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Việt Nam is the home of more than fifty ethnic minorities--such as the Cham and Thai--many of which have distinctive clothing and weaving traditions linked to antiquity. The tight-fitting tunic called ao dai, widely recognized as a national symbol, has its roots in the country's 2,000-year history of textiles. Beginning with silk production in the Bronze Age cultures of the Red River, this book covers textiles in Việt Nam--including bark-cloth, kapok and hemp--through the centuries of Chinese rule in the north, a number of independent feudal societies and the brief period of French colonial rule.
Textiles and Identity in Brunei Darussalam examines the role of traditional textiles played in modern Brunei Darussalam. Hand-woven textiles are an important part of Brunei traditional culture. This book examines the types of textiles and the roles that they have played in different situations, such as serving as signifiers of social status, wealth, and political prominence. The study focuses on how locally woven textiles have been used to express and construct identity, especially Brunei Malay identity and Brunei national identity.
The first comprehensive survey of Southeast Asian bark-cloth. Followed by chapters discussing the archaeological evidence of bark-cloth in the region and in the collection of the Rijksmuseum voor Volkenkunde in Leiden. Further chapters deal with bark-cloth in Vietnam, Southern Thailand and Peninsular Malaysia, Taiwan, the Philippines, Kalimantan and Papua.
This book is the first comprehensive study of Southeast Asia's supplementary warp and warp float patterned textiles. Such textiles have received relatively little attention in the past even though they are an important part of the textile legacy of the region, linking peoples to a common Bronze Age past associated with the Dong Son culture of northern Vietnam and southeastern China. It discusses the weaving techniques and provides a survey of supplementary warp and warp float patterned textiles throughout Southeast Asia.
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