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Modern Hinduism in Text and Context brings together textual and contextual approaches to provide a holistic understanding of modern Hinduism. It examines new sources - including regional Saiva texts, Odissi dance and biographies of Nationalists - and discusses topics such as yoga, dance, visual art and festivals in tandem with questions of spirituality and ritual. The book addresses themes and issues yet to receive in-depth attention in the study of Hinduism. It shows that Hinduism endures not only in texts, but also in the context of festivals and devotion, and that contemporary practice, devotional literature, creative traditions and ethics inform the intricacies of a religion in context. Lavanya Vemsani draws on social scientific methodologies as well as history, ethnography and textual analysis, demonstrating that they are all part of the toolkit for understanding the larger framework of religion in the context of emerging nationhood, transnational and transcultural interactions.
In this text, leading scholars from around the world take stock of two centuries of international intellectual investment in Hinduism. Since the early 19th century, when the scholarly investigation of Hinduism began to take shape as a modern academic discipline, Hindu studies has evolved from its concentration on description and analysis to an emphasis on understanding Hindu traditions in the context of the religion's own values, concepts and history. Offering an assessment of the current state of Hindu studies, the contributors to this volume identify past achievements and chart the course for what remains to be accomplished in the field.
By focusing on contemporary popular religious traditions, the book represents a substantial contribution to the study of modern religious practices in Banaras, holy city of India. This book offers in-depth, ethnographic views of many contemporary popular religious practices that have, for the most part, received little attention by scholars. Topics covered include the Ramlila celebrations, devotion to Hanuman, and goddess worship, and the way that Banarsi Boli, the local dialect of Banaras, supports its users in their identification with the sacred city.
In this new book, Brian Hatcher examines the modern Hindu penchant for constructing religious worlds in an eclectic fashion. Noting how Hindu apologists from Rammohun Roy to Sarvepalli Radhakrishnan make an almost promiscuous use of the world's many philosophies and religions to define and defend Hinduism, Hatcher sets out to explore the ancient roots and contemporary significance of such eclectic borrowing. A discussion of the Vedic and classical roots of Hindu eclecticism affords Hatcher the opportunity to reflect upon the profound and widespread role of eclecticism in South Asian religion, while consideration of the work of Swami Vivekananda--as well as a variety of religious reformers from nineteenth-century Bengal--suggests the ongoing significance of the phenomenon in colonial and postcolonial contexts. By examining the development of Brahmo and Neo-Vedanta discourse, Hatcher is able both to problematize the notion of a monolithic concept of religious eclecticism and to reflect upon the various ways scholars might nevertheless attempt to make sense of a bewildering variety of eclectic philosophies. What emerges is not simply an attempt to refine our understanding of the role eclecticism has played in the modern Hindu context, but an extended reflection upon changing attitudes toward eclecticism in the West, from Diderot and Kant through postmodern critical theory. By investigating modern and postmodern perspectives on such issues as history, system, authenticity, and difference, Hatcher seeks to set in motion a dialectical approach to the study of eclectic world construction that balances the positivisitic confidence of modern scholarship with the playful exuberance of postmodern pastiche. Invoking the critical theories of Salman Rushdie, Theodor Adorno, and Richard Rorty, Hatcher advocates an approach to modern Hindu eclecticism that honors its creative poetics while retaining the critical distance necessary for judging its sometimes baleful fruits.
The Last Decades Of The 20Th Century Have Witnessed An Enlarged Understanding Of The Notion Of `Text` As Not Only Comprising Written Documents, But Also Rituals, Artefacts Etc. And Brought It Closer To The Social Religious Or Historical Contexts That Help To Interpret Texts. In Dealing With The Interdependence Between Text And Context The Essays Here Provide Fresh Insights To The Complexity And Fluidity Of Cultural Contexts That Use Text As Stable Points Of Reference. In This Book The Traditions Of Orissa Are Considered In Their Uniqueness As Well As In Their Relationship To South Asian Cultural Contexts On A Larger Scale.
Indologist Ronald Inden has in the past raised questions about the images of a "traditional" or "medieval" India deployed by colonial scholars and rulers--"Orientalists"--and has also argued that a history of "early medieval" India very different from both the colonial and nationalist accounts could be written. This volume is designed as an important first step towards that goal. The authors look closely at three genres of texts that have been crucial to the representations of precolonial India. All three essays challenge not only colonialist scholarship but the attempts by religious nationalists to identify Hinduism as the essence of national identity in India and Buddhism as the essence of nationality in Sri Lanka.
Reciting the Goddess presents the first critical study of the Svasthanivratakatha (SVK), a sixteenth-century Hindu narrative textual tradition. The extensive SVK manuscript tradition offers a rare opportunity to observe the making of a specific, distinct Hindu religious tradition. Jessica Vantine Birkenholtz argues that the SVK serves as a lens through which we can observe the creation of modern 'Hinduism' in the Himalayas, as the text both mirrored and informed key moments in the self-conscious creation of Nepal as the 'world's only Hindu kingdom' in the late medieval and early modern period. Birkenholtz mines the literary historiography that is contained within the SVK text itself, chronicling the text's literary and narrative development as well as the development of the Svasthani goddess tradition. She outlines the process whereby the SVK gradually transformed into a Purana text, and became a critical source for Nepali Hindu belief and identity. She also examines the elusive character of the goddess Svasthani whose identity is tied to the pan-Hindu goddess tradition, and the representation of women in the SVK and the ways in which the text influenced local and regional debates on the ideal of Hindu womanhood. Reciting the Goddess presents Nepal's celebrated SVK as a micro-level illustration of the powerful ways in which people, place, and literature intersect to produce new ideas and concepts of identity and place, even in a historically non-literate culture.
Words and Deeds is a collection of articles on rituals in South Asia with a special focus on their texts and context. The volume presupposes that a comprehensive definition of "ritual" does not exist. Instead, the papers in it avoid essentialist definitions, allowing for a possible polythetic definition of the concept to emerge. Papers in this volume include those on Initiation, Pre-Natal Rites, Religious Processions, Royal Consecration, Rituals which mark the commencement of ritual, Rituals of devotion and Vedic sacrifice as well as contributions which address the broader theoretical issues of engaging in the study of ritual texts and ritual practice, both from the etic and the emic perspective. These studies show that any study of the relationship between the text and the context of rituals must also allow for the possibility that different categories of performers can and do subjectively constitute the relationship between their ritual knowledge and ritual practice, between text and context in differing and nuanced ways.
Are the richness and diversity of rituals and celebrations in South Asia unique? Can we speak of a homo ritualis when it comes to India or Hinduism? Are Indians or Hindus more involved in rituals than other people? If so, what makes them special? Homo Ritualis is the first book to present a Hindu theory of rituals. Based on extensive textual studies and field-work in Nepal and India, Axel Michaels argues that ritual is a distinctive way of acting, which, as in the theater, can be distinguished from other forms of action. The book analyzes ritual in these cultural-specific and religious contexts, taking into account how indigenous terms and theories affect and contribute to current ritual theory. It describes and investigates various forms of Hindu rituals and festivals, such as life-cycle rituals, the Vedic sacrifice, vows processions, and the worship of deities (puja). It also examines conceptual components of (Hindu) rituals such as framing, formality, modality, and theories of meaning.