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The Texas Rangers have been the source of tall tales and the stuff of legend as well as a growing darker reputation. But the story of the Rangers along the Mexican border between Texas statehood and the onset of the Civil War has been largely overlooked—until now. This engaging history pulls readers back to a chaotic time along the lower Rio Grande in the mid-nineteenth century. Texas Devils challenges the time-honored image of “good guys in white hats” to reveal the more complicated and sobering reality behind the Ranger Myth. Michael L. Collins demonstrates that, rather than bringing peace to the region, the Texas Rangers contributed to the violence and were often brutal in their injustices against Spanish-speaking inhabitants, who dubbed them los diablos Tejanos—the Texas devils. Collins goes beyond other, more laudatory Ranger histories to focus on the origins of the legend, casting Ranger immortals such as John Coffee “Jack” Hays, Ben McCulloch, and John S. “Rip” Ford in a new and not always flattering light. In revealing a barbaric code of conduct on the Rio Grande frontier, Collins shows that much of the Ranger Myth doesn’t hold up to close historical scrutiny. Texas Devils offers exciting true stories of the Rangers for anyone captivated by their legend, even as it provides a corrective to that legend.
In the Texas Reconstruction Era (1865-1877), many returning Confederate veterans organized outlaw gangs and Ku Klux Klan groups to continue the war and to take the battle to Yankee occupiers, native white Unionists, and their allies, the free people. This study of Benjamin Bickerstaff and other Northeast Texans provides a microhistory of the larger whole. Bickerstaff founded Ku Klux Klan groups in at least two Northeast Texas counties and led a gang of raiders who, at times, numbered up to 500 men. He joined the ranks of guerrilla fighters like Cullen Baker and Bob Lee and, with their gangs often riding together, brought chaos and death to the “Devil’s Triangle,” the Northeast Texas region where they created one disaster after another. “This book provides a well-researched, exhaustive, and fascinating examination of the life of Benjamin Bickerstaff, a desperado who preyed on blacks, Unionists, and others in northeastern Texas during the Reconstruction era until armed citizens killed him in the town of Alvarado in 1869. The work adds to our knowledge of Reconstruction violence and graphically supports the idea that the Civil War in Texas did not really end in 1865 but continued long afterward.”—Carl Moneyhon, author of Texas after the Civil War: The Struggle of Reconstruction
Undoubtedly the most notorious title in director Ken Russell’s controversial filmography, The Devils (1973) caused a real furor on its initial theatrical release, only to largely disappear for many years. This Devil’s Advocate considers the film’s historical context, as the timing of the first appearance of The Devils is of particular importance, its authorship and adaptation (Russell’s auteur reputation aside, the screenplay is based on John Whiting’s 1961 play of the same name, which was in turn based on Aldous Huxley’s 1952 book The Devils of Loudun), and its generic hybridity. Darren Arnold goes on to examine the themes prevalent in the film—this is the only film of Russell’s which the director considered to be political—and considers the representation of gender and sexuality, gender fluidity, and how sex and religion clash to interesting and controversial effect. He concludes by revisiting the film’s censorship travails and the various versions of The Devils that have appeared on both big and small screens, and the film’s legacy and influence.
No-one who has ever seen the original 'The Texas Chain Saw Massacre' (1974) is ever likely to forget the experience. An intense fever dream (or nightmare), it is remarkable for its sense of sustained threat and depiction of an insane but nonetheless (dys)functional family on the furthest reaches of society who have regressed to cannibalism in the face of economic hardship. As well as providing a summary of the making of the film, this book discusses the extraordinary censorship history of the film in the UK (essentially banned for two decades) and provides a detailed textual analysis of the film with particular reference to the concept of 'the Uncanny'. The book also situates the film in the context of horror film criticism (the 'Final Girl' character) and discusses its influence and subsequent sequels and remakes.
I would do anything for my family. Anything to keep them safe. When we're faced with a threat, I'm forced back into a game I never wanted to be a part of. Not only am I thrust into a new world, but she is too. A wrong place at the wrong time situation sends both of us down the wrong path. Now I need to save my family and her.
When tigers begin attacking people in Texas, only Arina Yeroskin, a veterinarian who was in on the experimental program that infected animals with a virulent form of rickettsia, "and the reader--knows why the post-communist Russian government wants their prize animals dead, not alive."--Jacket.
An extended ethnographic essay that explores the socially produced, narratively mediated, and relatively unconscious ideological responses of people--scholars and folk--to a history of race and class domination, with specific reference to several distinct though inter- related spheres of folkloric symbolic action concerning the working classes of Mexican-American south Texas. Paper edition (unseen), $15.95. Annotation copyright by Book News, Inc., Portland, OR
This important book from a Pulitzer Prize finalist follows the brutal journey a group of men take to cross the Mexican border: "the single most compelling, lucid, and lyrical contemporary account of the absurdity of U.S. border policy" (The Atlantic). In May 2001, a group of men attempted to cross the Mexican border into the desert of southern Arizona, through the deadliest region of the continent, the "Devil's Highway." Three years later, Luis Alberto Urrea wrote about what happened to them. The result was a national bestseller, a Pulitzer Prize finalist, a "book of the year" in multiple newspapers, and a work proclaimed as a modern American classic.
During the turbulent years of the Civil War and Reconstruction, a squall of violence and lawlessness swept through the Nueces Strip and the Rio Grande Valley in southern Texas. Cattle rustlers, regular troops, and Texas Rangers, as well as Civil War deserters and other characters of questionable reputation, clashed with Mexicans, Germans, and Indians over unionism, race, livestock, land, and national sovereignty, among other issues. In A Crooked River, Michael L. Collins presents a rousing narrative of these events that reflects perspectives of people on both sides of the Rio Grande. Retracing a path first opened by historian Walter Prescott Webb, A Crooked River reveals parts of the tale that Webb never told. Collins brings a cross-cultural perspective to the role of the Texas Rangers in the continuing strife along the border during the late nineteenth century. He draws on many rare and obscure sources to chronicle the incidents of the period, bringing unprecedented depth and detail to such episodes as the “skinning wars,” the raids on El Remolino and Las Cuevas, and the attack on Nuecestown. Along the way, he dispels many entrenched legends of Texas history—in particular, the long-held belief that almost all of the era’s cattle thieves were Mexican. A balanced and thorough reevaluation, A Crooked River adds a new dimension to the history of the racial and cultural conflict that defined the border region and that still echoes today.