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Beer Lover's Texas features state-wide breweries, brewpubs and beer bars for those looking to seek out and celebrate the best brews--from bitter seasonal IPAs to rich, dark stouts--their cities have to offer. With quality beer producers popping up all over the nation, you don't have to travel very far to taste great beer; some of the best stuff is brewing right in your home state. These comprehensive guides cover the entire beer experience for the proud, local enthusiast and the traveling visitor alike, including information on: - brewery and beer profiles with tasting notes- brewpubs and beer bars- events and festivals- food and brew-your-own beer recipes- city trip itineraries with bar crawl maps- regional food and beer pairings
Wes Rawlins couldn't respond fast enough to Sheriff Boudreau's telegram for help, and by the time the Texas Ranger arrived, Boudreau was murdered and his homestead hinted at a haunting cover-up. But how can Wes scratch the surface of the surly atmosphere when Yankee beauty Aurora Sinclair is tempting him with a sly seduction that leaves him immobile yet suspicious? Aurora might be the suspect in this Texan puzzle but Wes is more focused on luring her into his arms than into a pair of handcuffs.
Joshua Barnes-Fleetwood is the prince of Willow Fork, Texas, but not all is right with his world. He’s the heir to a multimillion-dollar company, has a family he adores, and his best friend at his side. He can’t figure out what is missing until Nicole takes a job at Christa’s Café. The pretty waitress is a mystery he needs to solve. He’s never been so attracted to a woman, and after one night in her company, he’s sure she can handle his needs. Unfortunately, he’s also sure she’s lying to him. Jared “Grim” Burch found a home with the Barnes-Fleetwood family when he desperately needed one. With support from his newfound family, Grim beat all the odds and became a veterinarian. In Willow Fork, however, there are still people who are suspicious of him and his past. When he sees Nicole, he knows she’s the perfect woman for him and Josh, but he wonders if he has the right to bring her into his sometimes dangerous circle. For Nicole Mason, Willow Fork is nothing more than a pit stop. Once she can save up the money to fix her car, she’ll do what she’s been doing for the last several years. Run. Framed for her husband’s murder, she can never stop looking over her shoulder. There’s always someone on her trail, and she can’t let them bring her back to the real killer. Getting to know Josh and Grim makes her dream of the life they could have together. If only she could trust them with her secrets. When their past catches up to them all, they’ll find out that even a small town can be big trouble.
In 1912, at age 24, Georgia O’Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas. Amy Von Lintel brings to readers the collected O’Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist’s life she characterizes as “some of the least appreciated in the vast O’Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.” Although selected paintings by O’Keeffe that support the narrative are featured, this work focuses on O’Keeffe’s words. By doing so, Von Lintel aims to allow the artist’s voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity.
During World War II, the U.S. Navy swiftly expanded to include an array of vessels, from smaller yachts and fishing boats bought early in the war for patrol work to fast, modern commercial ships built to haul troops and supplies. After the Allied victory, this diverse fleet became unnecessary and the Navy sold many of its vessels. This comprehensive catalog documents the Navy ships and boats sold after the war and registered under the American flag for commercial or recreational purposes. Focusing on those vessels with names or clearly identifiable hull numbers and crew accommodations, it chronicles each craft's prewar ownership, wartime history, and postwar fate. The product of painstaking detective work in a wide range of primary sources, this meticulous directory highlights an unexplored but illuminating aspect of U.S. maritime history.