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The textiles of the Kachhwaha Rajput court of Amber-Jaipur were among the finest ever produced in India. This book showcases 150 of the most spectacular woven, embroidered, and dye-patterned textiles used at the court from the early 17th century to the early 20th century.
A richly illustrated history of textiles in the Mughal Empire In the sixteenth and seventeenth centuries, a vast array of textiles circulated throughout the Mughal Empire. Made from rare fibers and crafted using virtuosic techniques, these exquisite objects animated early modern experience, from the intimate, sensory pleasure of garments to the monumentality of imperial tents. The Art of Cloth in Mughal India tells the story of textiles crafted and collected across South Asia and beyond, illuminating how cloth participated in political negotiations, social conversations, and the shared seasonal rhythms of the year. Drawing on small-scale paintings, popular poetry, chronicle histories, and royal inventory records, Sylvia Houghteling charts the travels of textiles from the Mughal imperial court to the kingdoms of Rajasthan, the Deccan sultanates, and the British Isles. She shows how the “art of cloth” encompassed both the making of textiles as well as their creative uses. Houghteling asks what cloth made its wearers feel, how it acted in space, and what images and memories it conjured in the mind. She reveals how woven objects began to evoke the natural environment, convey political and personal meaning, and span the distance between faraway people and places. Beautifully illustrated, The Art of Cloth in Mughal India offers an incomparable account of the aesthetics and techniques of cloth and cloth making and the ways that textiles shaped the social, political, religious, and aesthetic life of early modern South Asia.
Festivals at the Royal Court of Jaipur is a lavishly illustrated book with over 60 photographs of miniature paintings, ritual objects and ceremonies.
"Published to accompany the exhibition The Fabric of India at the Victoria and Albert Museum, London, from 3 October 2015 to 10 January 2016"--Title page verso.
After years of searching through dusty museum collections and royal stores across India, acclaimed designer Ritu Kumar has uncovered many of the last surviving examples of traditional royal clothing. Her book is a celebration of this rich legacy of textiles and craftsmanship. This in-depth study of the evolution of Indian royal costume spans the centuries from the first representations of clothing in ancient India, through the reign of the Mughal emperors and the days of the British Raj, to Indian independence and royalty in the present day. The author covers both men's and women's garments, Hindu and Muslim styles, and documents the evolution of European-Indian fashions. This sumptuous volume is illustrated with a variety of material, much of which has never been published before ranging from archive photographs, miniatures, royal portraits and cinema stills, to detailed images of garments and textiles from as far back as the seventeenth century. A separate section explains in detail the techniques behind the traditional crafts of weaving, dyeing, printing and embroidery, with sketches and patterns illustrating a variety of garments. Specially commissioned photographs of members of royalty wearing their traditional clothes emphasise the colour, shape, ornament and texture of these stunning costumes. This royal family album is supplemented by stories of royal India told to the author by the last Rajmatas who still remember the splendours of courtly life. AUTHOR: Ritu Kumar is one of India's foremost designers, who has developed a unique style combining the ancient traditions of Indian craftsmanship with contemporary innovations. She began her work many years ago in a small village near Calcutta with just four hand-block printers and a couple of tables. 360 colour & 100 b/w illustrations
This volume is the fourth in a series illustrating the superb collections housed at the Maharaja Sawai Man Singh II Museum, City Palace, Jaipur. This book accompanies a new display of paintings and photographs from the reserve collections of the Maharaja Sawai Man Singh II Museum that opened in a special gallery in 2015. It tells the story of the visual arts in Jaipur, exploring the relationship between art that was collected or bought for Jaipur, and art that its rulers commissioned.
Textiles embellished with gold and silver have been desired and cherished worldwide since Antiquity. In the Indian subcontinent, too, the use of metal to enhance the value and beauty of cloth is part of an ancient tradition. Jewelled Textiles: Gold And Silver Embellished Cloth of India presents a rich selection of textiles and dresses ornamented with precious metals—gold and silver. These luxurious and often opulent textiles have always been associated with wealth, beauty, supremacy, ceremony and divinity in the subcontinent. Gold and silver embroidery in India is remarkable for the manifold styles in which the threads are manipulated to produce results on cloth surfaces, enhancing and ornamenting the character of the textile. The raw materials, techniques of surface application, and the final effects thus created are unique to different regions in the country where the embroidery techniques and printing with precious metals are classified by the local terminology. Techniques by which metals are applied to textile surface like Kamdani or Badla in Lucknow, Tilla in Jammu and Kashmir and parts of Western India, Danka and Gota Patti in Rajasthan, Zardozi and Vasli in Bhopal, Hyderabad, Lucknow, Delhi and other centres in Uttar Pradesh, Rajasthan and Gujarat, Mukke Ka Kaam in Rajasthan and Gujarat and Varak from different parts of the country are described in detail in the book. These techniques are illustrated with examples of skillfully executed pieces from museums and private collections. A veritable collector’s pride.
Handbook of Museum Textiles Textiles have been known to us throughout human history and played a vital role in the lives and traditions of people. Clothing was made by using different materials and methods from natural fibers. There are different varieties of textiles, out of which certain traditional textiles, archaeological findings, or fragments are of cultural, historical, and sentimental value such as tapestries, embroideries, flags, shawls, etc. These kinds of textiles, due to their historical use and environmental factors, require special attention to guarantee their long-term stability. Textile conservation is a complex, challenging, and multi-faceted discipline and it is one of the most versatile branches of conservation. Volume 1 of the Handbook of Museum Textiles focuses on conservation and cultural research and addresses the proper display, storage, upkeep, handling, and conservation technology of textile artifacts to ensure their presence for coming generations. Spread over 19 chapters, the volume is a unique body of knowledge of theoretical and practical details of museum practices. Chapters on textile museums, the importance of cultural heritage, conservation, and documentation of textiles are covered in depth. Conservation case studies and examples are highlighted in many chapters. Management practices and guidelines to pursue a career in the museum textile field have been given due attention. The respective authors of the chapters are of international repute and are researchers, academicians, conservators, and curators in this field. Audience The book is a unique asset for textile researchers, fine art scholars, archaeologists, museum curators, designers, and those who are interested in the field of traditional or historic textile collections.
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Explains process of importing goods into the U.S., including informed compliance, invoices, duty assessments, classification and value, marking requirements, etc.