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Both an intellectual autobiography and a chronicle of the ideological and methodological upheaval in textual studies during the last two decades, this book presents provocative essays by one of the foremost textual scholars of our day. As founder and executive director of the interdisciplinary Society for Textual Scholarship, Professor Greetham has had the opportunity to observe and engage with the main players of the textual revolution during its most turbulent years and enlivens his account with revealing character sketches.
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
It is often claimed that we know ourselves and the world through narratives. In this book, Robert D. Newman portrays narrative engagement as a process grounded in psychoanalytic theory to explain how readers (or listeners or viewers) manage to engage with specific narratives and derive from them a personal experience. Newman describes this psychodrama of narrative engagement as that of exile and return, an experience in which narrative becomes a type of homeland, beckoning and elusive, endlessly defining and disrupting the borders of a reader's identity. Within this paradigm, he considers a fascinating variety of narrative texts: from the Jim Jones episode in Guyana to Freud's repression of personal history in his story of Moses; from a surrealistic collage novel by Max Ernst to the horror films of Alfred Hitchcock; from the works of James Joyce, Ariel Dorfman, Milan Kundera, and D. M. Thomas to the tales of abjection in pornography. Transgressions of Reading is itself an engaging work, as interesting for its provocative readings of particular works as for its theoretical insights. It will appeal to readers from all fields in which narrative plays a crucial role, in the study of film and art, modern and contemporary literature, popular culture, and feminist, psychoanalytic, and reader response theory.
In this fast moving study, Chris Jenks presents a broad overview of the history of ideas, the major theorists and the significant moments in the formation of the idea of transgression.
Material Transgressions examines how Romantic-era authors explored morecapacious ideas of materiality that challenged ideologies of discrete bodies,sexed affects, and nonhuman things. Thenew materialist processes traced in these essays craft alternative modes ofbeing-in-the-world that create new ways of understanding materiality both inthe Romantic period and now.
This book analyses pagan concepts of religious transgressions as expressed in Greek cultic regulations from the 5th century BC-3rd century AD. Also considered are so-called propitiatory inscriptions from the 1st-3rd century AD Lydia and Phrygia, in light of ‘cultic morality’, intended to make places, occasions, and worshippers suitable for ritual.
Throughout the twentieth century in Poland various ideologies attempted to keep queer voices silent—whether those ideologies were fascist, communist, Catholic, or neo-liberal. Despite these pressures, there existed a vibrant, transgressive trend within Polish literature that subverted such silencing. This book provides in-depth textual analyses of several of those texts, covering nearly every decade of the last century, and includes authors such as Witold Gombrowicz, Marian Pankowski, and Olga Tokarczuk, winner of the 2018 Nobel Prize in Literature. Jack J. B. Hutchens demonstrates the subversive power of each work, showing that through their transgressions they help to undermine nationalist and homophobic ideologies that are still at play in Poland today. Hutchens argues that the transgressive reading of Polish literature can challenge the many binaries on which conservative, heteronormative ideology depends in order to maintain its cultural hegemony.
Talmudic Transgressions is a collection of essays on rabbinic literature and related fields in response to the boundary-pushing scholarship of Daniel Boyarin. This work is an attempt to transgress boundaries in various ways, since boundaries differentiate social identities, literary genres, legal practices, or diasporas and homelands. These essays locate the transgressive not outside the classical traditions but in these traditions themselves, having learned from Boyarin that it is often within the tradition and in its terms that we can find challenges to accepted notions of knowledge, text, and ethnic or gender identity. The sections of this volume attempt to mirror this diverse set of topics. Contributors include Julia Watts Belser, Jonathan Boyarin, Shamma Boyarin, Virginia Burrus, Sergey Dolgopolski, Charlotte E. Fonrobert, Simon Goldhill, Erich S. Gruen, Galit Hasan-Rokem, Christine Hayes, Adi Ophir, James Redfield, Elchanan Reiner, Ishay Rosen-Zvi, Lena Salaymeh, Zvi Septimus, Aharon Shemesh, Dina Stein, Eliyahu Stern, Moulie Vidas, Barry Scott Wimpfheimer, Elliot R. Wolfson, Azzan Yadin-Israel, Israel Yuval, and Froma Zeitlin.
From early examples of queer representation in mainstream media to present-day dissolutions of the human-nature boundary, the Gothic is always concerned with delineating and transgressing the norms that regulate society and speak to our collective fears and anxieties. This volume examines British and American Gothic texts from four centuries and diverse media – including novels, films, podcasts, and games – in case studies which outline the central relationship between the Gothic and transgression, particularly gender(ed) and sexual transgression. This relationship is both crucial and constantly shifting, ever in the process of renegotiation, as transgression defines the Gothic and society redefines transgression. The case studies draw on a combination of well-studied and under-studied texts in order to arrive at a more comprehensive picture of transgression in the Gothic. Pointing the way forward in Gothic Studies, this original and nuanced combination of gendered, Ecogothic, queer, and media critical approaches addresses established and new scholars of the Gothic alike.