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Jim Gatlin rode into Cedar Creek hunting the man who had framed him for a crime he didn't commit. Pinkerton agent Charlie Pine had located the real train robber, called Hood, but outlaws Hidalgo, Wilson and River were also after him for the fortune locked away in a safe at Hood's home. Why was Hood's location a dark secret – even in Cedar Creek? Why were Marshal Jax Silva and the two hard men, Green and Mundt, determined to keep it that way? Against overwhelming odds, Gatlin would have to face a bloody showdown and it would take all his skill and courage to unlock a truly shocking secret.
Once a lawman, always a lawman Ty McCord is a flint-hard lawman hell-bent on outrunning a dangerous and often violent past. He travels on a long journey that takes him through Texas and eventually to the far reaches of the lawless Kansas frontier. His plan is straightforward. A quiet new life as a rancher will begin when he arrives in the remote and sparsely settled ocean of Kansas prairie grass. As he works his way along in the rugged territory, Ty's designs for a peaceful existence are soon set upon by his years of wearing a badge. Nearly a year following his arrival in the tallgrass he weds Liz, a refined and headstrong beauty. Abruptly their world is bushwhacked by a band of military-style horse thieves preying on the prairie ranches. In no time a desperate shorthanded marshal begs Ty for his help in putting an end to the night-riding raiders and the threat of angry ranchers taking matters into their own hands. Against the dead set wishes of Liz and their new child Ty reluctantly agrees to join Marshall Seward's failing struggle to bring the savage outlaws to justice. In due time the raids become personal and deadly.
A SundanceTV miniseries starring Michael K. Williams (The Wire), James Purefoy (Rome), and Christina Hendricks (Mad Men). Hap and Leonard don’t fit the profile. Hap Collins looks like a good ’ol boy, but his liberal politics don’t match. After a number of failed careers, Hap has discovered that what he’s best at: kicking ass. Vietnam veteran Leonard Pine is even more complicated: black, conservative, gay . . . and an occasional arsonist. Join in on Hap and Leonard's gritty Texan crime-fighting adventures, including four pieces of bonus material only found in this edition. The Dixie Mafia and small-time crooks alike had best be extremely nervous.
Almost two decades after his death, John Wayne is still America’s favorite movie star. More than an actor, Wayne is a cultural icon whose stature seems to grow with the passage of time. In this illuminating biography, Ronald L. Davis focuses on Wayne’s human side, portraying a complex personality defined by frailty and insecurity as well as by courage and strength. Davis traces Wayne’s story from its beginnings in Winterset, Iowa, to his death in 1979. This is not a story of instant fame: only after a decade in budget westerns did Wayne receive serious consideration, for his performance in John Ford’s 1939 film Stagecoach. From that point on, his skills and popularity grew as he appeared in such classics as Fort Apache, Red River, She Wore a Yellow Ribbon, The Quiet Man, The Searches, The Man who Shot Liberty Valance, and True Grit. A man’s ideal more than a woman’s, Wayne earned his popularity without becoming either a great actor or a sex symbol. In all his films, whatever the character, John Wayne portrayed John Wayne, a persona he created for himself: the tough, gritty loner whose mission was to uphold the frontier’s--and the nation’s--traditional values. To depict the different facets of Wayne’s life and career, Davis draws on a range of primary and secondary sources, most notably exclusive interviews with the people who knew Wayne well, including the actor’s costar Maureen O’Hara and his widow, Pilar Wayne. The result is a well-balanced, highly engaging portrait of a man whose private identity was eventually overshadowed by his screen persona--until he came to represent America itself.
At a crucial moment in the development of Texas art, an eccentric oil wildcatter form Massachusetts and Luling, Texas, turned to the prestigious San Antonio Art League with a proposal. He would fund a national art competition featuring the state's verdant fields of wildflowers and bring prominence to Texas art if the league would handle the details. Thus was born the Texas Wildflower Competitive Exhibitions, which in three years at the end of the Roaring Twenties awarded more than $53,000 in prize money for paintings of Texas wildflowers, ranch life, and cotton farming. This presentation of twenty-nine color plates of the competitions' best works includes paintings by such important artists as Jose Arpa, Dawson Dawson-Watson, Xavier Gonzalez, Edward G. Eisenlohr, and Oscar E. Berninghaus and Herbert Dunton (the latter duo having also served as founding members of the Taos Society of Artists). In the plates, the artists have portrayed a variety of landscapes and atmospheres to present the wildflowers loved not only by Davis but by generations of Texas art enthusiasts.
A comprehensive guide that defines the literature and the outlines the best-selling genre of all time: romance fiction. More than 2,000 romances are published annually, making it difficult for fans and the librarians who advise them to keep pace with new titles, emerging authors, and constant evolution of this dynamic genre. Fortunately, romance expert and librarian Kristin Ramsdell provides a definitive guide to this fiction genre that serves as an indispensible resource for those interested in it—including fans searching for reading material—as well as for library staff, scholars, and romance writers themselves. This title updates the last edition of Romance Fiction: A Guide to the Genre, published in 1999.While the emphasis is on newer titles, many of the important older classics are retained, keeping the focus of the book on the entire genre, instead of only those titles published during the last decade. Specific changes include new chapters on linked and continuing romances, a new section on "Chick Lit" in the Contemporary Romance chapter, an expansion of coverage on the alternative reality subset. This is THE romance genre guide to have.
Terrorism has existed within the shores of the United States, as we know it today, since 1964. The tragedy of September 11 IS NOT the first time that an attack has taken place within the United States. It is the first such attack to take place in America. The threat of terrorism continues to exist and WILL get worse. This book puts thirty years of counterintelligence and counterterrorism experience and research at your fingertips. Learn who the enemies are. Learn what and how they plan and execute their attacks. Learn from them what you can do to protect yourself and our country. This is the most exhaustive book available on who and what the terrorists are. Knowledge is power and he that has the most will win.
Larry McMurtry declares, "Texas itself doesn't have anything to do with why I write. It never did." Horton Foote, on the other hand, says, "I've just never had a desire to write about any place else." In between those figurative bookends are hundreds of other writers—some internationally recognized, others just becoming known—who draw inspiration and often subject matter from the unique places and people that are Texas. To give everyone who is interested in Texas writing a representative sampling of the breadth and vitality of the state's current literary production, this volume features conversations with fifty of Texas's most notable established writers and emerging talents. The writers included here work in a wide variety of genres—novels, short stories, poetry, plays, screenplays, essays, nonfiction, and magazine journalism. In their conversations with interviewers from the Writers' League of Texas and other authors' organizations, the writers speak of their apprenticeships, literary influences, working habits, connections with their readers, and the domestic and public events that have shaped their writing. Accompanying the interviews are excerpts from the writers' work, as well as their photographs, biographies, and bibliographies. Joe Holley's introductory essay—an overview of Texas writing from Cabeza de Vaca's 1542 Relación to the work of today's generation of writers, who are equally at home in Hollywood as in Texas—provides the necessary context to appreciate such a diverse collection of literary voices. A sampling from the book: "This land has been my subject matter. One thing that distinguishes me from the true naturalist is that I've never been able to look at land without thinking of the people who've been on it. It's fundamental to me." —John Graves "Writing is a way to keep ourselves more in touch with everything we experience. It seems the best gifts and thoughts are given to us when we pause, take a deep breath, look around, see what's there, and return to where we were, revived." —Naomi Shihab Nye "I've said this many times in print: the novel is the middle-age genre. Very few people have written really good novels when they are young, and few people have written really good novels when they are old. You just tail off, and lose a certain level of concentration. Your imaginative energy begins to lag. I feel like I'm repeating myself, and most writers do repeat themselves." —Larry McMurtry "I was a pretty poor cowhand. I grew up on the Macaraw Ranch, east of Crane, Texas. My father tried very hard to make a cowboy out of me, but in my case it never seemed to work too well. I had more of a literary bent. I loved to read, and very early on I began to write small stories, short stories, out of the things I liked to read." —Elmer Kelton