacred sites, and above all, their people.
Self-styled arctic outdoorsman, John Hornby had already compromised his abilities to survive in the tundra through several incidents of near starvation, and by injuries suffered as a soldier in World War I. He had openly admitted to peers that “he had had enough of the north and wished he had never come”. Yet, foolishly, he conscripted his young cousin, nineteen year-old Edgar Christian, and a willing third party, twenty-nine year-old Harold Adlard, both having no survival training or outdoor experience, to join him on an adventure into the most isolated part of the Canadian northland – the Thelon River in the Northwest Territories. This is a story about the tragic Hornby expedition of 1926. One of Canada’s most legendary stories, the reader embarks on a journey as if they were there with Hornby and his two charges. Wilson adds dialogue to the events that unfold using excerpts from Edgar’s surviving diary. Not sparing any detail, the author applies his own vast knowledge of winter survival to events that led the three to disaster in a land that shows no mercy to the ill-prepared. Wilson bravely delves into the psychology of men in isolation when deprived of hope but not of love.
Wrongly convicted of murder and punished by being sealed in the tomb with the dead man, seventeen-year-old Selwyn enlists the help of a witch and the resurrected victim to find the true killer.