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That awkward moment when the hunky alien you just met proposes marriage… Alien warrior and single father Thade needs a human bride. He travels to Earth, hoping he’ll be matched with a sweet human who will help him raise his four energetic children. When the first human matched to him backs out of their mating contract, he’s forced to seek out a bride on his own. But the moment he meets Alana, the golden-haired beauty who’s supposed to watch his offspring while he goes “out on the dating scene,” he realizes his search need not go any further. She’s the only human for him—even if she doesn’t agree yet. One way or another, he’s taking her back to New Vaxx with him. Alana is shocked when she shows up at her newest babysitting gig to find out she’s supposed to watch four alien children—three of whom are taller than her. She’s stunned speechless when their hunky father proposes marriage to her within minutes of her walking through the door. Thade seems like a nice alien and a loving father, but she has her whole life planned out on Earth. But as she gets to know him better, she cannot imagine watching him leave her planet with another woman as his bride. Could she really find happiness on a faraway world?
Most Tim Burton films are huge box-office successes, and several are already classics. The director's mysterious and eccentric public persona attracts a lot of attention, while the films themselves have been somewhat overlooked. Here, Alison McMahan redresses this imbalance through a close analysis of Burton's key films () and their industrial context. She argues that Burton has been a crucial figure behind many of the transformations taking place in horror, fantasy, and sci-fi films over the last two decades, and demonstrates how his own work draws on a huge range of artistic influences: the films of George Melies, surrealism, installation art, computer games, and many more. The Films of Tim Burton is the most in-depth analysis so far of the work of this unusual filmmaker - a director who has shown repeatedly that it is possible to reject mainstream Hollywood contentions while maintaining critical popularrity and commercial success.
Since his early days at Disney, Tim Burton has shown a unique talent and vision. His writing and directing credits range from big-budget features such as Batman (1989) and Batman Returns (1992), to the comically grisly The Nightmare Before Christmas (1993) and Corpse Bride (2005), to the twisted fairy tale Edward Scissorhands (1990), to literary adaptations like Big Fish (2003), Charlie and the Chocolate Factory (2005) and Sweeney Todd (2007). Though his name has become synonymous with the macabre and the odd, Burton's films often reveal and champion the flawed human in us all. This collection of new essays brings together scholarship on many of his popular films, adaptations, and innovations in stop-motion animation and his collaborative relationship with actor Johnny Depp, providing an in-depth exploration of one of the most prominent figures on the pop culture landscape in recent decades.
Jeremiah O'Donovan Rossa (1831-1915) was an Irish Fenian leader. In 1865, he was charged with plotting a Fenian uprising, put on trial for high treason and sentenced to penal servitude for life. He served his time in Pentonville, Portland, and Chatham prisons, among others. He was finally released on the understanding that he would not return to Ireland and moved to the United States in 1870. His tale of famine, leek porridge, tight irons, taking an airing in the exercise yard, and working in the quarries is a disturbing portrayal of another age, regardless of one's political point of view. Press opinions at rear, along with advertising for the author's own hotel.
"The definitive unauthorized chronology"--Cover.