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Textiles provide a visual history of a country's culture and crafting traditions in a way few other things can accomplish. In Textiles of Southeast Asia, Dr. Robyn Maxwell provides the definitive work on Southeast Asian textiles. Traditional textiles are one of the most widely collected and important categories of Southeast Asian art. Using an extensive range of locally produced raw materials and an astonishing array of techniques—including applique, weaving, batik and embroidery—the textiles of Southeast Asia are astonishing in their versatility and originality. Textiles are used to fashion everything from everyday clothing to sacred and ceremonial costumes, shrouds and wrapping cloths, hangings, banners and ritual regalia—all of which are represented and explained in Textiles of Southeast Asia. This authoritative text focuses on the changing relationship between indigenous Southeast Asian traditions and the outside influences continuing to be brought to the area, which change the nature of the region's textile traditions. This book considers the various ways Southeast Asian textile artisans reacted over the centuries to the steady stream of new and powerful ideas and raw materials arriving from India, China, the Islamic world and Europe. A detailed and definitive resource, Textiles of Southeast Asia is a welcome addition to the field of textiles.
This beautifully illustrated, pioneering work surveys the history and techniques of textile production past and present in South-East Asia, offering important insights into the economic, social, and religious life of the people.
"First published in 2012 by Tilleke & Gibbins International Ltd. ... in association with Serindia Publications, Inc.,,"--T.p. verso.
Weaver's Stories from Island Southeast Asia delves into the personal stories of individual textile artists, bringing recognition to their accomplishments, skills, and extraordinary lives. Photographs of ten women from eight locations in the Southeast Asian archipelago along with examples of their weaving are accompanied by a DVD showing them at work. The book is part of a project to bring stories from the lives of Southeast Asian weavers and batik makers to an American audience, using video as the main component. Although the makers of textiles are generally not named in American museum collections, the creation of textiles is not anonymous in Southeast Asian communities. Senior artists are held in public esteem, and the cloth they produce is instantly recognizable to local people as their unique product.
Exhibition will be presented first at Bangkok at the Thai Cultural Centre in July 1992; from Bangkok, the exhibition will travel to Washington, D. C., where it will be presented at the the Textile Museum
A variety of textile techniques from across South-East Asia are covered in this book, with explanations and detailed images of the craftwork in progress.
"An ingenious new presentation of an old history."—Fiberarts The dazzling cloths presented here are the visual record of one of the great untold stories of Asian design history: the trade in Indian textiles to Southeast and East Asia. The chintzes made for export to Europe in the seventeenth and eighteenth centuries are now well known; but for over a thousand years Indian cloths were traded for the spices and forest and mineral wealth of the East by Asian, Arab, and European merchants. Universally in demand, the textiles were designed to suit specific markets: attire for royalty, diplomatic gifts, displays for festive occasions, and clothing for rites of passage and other ceremonies. Outstanding among them are the patterned cottons—the famous chintzes—and the tie-dyed silk patola, reserved for rulers and nobility.
Textiles provide a visual history of a country's culture and crafting traditions in a way few other things can accomplish. In Textiles of Southeast Asia, Dr. Robyn Maxwell provides the definitive work on Southeast Asian textiles. Traditional textiles are one of the most widely collected and important categories of Southeast Asian art. Using an extensive range of locally produced raw materials and an astonishing array of techniques--including applique, weaving, batik and embroidery--the textiles of Southeast Asia are astonishing in their versatility and originality. Textiles are used to fashion everything from everyday clothing to sacred and ceremonial costumes, shrouds and wrapping cloths, hangings, banners and ritual regalia--all of which are represented and explained in Textiles of Southeast Asia. This authoritative text focuses on the changing relationship between indigenous Southeast Asian traditions and the outside influences continuing to be brought to the area, which change the nature of the region's textile traditions. This book considers the various ways Southeast Asian textile artisans reacted over the centuries to the steady stream of new and powerful ideas and raw materials arriving from India, China, the Islamic world and Europe. A detailed and definitive resource, Textiles of Southeast Asia is a welcome addition to the field of textiles.
This highly-illustrated book presents the insights of 12 scholars and art historians into the textiles of Cambodia, Indonesia, Laos, Myanmar, Thailand and Vietnam. Authors include Mattiebelle Gittenger, John Guy, Susan Conway and Gillian Green. Topics cover such diverse subjects as Shan and Thai court dress, Khmer textiles and Cham weaving. 220 colour illustrations
There exist numerous free-standing figurative sculptures produced in Java between the eighth and fifteenth centuries whose dress display detailed textile patterns. This surviving body of sculpture, carved in stone and cast in metal, varying in both size and condition, remains in archaeological sites and museums in Indonesia and worldwide. The equatorial climate of Java has precluded any textiles from this period surviving. Therefore this book argues the textiles represented on these sculptures offer a unique insight into the patterned splendour of the textiles in circulation during this period. This volume contributes to our knowledge of the textiles in circulation at that time by including the first comprehensive record of this body of sculpture, together with the textile patterns classified into a typology of styles within each chapter.