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"Hello, Suckers!" Every night she flung that greeting at the Jazz Age flappers and gents who crowded in to see the "Queen of the Nightclubs" work her magic. They came to laugh and drink and forget the world outside - and Texas Guinan kept the party going. She was the wittiest nightclub hostess in New York, and her clubs had the best floor shows, the most elegant decor, and all the bootleg liquor that furtively exchanged dollars could buy. Here is the story of Texas Guinan - nightclub hostess, theater and vaudeville actress, and star of silent westerns. Louise Berliner, a granddaughter of the lawyer who defended Guinan at her notorious "public nuisance" trial in 1929, follows the whole course of Guinan's life (1884-1933), from her childhood in a devout Catholic home in Waco, Texas, to her celebrity funeral and burial with diamonds in one hand and a rosary in the other. Like a female Gatsby, Texas Guinan invented a past appropriate for the character she became. Berliner explores this fascinating process of self-creation, separating fact from the fictions that Guinan wove about her life. In so doing, she illuminates the era of early musical comedies in New York and on the vaudeville circuit, the two-reeler silent westerns in which Guinan starred as a lady gunslinger, and the New York club life that Guinan promoted as "an essential and basic industry". Texas Guinan seemed to know everyone in the Roaring Twenties - the Prince of Wales, Ruby Keeler, George Raft, Rudolph Valentino, Walter Winchell, Mae West, Aimee Semple MacPherson, and even President Harding - and Berliner offers intriguing views of Guinan's relationship with many of these varied personalities. This timely book, the firstfully documented study of Guinan's life, will be important for everyone interested in popular culture, the Jazz Age, and women's studies. It brings to life a woman of amazing vitality and surprising contradictions, as captivating as any character imagined by F. Scott Fitzgerald.
In 1919, the United States made its boldest attempt at social reform: Prohibition. This "noble experiment" was aggressively promoted, and spectacularly unsuccessful, in New York City. In the first major work on Prohibition in a quarter century, and the only full history of Prohibition in the era's most vibrant city, Lerner describes a battle between competing visions of the United States that encompassed much more than the freedom to drink.
Illustrated with archival photographs of the clubs and the characters who frequented them, this book is a dark and dazzling study of New York's bygone nightlife.
As Hollywood entered the sound era, it was rightly determined that the same public fascinated by the novelty of the talkie would be dazzled by the spectacle of a song and dance film. In 1929 and 1930, film musicals became the industry's most lucrative genre--until the greedy studios almost killed the genre by glutting the market with too many films that looked and sounded like clones of each other. From the classy movies such as Sunnyside Up and Hallelujah! to failures such as The Lottery Bride and Howdy Broadway, this filmography details 171 early Hollywood musicals. Arranged by subgenre (backstagers, operettas, college films, and stage-derived musical comedies), the entries include studio, release date, cast and credits, running time, a complete song list, any recordings spawned by the film, Academy Award nominations and winners, and availability on video or laserdisc. These data are followed by a plot synopsis, including analysis of the film's place in the genre's history. Includes over 90 photographs.
An award-winning historian surveys the astonishing cast of characters who helped turn Manhattan into the world capital of commerce, communication and entertainment --
"Texas Guinan was the queen of New York's speakeasies in the Roaring Twenties. Her clubs were backed by leading gangsters and welcomed some of the city's biggest sharks and swankest swells. Movie stars, flappers, madams, musicians and more flocked to midtown's "Wet Zone," Greenwich Village and Harlem for inebriated entertainment... Author David Rosen recounts Texas's adventurous life alongside tales of Gotham's nightlife when abstinence was the law of the land and breaking the law an all-American indulgence."--Back cover.
Native Texan: Stories from Deep in the Heart is a lively and personal tour of small town and big city Texas in search of what makes the state unique. Nationally acclaimed columnist Joe Holley is widely loved for his popular “Native Texan” column, which appears in the Houston Chronicle. In thirty stories curated from column archives, Holley introduces readers to his favorite people and places across the state. From interviews on the “weird” streets of Austin and his search for ghosts in Bigfoot to a decades-long love affair with everything about Marathon and hikes on the back trails of the Big Bend, Holley is a masterful storyteller. His instincts are backed by a seasoned journalist’s passion to measure legends and tall tales against investigations into what really happened. He reveals small-town Texas, and some small towns within the largest cities, with a style that has proven popular with readers and a keen eye for a unique spin on an old story. The result is an entertaining and certainly surprising view of the Lone Star state.
In the Roaring Twenties, New York City nightclubs and speakeasies became hot spots where traditions were flouted and modernity was forged. With powerful patrons in Tammany Hall and a growing customer base, nightclubs flourished in spite of the efforts of civic-minded reformers and federal Prohibition enforcement. This encounter between clubs and government-generated scandals, reform crusades, and regulations helped to redefine the image and reality of urban life in the United States. Ultimately, it took the Great Depression to cool Manhattan's Jazz Age nightclubs, forcing them to adapt and relocate, but not before they left their mark on the future of American leisure. Nightclub City explores the cultural significance of New York City's nightlife between the wars, from Texas Guinan's notorious 300 Club to Billy Rose's nostalgic Diamond Horseshoe. Whether in Harlem, Midtown, or Greenwich Village, raucous nightclub activity tested early twentieth-century social boundaries. Anglo-Saxon novelty seekers, Eastern European impresarios, and African American performers crossed ethnic lines while provocative comediennes and scantily clad chorus dancers challenged and reshaped notions of femininity. These havens of liberated sexuality, as well as prostitution and illicit liquor consumption, allowed their denizens to explore their fantasies and fears of change. The reactions of cultural critics, federal investigators, and reformers such as Fiorello La Guardia exemplify the tension between leisure and order. Peretti's research delves into the symbiotic relationships among urban politicians, social reformers, and the business of vice. Illustrated with archival photographs of the clubs and the characters who frequented them, Nightclub City is a dark and dazzling study of New York's bygone nightlife.
The riveting true story of the rise and fall of Murder, Inc. and the executioner-turned-informant whose mysterious death became a turning point in Mob history. In the fall of 1941, a momentous trial was underway that threatened to end the careers and lives of New York’s most brutal mob kingpins. The lead witness, Abe Reles, had been a trusted executioner for Murder, Inc., the enforcement arm of a coast-to-coast mob network known as the Commission. But the man responsible for coolly silencing hundreds of informants was about to become the most talkative snitch of all. In exchange for police protection, Reles was prepared to rat out his murderous friends, from Albert Anastasia to Bugsy Siegel—but before he could testify, his shattered body was discovered on a rooftop outside his heavily-guarded hotel room. Was it a botched escape, or punishment for betraying the loyalty of the country’s most powerful mobsters? Michael Cannell's A Brotherhood Betrayed traces the history of Murder, Inc. through Reles’ rise from street punk to murder chieftain to stool pigeon, ending with his fateful death on a Coney Island rooftop. It resurrects a time when crime became organized crime: a world of money and power, depravity and corruption, street corner ambushes and elaborately choreographed hits by wise-cracking foot soldiers with names like Buggsy Goldstein and Tick Tock Tannenbaum. For a brief moment before World War II erupted, America fixated on the delicate balance of trust and betrayal on the Brooklyn streets. This is the story of the one man who tipped the balance.
Satan in the Dance Hall explores the overwhelming popularity of social dancing and its close relationship to America's rapidly changing society in the 1920s. The book focuses on the fiercely contested debate over the morality of social dancing in New York City, led by moral reformers and religious leaders like Rev. John Roach Straton. Fed by the firm belief that dancing was the leading cause of immorality in New York, Straton and his followers succeeded in enacting municipal regulations on social dancing and moral conduct within the more than 750 public dance halls in New York City. Ralph G. Giordano conveys an easy to read and full picture of life in the Jazz Age, incorporating important events and personalities such as the Flu Epidemic, the Scopes Monkey Trial, Prohibition, Flappers, Gangsters, Texas Guinan, and Charles Lindbergh, while simultaneously describing how social dancing was a hugely prominent cultural phenomenon, one closely intertwined with nearly every aspect of American society fromthe Great War to the Great Depression. With a bibliography, an index, and over 35 photos, Satan in the Dance Hall presents an interdisciplinary study of social dancing in New York City throughout the decade.