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Textiles Now celebrates international contemporary textile design, focusing on fabric and fiber designs from the past five years that have been created for use in decorative art, fashion, and interior design. Lavishly illustrated with photographs showing the textiles and, where appropriate, their end use in context. Clear captions provide information on the contributing artists, their techniques and inspirations, enabling a deeper critical understanding and appreciation of the medium. Organized into three sections embracing constructed textiles, dyed, painted and printed textiles, and stitched and mixed-media textiles, the images are arranged to make an impressive visual statement. The book includes over 400 images from around 100 textile and fiber artists ranging from new graduates to experienced practitioners, making an indispensable reference for anyone with a passion for textileswhether student, professional, or hobbyist. It will also appeal to those with an interest in color and pattern, including artists and graphic designers.
African Textiles Today illustrates how African history is read, told, and recorded in cloth. All artifacts or works of art hold within them stories that range far beyond the time of their creation or the lifetime of their creator, and African textiles are patterned with these hidden histories. In Africa, cloth may be used to memorialize or commemorate something - an event, a person, a political cause - which in other parts of the world might be written down in detail or recorded by a plaque or monument. History in Africa can be read, told, and recorded in cloth. Making and trading numerous types of cloth have been vital elements in African life and culture for at least two millennia, linking different parts of the continent with each other and the rest of the world. Africa's long engagement with the peoples of the Mediterranean and the islands of the Atlantic and Indian Oceans provides a story of change and continuity. African Textiles Today shows how ideas, techniques, materials, and markets have adapted and flourished, and how the dynamic traditions in African textiles have provided inspiration for the continent's foremost contemporary artists and photographers. With a concluding chapter discussing the impact of African designs across the world, the book offers a fascinating insight into the living history of Africa.
The ultimate fabric sourcebook.
Soviet Textiles ISBN 0-87846-703-3 / 978-0-87846-703-7 Paperback, 8 x 9 in. / 96 pgs / 52 color. / U.S. $24.95 CDN $30.00 August / Design
Create modern heirlooms using vintage materials—a collection of 35 innovative projects showcasing the exceptional beauty in timeworn textiles. Vintage Made Modern is a book devoted to recycling just as generations before us have, utilizing timeworn textiles with histories of their own. With a little resourcefulness, gentle care, and some creative repurposing, the 35 innovative projects in this book breathe life back into these textiles, refresh their beauty, and create new memories. Whether it be Granny's well-worn apron, a threadbare family quilt, or a tattered tea towel you picked up at the thrift shop, each of these textiles has a tale to tell. Vintage Made Modern will have you collaborating with makers from the past and continuing stories composed long ago, with you becoming part of the narrative.
This survey brings together a wide range of images and perspectives. Extraordinary technological developments, from color-changing, light-sensitive camouflage to emergency shelters of cement-impregnated fabric bonded to an inflatable plastic, are included here alongside the simply beautiful, such as Eley Kishimoto’s patterns that point to the historical exchange of ideas between East and West.
Het rijke erfgoed van gevarieerde en kleurrijke textielkunsten - weven, borduren, lussen, haken - in Guatemala is nu, door middel van dit boek, toegankelijk voor de wever van vandaag. De auteur, een professionele fotografe en schrijfster, heeft vele jaren in Midden-Amerika doorgebracht met het verzamelen van materiaal en het documenteren van de verschillende soorten stoffen die momenteel worden gemaakt. Het boek laat de mannen en vrouwen aan het werk zien die geweven kledingstukken en lappen stof maken, hun weefgetouwen en weefopstellingen en hun materialen. Er wordt speciale nadruk gelegd op de specifieke technieken die worden gebruikt om verschillende soorten stoffen te weven, met name aanvullende inslagpatronen, die lange tijd als de beste prestatie van de Guatemalteekse wevers werden beschouwd. Na een kort overzicht van de oorsprong en geschiedenis van het weven in Guatemala, bespreekt de auteur de achtergrond van het ambacht vandaag de dag, de levensstijl van de wever, het traditionele gebruik van het textiel en recente weeftrends. Het volgende hoofdstuk beschrijft de verschillende vezels die gebruikt worden in de textielproductie: hoe ze gesponnen en geverfd worden en welke soorten weefgetouwen en weefapparatuur gebruikt worden. De verschillende benaderingen van het weven in Guatemala worden beschreven en vergeleken in een lang hoofdstuk over het weven met de rugband (waaronder technieken die gebruikt worden in patroonweven, brokaat en gaas). Een hoofdstuk over weven op weefgetouwen toont de uitrusting en weeftechnieken voor onder andere platbinding, tapisserie en jacquardweven. De auteur beschrijft ook lussen, borduren, breien en haken voor het maken van tassen en netten. De conclusie beschrijft nieuwe richtingen in het weven in Guatemala. Het boek geeft zowel de glorie van de geproduceerde stoffen weer als een portret van het geduld, de vaardigheid en de veeleisende eisen van het weefambacht.
A detailed study of Tudor textiles, highlighting their extravagant beauty and their impact on the royal court, fashion, and taste At the Tudor Court, textiles were ubiquitous in decor and ceremony. Tapestries, embroideries, carpets, and hangings were more highly esteemed than paintings and other forms of decorative art. Indeed, in 16th-century Europe, fine textiles were so costly that they were out of reach for average citizens, and even for many nobles. This spectacularly illustrated book tells the story of textiles during the long Tudor century, from the ascendance of Henry VII in 1485 to the death of his granddaughter Elizabeth I in 1603. It places elaborate tapestries, imported carpets, lavish embroidery, and more within the context of religious and political upheavals of the Tudor court, as well as the expanding world of global trade, including previously unstudied encounters between the New World and the Elizabethan court. Special attention is paid to the Field of the Cloth of Gold, a magnificent two-week festival—and unsurpassed display of golden textiles—held in 1520. Even half a millennium later, such extraordinary works remain Tudor society’s strongest projection of wealth, taste, and ultimately power.
Featuring textiles from the Balkans, the Middle East, Asia, Africa, Central and South America, this book reveals an eclectic selection of over 150 textiles that illustrate the richness and diversity of world textiles. With expert commentary that highlights the key features of the designs and sets them in their social and cultural context, this book gives insight into the significance of pattern and symbolism and tells the stories behind these spectacular works. Awash with vibrant color, fascinating motifs, and an assortment of striking and intricate patterns, this sourcebook offers a wealth of inspiration for using color and pattern and is a must-have for anyone interested in textile and design. * Includes various techniques of production: embroidery, weaving, printing and dyeing * Shows each individual textile in full through a series of detailed photographs