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A collection of Courtney's columns from the Texas Monthly, curing the curious, exorcizing bedevilment, and orienting the disoriented, advising "on such things as: Is it wrong to wear your football team's jersey to church? When out at a dancehall, do you need to stick with the one that brung ya? Is it real Tex-Mex if it's served with a side of black beans? Can one have too many Texas-themed tattoos?"--Amazon.com.
Photographs and text reveal the histories of ten dance halls across the state of Texas, which includes The Bandera Caberet, The Coupland Inn & Dancehall, Schroeder Hall, Gruene Hall, and others.
Small-town dance halls once overflowed with people flocking to see their favorite country bands and to dance. Dance Halls and Last Calls explores over one hundred of these vintage dance halls and their communities through the eyes of artists who played there.
Texas dance halls are iconic structures that have played a prominent role in the states culture from its earliest stages. They became central institutions in the earliest European settlements and provided these immigrant communities with a common, central space in which to build new ways of life in a new land. The settlement patterns of the mostly German, Czech, Polish, and other central European migrants of this period gave East Central Texas the states greatest concentration of dance halls. Thousands of these halls were built throughout the 19th and early 20th centuries, but at present, their numbers have dwindled considerably, and many are at risk.
"Blending literary and photo-journalism, history, and storytelling, essays examine eighteen Texas dance halls in terms of their music, culture, and community. Also considers the predominantly Czech and German heritage from which these halls evolved, as well as the cultural dynamics that enable them to continue as centers of community"--Provided by publisher.
Dance halls draw their roots from folk dancing parties and, in Texas, that means the "fandango," a term used during the Spanish colonial period to describe a celebration organized by the Hispanic community complete with music, dancing, eating, gambling, and drinking. Texas dance halls are iconic structures that have played a prominent role in the state's culture from its earliest stages. They became central institutions in the earliest European settlements and provided these immigrant communities with a common, central space in which to build new ways of life in a new land.
Satan in the Dance Hall explores the overwhelming popularity of social dancing and its close relationship to America's rapidly changing society in the 1920s. The book focuses on the fiercely contested debate over the morality of social dancing in New York City, led by moral reformers and religious leaders like Rev. John Roach Straton. Fed by the firm belief that dancing was the leading cause of immorality in New York, Straton and his followers succeeded in enacting municipal regulations on social dancing and moral conduct within the more than 750 public dance halls in New York City. Ralph G. Giordano conveys an easy to read and full picture of life in the Jazz Age, incorporating important events and personalities such as the Flu Epidemic, the Scopes Monkey Trial, Prohibition, Flappers, Gangsters, Texas Guinan, and Charles Lindbergh, while simultaneously describing how social dancing was a hugely prominent cultural phenomenon, one closely intertwined with nearly every aspect of American society fromthe Great War to the Great Depression. With a bibliography, an index, and over 35 photos, Satan in the Dance Hall presents an interdisciplinary study of social dancing in New York City throughout the decade.
Texas journalist Shirley Jinkins has put to good use her more than two decades covering the state's music scene by identifying the region s most historic dance halls, beloved honky tonks and iconic saloons. Places listed and described in Texas Landmark Saloons, Honky Tonks and Dance Halls are the sort of places that keep Texas culturally distinctive while the rest of the country gets homogenized by chain concepts and mass marketing. Gruene Hall, Luckenbach Dance Hall, Willie s Place, Billy Bob s and many more are profiled in this nifty pocket-sized, valued-priced guide that should be kept ready in every glove compartment of a vehicle headed through the great expanses of Texas. Passing through Mason? Don t miss the London Dance Hall nearby. Heading to Big Bend? Don t pass up the Starlight Theatre in Terlingua. Approaching Abilene around Christmas? You can't miss the century-plus Cowboy Christmas Ball at Anson's Pioneer Hall nearby.
Dance halls draw their roots from folk dancing parties and, in Texas, that means the "fandango," a term used during the Spanish colonial period to describe a celebration organized by the Hispanic community complete with music, dancing, eating, gambling, and drinking. Texas dance halls are iconic structures that have played a prominent role in the state's culture from its earliest stages. They became central institutions in the earliest European settlements and provided these immigrant communities with a common, central space in which to build new ways of life in a new land.
Dance halls draw their roots from folk dancing parties and, in Texas, that means the "fandango," a term used during the Spanish colonial period to describe a celebration organized by the Hispanic community complete with music, dancing, eating, gambling, and drinking. Texas dance halls are iconic structures that have played a prominent role in the state's culture from its earliest stages. They became central institutions in the earliest European settlements and provided these immigrant communities with a common, central space in which to build new ways of life in a new land.