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Graduation day is “killer”…too bad Tex the witch boy may not live to see it. Richard “Tex” McKenna's graduating high school. It’s a shame he doesn't have a clue what comes next. There's no time to think now, either. Being a male witch makes Tex a ginormous supernatural trouble magnet. There's an angry witch in pursuit and a maniac in a Grim Reaper's costume on the loose. Why did the cheerleader really kill herself? Is the heinous Clarendon Baptist Church a front for something more sinister? Elspeth’s back, too, trouble trailing on her booted heels. If Tex and his friends don't figure it out soon, Tex won't have to worry about life after high school.
Graduation day is "killer"...too bad Tex the witch boy may not live to see it. Richard "Tex" McKenna's graduating high school. It's a shame he doesn't have a clue what comes next. There's no time to think now, either. Being a male witch makes Tex a ginormous supernatural trouble magnet. There's an angry witch in pursuit and a maniac in a Grim Reaper's costume on the loose. Why did the cheerleader really kill herself? Is the heinous Clarendon Baptist Church a front for something more sinister? Elspeth's back, too, trouble trailing on her booted heels. If Tex and his friends don't figure it out soon, Tex won't have to worry about life after high school.
4 YA novels in 1: Quest of the Hart by Mary Waibel...A reverse Sleeping Beauty tale where the princess goes on the quest to save the prince. Colors Like Memories by Meradeth Houston...Julia has a secret: she killed the guy she loved. It was an accident—sort of. Tex, the Witch Boy by Stuart R. West...Someone is killing the bullies of Clearwell High...what's your average teenage boy witch to do? Nightmares by Donna McDunn...Emily must accept her gift of clairvoyance and remember her past, when a psychopath returns to kill again.
Climate change has morphed from an environmental problem into a challenge to civilization itself. As CO2 levels have continued to rise, the 8th Edition of this book is now more relevant than ever. Retaining the approach of the original edition, the newest iteration features global warming as the framing example for a comprehensive look at environmental economics. Pedagogical clarity is ensured by the book’s central focus on four highly-focused questions: How much pollution is too much? Is the government up to the job? How can we do better? How can we resolve global issues? The text also continues with a strong focus on natural resources economics and ecosystem services. Updates to the book are included to address the very latest concerns, standards, and legislation related to environmental issues, providing students with a comprehensive look at this important topic while maintaining an accessible approach that makes the material engaging and highly relevant.
I'm Just Dead, I'm Not Gone chronicles Jim Dickinson's extraordinary life in the Memphis music scene of the fifties and sixties and how he went on to play with and produce a rich array of artists, including Aretha Franklin, the Rolling Stones, Ry Cooder, Duane Allman, Arlo Guthrie, and Albert King. With verve and wit, Dickinson (1941–2009) describes his trip to Blind Lemon's grave on the Texas flatlands as a college student and how that encounter inspired his return to Memphis. Back home, he looked up Gus Cannon and Furry Lewis, began staging plays, cofounded what would become the annual Memphis Blues Festival, and started recording. The blues, Elvis, and early rock 'n' roll compelled Dickinson to reject racial barriers and spurred his contributions to the Memphis music and experimental art scene. He explains how the family yardman, WDIA, Dewey Phillips, Furry Lewis, Will Shade, and Howlin' Wolf shaped him and recounts how he went on to learn his craft at Sun, Ardent, American, Muscle Shoals, and Criteria studios from master producers Sam Phillips, John Fry, Chips Moman, and Jerry Wexler. Dickinson is a member of the Mississippi Music Hall of Fame and an inaugural inductee of the Memphis Music Hall of Fame. He has received the Lifetime Achievement Award for Engineering and Production from the Americana Music Association, a Brass Note on the Beale Street Walk of Fame in Memphis, and a Heritage Marker on the Mississippi Blues Trail. This memoir recounts a love affair with Memphis, the blues, and rock 'n' roll through Dickinson's captivating blend of intelligence, humor, and candor.
Publishing on the 50th anniversary of that magic season, the definitive chronicle of the 1972 Miami Dolphins, the only undefeated team in NFL history—from an award-winning literary sportswriter The 1972 Miami Dolphins had something to prove. Losers in the previous Super Bowl, a ragtag bunch of overlooked, underappreciated, or just plain old players, they were led by Don Shula, a genius young coach obsessed with obliterating the reputation that he couldn’t win the big game. And as the Dolphins headed into only their seventh season, all eyes were on Miami. For the last time, a city was hosting both national political conventions, and the backdrop to this season of redemption would be turbulent: the culture wars, the Nixon reelection campaign, the strange, unfolding saga of Watergate, and the war in Vietnam. Generational and cultural divides abounded on the team as well. There were long-haired, bell-bottomed party animals such as Jim “Mad Dog” Mandich, as well as the stylish Marv Fleming and Curtis Johnson, with his supernova afro, playing alongside conservative, straight-laced men like the quarterbacks: Bob Griese and the crew-cut savior, 38-year-old backup Earl Morrall. Larry Csonka and Jim Kiick, nicknamed “Butch and Sundance,” had to make way for a third running back, the outspoken and flamboyant Mercury Morris. But unlike the fractious society around them, this racially and culturally diverse group found a way to meld seamlessly into a team. The perfect team. Marshall Jon Fisher’s Seventeen and Oh is a compelling, fast-paced account of a season unlike any other.
Cast as the ultimate hardhats, football players of the 1960s seemed to personify a crewcut traditional manhood that channeled the Puritan work ethic. Yet, despite a social upheaval against such virtues, the National Football League won over all of America—and became a cultural force that recast politics in its own smashmouth image. Jesse Berrett explores pro football's new place in the zeitgeist of the 1960s and 1970s. The NFL's brilliant harnessing of the sports-media complex, combined with a nimble curation of its official line, brought different visions of the same game to both Main Street and the ivory tower. Politicians, meanwhile, spouted gridiron jargon as their handlers co-opted the NFL's gift for spectacle and mythmaking to shape a potent new politics that in essence became pro football. Governing, entertainment, news, elections, celebrity--all put aside old loyalties to pursue the mass audience captured by the NFL's alchemy of presentation, television, and high-stepping style. An invigorating appraisal of a dynamic era, Pigskin Nation reveals how pro football created the template for a future that became our present.