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A broad multidisciplinary study that uses the Epistre Othea to examine the visual presentation of knowledge
Bundrick proposes that depictions of musical performance were linked to contemporary developments in music.
Andrew Ford here addresses, in a manner both engaging and richly informed, the perennial questions of what poetry is, how it came to be, and what it is for. Focusing on the critical moment in Western literature when the heroic tales of the Greek oral tradition began to be preserved in writing, he examines these questions in the light of Homeric poetry. Through fresh readings of the Iliad and the Odyssey, and referring to other early epics as well, Ford deepens our understanding of what poetry was at a time before written texts, before a developed sense of authorship, and before the existence of institutionalized criticism. Placing what is known about Homer's art in the wider context of Homer's world, Ford traces the effects of the oral tradition upon the development of the epic and addresses such issues as the sources of the poet's inspiration and the generic constraints upon epic composition. After exploring Homer's poetic vocabulary and his fictional and mythical representations of the art of singing, Ford reconstructs an idea of poetry much different from that put forth by previous interpreters. Arguing that Homer grounds his project in religious rather than literary or historical terms, he concludes that archaic poetry claims to give a uniquely transparent and immediate rendering of the past. Homer: The Poetry of the Past will be stimulating and enjoyable reading for anyone interested in the traditions of poetry, as well as for students and scholars in the fields of classics, literary theory and literary history, and intellectual history.
Cultivating the Muse looks beyond the secure and benign images traditionally associated with inspiration in classical literature and scholarship. In contrast to the shapeless collectivity of the Muses in ancient accounts, this collection aspires to redeem their shape in other more vitalforms, closer or more distant incarnations of the ever-elusive maiden. Protagonists -- or victims -- in a complex game of cultural exploration, the alternative Muses and muse-like figures of this book are manipulated, abused, or effaced, but at the same time they also advocate or resist their fatesand explore their own powers of persuasion. Inspiration is here not so much explored in its traditional cultic dimensions, but rather invoked for its capacity to trigger fervent debates about power, desire, knowledge, identity, and gender in the societies of ancient Greece and Rome.
Second century apocryphal Christian texts are Christian fiction: they draw on the motifs of contemporary pagan stories of romance, travel and adventure to entertain their readers, but also to explore what it means to be Christian. The Thecla episodein the Apocryphal Acts of Paul recounts the conversion of a young pagan woman, her rejection of marriage, her narrow escapes from martyrdom and the end of her story as an independent, ascetic evangelist. In Thecla's Devotion, J.D. McLarty reads the Thecla episode against a paradigm pagan romance, Callirhoe: for both texts the passions are key to the unfolding of the plot - how are unruly emotions to be managed and controlled? The pagan would answer, 'through reason'. This study uses the portrayal of emotion within character and plot to explore the response of the Thecla episode to this key question for Christian identity formation.
Based on the conviction that only translators who write poetry themselves can best re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. The tragedies collected here were originally available as single volumes. This new collection retains the informative introductions and explanatory notes of the original editions, with Greek line numbers and a single combined glossary added for easy reference. This volume collects Euripides' Andromache, a play that challenges the concept of tragic character and transforms expectations of tragic structure; Hecuba, a powerful story of the unjustifiable sacrifice of Hecuba's daughter and the consequent destruction of Hecuba's character; Trojan Women, a particularly intense account of human suffering and uncertainty; and Rhesos, the story of a futile quest for knowledge.
Reprint of the original, first published in 1862.
Roman society was oppressive for women, but Thekla has even more challenges to face than most. Her own mother, Theokleia, wants her dead, and will stop at nothing to destroy her. She sees the perfect opportunity when Thekla becomes a follower of the Apostle Paul. She conspires with Thekla’s fiancé to have Paul arrested, and when Thekla bribes the prison guards in order to speak to Paul, her evil mother uses her influence over the judge to have Thekla condemned to death. Bravely, Thekla climbs her funeral pyre…but Fate has something greater in store for her. A sudden storm quells the flames, and saves her life. The crowd disperses in terror and Thekla—persecuted, abandoned, naked in the town square—takes control of her destiny. She covers herself with a tarp and seeks refuge with her father’s friend Daphne, a wise and loving woman who has been like a mother to Thekla, although as a courtesan, she herself lives on the fringe of society. With Daphne’s support and guidance, Thekla embarks on the journey of a remarkable life, determined to find and follow the Apostle Paul. With unexpected powerful allies, and the strength of her own determination, Thekla carves a path for herself that no Roman woman has ever walked before. Imaginative, well-researched, and beautifully written, Daphne and Thekla is a powerful portrait of friendship, of faith, and of women transcending the boundaries of their time and culture.
It is to Greek critical thinking about seeing that we owe our conceptual framework for theorizing the senses, and it is also to such thinking that we owe the lasting legacy of Greco-Roman imagery. Sight and the Ancient Senses is the first thorough introduction to the conceptualization of sight in the history, visual culture, literature and philosophy of classical antiquity. Examining how the Greeks and Romans interpreted what they saw, the collection also considers sight in relation to the other senses. This volume brings together a number of interdisciplinary perspectives to deliver a broad and balanced coverage of this subject. Contributors explore the cultural, social and intellectual backdrops that gave rise to ancient theories of seeing, from Archaic Greece through to the advent of Christianity in late antiquity. This series of specially commissioned thematic chapters demonstrate how theories about sight informed Graeco-Roman philosophy, science, poetry rhetoric and art. The collection also reaches beyond its Graeco-Roman visual framework, showcasing how ancient ideas have influenced the longue durée of western sensory thinking. Richly illustrated throughout, including a section of color plates, Sight and the Ancient Senses is a wide-ranging introduction to ancient theories of seeing which will be an invaluable resource for students and scholars of classical antiquity.