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It's a question asked by many budding textile artists: how can I be more creative? You've got a few ideas and know some techniques, but you're not sure how to get started or make your work hang together. This book shows you how. It explains the creative process from the very beginning: where to find inspiration and how to harness those ideas; how to gather source material; how to pull together what you have. The authors then take you on a journey to develop a design. Learn how to put elements together to make a cohesive whole and develop a theme, learning established design rules along the way. Part Three, Moving into Stitch, gives you a range of techniques and easy experiments with which to turn your design into stitched-textile work. From choosing what fabrics to use, to layering, creating texture and adding embellishment, it covers the key techniques to try. This is a terrific book for those starting out in textiles who really do want to be as creative as they can possibly be.
The ultimate guide to manipulating, coloring, and embellishing fabrics. Discover nearly 50 fabulous techniques for creating one-of-a-kind designer fabrics using your imagination as the guide.
A guide to creating beautiful and meaningful textiles. Poetic cloth is about how cloth, stitch and surface create personal meaning in textile art. It shows how a more thoughtful use of material and process can create textiles of depth and meaning. Grounded in the key elements of the well-established author's work, the book begins with an introduction to materials, their properties and personal meanings. Subsequent chapters help the reader to explore the connection between process and material, focusing on stitch, print, surface manipulation and construction to create seductive textile surfaces. The emphasis throughout is on a sensitivity to material, a quiet attention to detail and thoughtful application of textile technique. The chapters are: Touch (cloth and swatch); Stitch (mark, surface and space); Trace (layer and shadow play); Fragment (worn, threadbare, cobweb); Mend (patch, seam, and darn); Lustre (alchemy and radiance). Techniques include hand stitch, shadow work, patching, darning, devoré and cyanotype printing. Written by member of the prestigious 62 Group Hannah Lamb, this is an invaluable book for textile artists who want to give more meaning to their work.
Transform your ideas on creative fabric embellishment for textile art that's full meaning and astounding texture, in this inspiring book by award-winning textile art tutor and artist Jan Dowson. Whether it's a landscape, a garden, an animal or a powerful memory of a place or object, Jan shows you how she develops them all into beautifully stitched representations that exude awe-inspiring detail, colour and expression. Discover Jan's unique sketchbook process, where she stores and collects natural items, and explores different patterns, textures, media and markings to cultivate her final design. See her simple yet effective methods for transforming her fabric for stitching, including dyeing, embellishing and stamping. Then, watch her transform an unassuming square of fabric into a contemporary piece of art brimming with colour, texture and extraordinary stitched markings - all made through the combination of traditional sewing techniques and other media. Following a fascinating, illustrated step-by step chapter on Jan's key techniques, join her as she takes you through the stages of three types of work for which she is most renowned - the stitched landscape, the memory cloth and the bird sculpture. Each project also includes a break down of the materials, tools and techniques used, so that can understand as well as see the development of her astounding, mixed-media creations. Throughout the book, a gallery of Jan's work complements her techniques and projects, showing how to truly push the limits on your stitcheries. These are stunning pieces that will open your eyes and turn your own creative concepts into original, personal work.
Harness the beauty of the natural world to create unique textile art pieces. Learn how to create beautiful textile art inspired by details in nature in this practical and inspirational guide. Acclaimed textile artist Marian Jazmik shows how to use unusual recycled and repurposed materials combined with traditional fabric and thread. Marian reveals the secrets of her lushly textured and sculptural embroidered pieces, from initial photograph to finished object. Exploring nature as a constant source of inspiration, she shows how to turn a chance spotting of lichen on a tree trunk or a scattering of autumn leaves into glorious textile or mixed-media art. Marian goes on to explore the myriad of techniques she uses in her work, including: How to begin with photography, homing in on details in nature. How to manipulate images to create microscopic and surprising detail. How to translate the images into 3-D work, using an eclectic mix of natural and man-made textiles, as well as unusual recycled materials otherwise be destined for landfill (packaging, plastics and household DIY products). Hand and machine embroidery. Dyeing, printing and painting. Using heat gun and soldering iron to create heavily textured surfaces. Packed with practical tips, inspiration and illustrated throughout with glorious examples of Marian’s work, this book will provide you with endless imaginative ideas for distilling the wonders of nature into your own textile art.
In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.
A practical and inspirational guide to help embroiderers and textile artists make the most of sketchbooks to inform their creative work. The artist’s sketchbook offers an exciting platform to explore a host of mixed media techniques. Using a combination of paper, textiles, found objects, pencil, ink and paint, Shelley Rhodes shows how a sketchbook can act as an illustrated diary, a visual catalogue of a journey or experience or as a starting point for more developed work. Whether out on location or in the studio, Rhodes explores every stage of the creative process, from initial inspiration to overcoming the fear of a blank page, manipulating paper and images and incorporating ‘found’ objects to build a sketchbook that is both beautiful and inspiring. Sketchbook Explorations is the ideal companion for everyone from the beginner to the more experienced artist looking for exciting techniques to expand their repertoire in mixed media. The book explores: Why work in sketchbooks? The importance and joy of working in a sketchbook. Ways of recording and investigating ideas that inspire. Techniques in mixed media from found objects and layers to three-dimensional sketching. Creating on location. Using electronic devices to develop ideas.
An evocative exploration of how travel - local and far away - can inform, inspire and enhance textile art. Travel has always featured heavily in textile art, from artists’ ‘travelling sketchbooks’ to large-scale installations mapping coastal erosion or the effects of climate change. In this book, renowned textile artist Anne Kelly shows how to capture your travels, past and present, in stitch, with practical techniques sitting alongside inspiring images. She begins the book by discussing maps in textile art, including their iconography as well as incorporating actual maps into textile work. She then goes on to explore the influence of different cultures from across the globe on textile art. From India and Peru to Scotland and Scandinavia, the book shows how to harness traditional techniques, fabrics, motifs and colours for use in your own work. The chapter ‘Stopping Places’ captures the moments in time on a journey that can be distilled, remembered and documented to create stitched postcards, sketchbooks and other pieces. The final chapter, ‘Space and the Imagination’, explores the possibilities of space travel as a source of inspiration, and covers inner space too, with artists mapping their own emotional journeys. Including a wealth of practical tricks and techniques as well as exquisite photography of both Anne’s own work and that of other leading textile artists, this fascinating book will inspire all textile artists, embroiderers and makers to use past travels to influence their work.