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Death, my dear, is only the beginning... Freud once theorized that human beings are subject to two drives: love (Eros) and death (Thanatos). While his psychoanalytic theory has long been expanded upon, no one can argue how fundamental love and death is to our existence. Within this collection are twelve stories that explore the fine line between these concepts. It also features a diverse group of authors whose often unheard voices tell stories of resilience, strength, and triumph through tragedy. Haunting as any Quill & Crow anthology, these stories seek to intrigue, inspire, and give a whole new meaning to "until death do us part."
A collection of some of Freud's most famous essays, including ON THE INTRODUCTION OF NARCISSISM; REMEMBERING, REPEATING AND WORKING THROUGH; BEYOND THE PLEASURE PRINCIPLE; THE EGO AND THE ID and INHIBITION, SYMPTOM AND FEAR.
"A fictionalized biography of Austrian painter Egon Schiele in a graphic novel."--
No artist of his time, and very few of any period, could capture faces and bodies at the point of orgasm like Bottger. Sex is lovingly and graphically depicted. Glowing from these dark sheets come images with a high-art treatment of a hardcore subject matter - men and women locked in the throes of the most ecstatic copulation. Coupled with two passion short stories by two prize-winning authors.
On the basis of the biological characteristics that distinguish two different procreative modalities, the naturalization of the roles between masculine and feminine has been created, which has led to the creation of the stereotypes and conventions known to us today. What is at stake is not only the freedom of expression of the human organism, it is the possibility of leading a life worthy of being lived, without suffering the violence of a society that makes it unbearable because it does not conform to the norm. Queer pedagogy is a methodology that aims to make the organism experience transformative experiences through mimesic performances. From these experiences, queer pedagogy expects the possibility of facilitating the free expression of the truth that each organism recognizes in its own depth in a comfortable and welcoming context through the dance of Eros and Thanatos. A book about Pedagogy, Queer Theory and Butoh Dance.
Bringing contemporary philosophers, theologians, and psychoanalysts into dialogue with works of art and literature, this work provides a fresh perspective on how humans can make sense of suffering and finitude and how our existence as sexual beings shapes our relations to one another and the divine. It attempts to establish a connection between carnal, bodily love and humanity’s relation to the divine. Relying on the works of philosophers such as Manoussakis, Kearney, and Marion and psychoanalysts such as Freud and Lacan, this book provides a possible answer to these fundamental questions and fosters further dialogue between thinkers and scholars of these different fields. The author analyzes why human sexuality implies both perversion and perfection and why it brings together humanity’s baseness and beatitude. Through it, the author taps once more into the dark mystery of Eros and Thanatos who, to paraphrase Dostoevsky, forever struggle with God on the battlefield of the human heart. This book is written primarily for scholars interested in the fields of philosophical psychology, existential philosophy, and philosophy of religion
The author’s jumping-off point is the myth of Artemis and Siproites, in which a young man is turned into a woman as a punishment for the attempted rape of one of Artemis’s virgin cohorts. Bunjevac’s retelling follows Benny, a sexually deviant man who, coming across an alluring former classmate, concocts an elaborate, disturbing rape fantasy. Inked in her lush, stippled, illustrative style, Bunjevac crafts a gripping, noirish, Nabokovian tale, by turns surreal and harrowing, that turns the male gaze inside-out. Bezimena is both a radical examination of the misconceptions surrounding rape culture and an artistic and psychological tour de force.
Inspired by Theodore Papanghelis’ Propertius: A Hellenistic Poet on Love and Death (1987), this collective volume brings together seventeen contributions, written by an international team of experts, exploring the different ways in which Latin authors and some of their modern readers created narratives of life, love and death. Taken together the papers offer stimulating readings of Latin texts over many centuries, examined in a variety of genres and from various perspectives: poetics and authorial self-fashioning; intertextuality; fiction and ‘reality’; gender and queer studies; narratological readings; temporality and aesthetics; genre and meta-genre; structures of the narrative and transgression of boundaries on the ideological and the formalistic level; reception; meta-dramatic and feminist accounts-the female voice. Overall, the articles offer rich insights into the handling and development of these narratives from Classical Greece through Rome up to modern English poetry.
Fiction. NECROPHILIA VARIATIONS is a literary monograph on the erotic attraction to corpses and death. It consists of a series of texts that, like musical phrases, take up the theme and advance it by means of repetition, contrast, and variation.Written in a style that ranges from the lugubrious to the ludicrous--from purple prose to black humor--NECROPHILIA VARIATIONS uses literary means to probe the psychopathology of sexual perversion. Eros, the book asks, is naturally drawn to beauty, and yet nothing would seem to be less inherently beautiful than a cadaver. How is it that a necrophile ends up confusing the two, discovering beauty in what most people would find repugnant? How does he come to desire that which would seem to be intrinsically undesirable? If you have ever contemplated the curious points of contact between eros and thanatos, then Necrophilia Variations will be sure to delight you with its depictions of death, desire, and deviance.