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In Tevye's Grandchildren: Rediscovering a Jewish Identity, Eleanor Mallet describes the unusual journey she took to understand her Jewish past. Like many American Jews, she was secular, assimilated and part of the successful mainstream. When her sons came of age, they reached for a richer, more open way of being Jewish. Their interest sent her on an exploration in which she plunged into the dynamic and relatively recent field of Jewish history, studied Hebrew and traveled to Israel and Germany. Mallet's book provides a tour, from a personal vantage, of the historical forces that are in play for Jews today. In it she connects the spare outline of her Jewish past with its fleshy, fractured history. Her Judaism had a passionate center, which found expression in part in Israel. Yet it was also filled with the dissonance that flowed from American assimilation and the Holocaust's aftermath. These are the forces that have preoccupied the Jewish community for quite some time. Understanding them has taken on a new urgency with the recent and not always welcome prominence Jewishness and Israel have on today's world stage.
This masterwork of interpretative history begins with a bold declaration: “The Modern Age is the Jewish Age, and the twentieth century, in particular, is the Jewish Century.” The assertion is, of course, metaphorical. But it drives home Yuri Slezkine’s provocative thesis: Jews have adapted to the modern world so well that they have become models of what it means to be modern. While focusing on the drama of the Russian Jews, including émigrés and their offspring, The Jewish Century is also an incredibly original account of the many faces of modernity—nationalism, socialism, capitalism, and liberalism. Rich in its insight, sweeping in its chronology, and fearless in its analysis, this is a landmark contribution to Jewish, Russian, European, and American history.
Founder of Henry Street Settlement on New York's Lower East Side as well as the Visiting Nurse Service of New York, Lillian Wald (1867-1940) was a remarkable social welfare activist. She was also a second-generation German Jewish immigrant who developed close associations with Jewish New York even as she consistently dismissed claims that her work emerged from a fundamentally Jewish calling. Challenging the conventional understanding of the Progressive movement as having its origins in Anglo-Protestant teachings, Marjorie Feld offers a critical biography of Wald in which she examines the crucial and complex significance of Wald's ethnicity to her life's work. In addition, by studying the Jewish community's response to Wald throughout her public career from 1893 to 1933, Feld demonstrates the changing landscape of identity politics in the first half of the twentieth century. Feld argues that Wald's innovative reform work was the product of both her own family's experience with immigration and assimilation as Jews in late-nineteenth-century Rochester, New York, and her encounter with Progressive ideals at her settlement house in Manhattan. As an ethnic working on behalf of other ethnics, Wald developed a universal vision that was at odds with the ethnic particularism with which she is now identified. These tensions between universalism and particularism, assimilation and group belonging, persist to this day. Thus Feld concludes with an exploration of how, after her death, Wald's accomplishments have been remembered in popular perceptions and scholarly works. For the first time, Feld locates Wald in the ethnic landscape of her own time as well as ours.
This publication is significant within the field of Jewish studies and beyond; the essays include comparative material and have the potential to reach scholarly audiences in many related fields but are written to be accessible to all, with the introductions in every chapter aimed at orienting the enthusiast from outside academia to each time and place.
Jewish Lesbian Scholarship in a Time of Change is the first major work in Jewish lesbian studies in more than a decade. Once a vibrant field, few works in Jewish queer studies in recent years have looked at the experiences of, and scholarship on, Jewish women, feminists, and those identified as lesbians. Correcting a twenty-first century shift away from explicitly feminist investigations in Jewish queer and LBGTQ studies, this work signals a new trend of scholarly works in the field. The chapters span an array of genres, presenting the rich diversity of Jewish lesbians as they are, as well as of Jewish lesbian scholarship today. This collection makes an innovative contribution to Jewish studies, lesbian and queer studies, gender studies, as well as to racial and cultural diversity studies. This book was originally published as a special issue of the Journal of Lesbian Studies.
For the 150th anniversary of the birth of the "Jewish Mark Twain,"a new translation of his most famous works Tevye the Dairyman and Motl the Cantor's Son are the most celebrated characters in all of Jewish fiction. Tevye is the lovable, Bible-quoting father of seven daughters, a modern Job whose wisdom, humor, and resilience inspired the lead character in Fiddler on the Roof. And Motl is the spirited and mischievous nine-year-old boy who accompanies his family on a journey from their Russian shtetl to New York, and whose comical, poignant, and clear-eyed observations capture with remarkable insight the struggles and hopes and triumphs of Jewish immigrants to America at the turn of the twentieth century. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Of all the characters in modern Jewish fiction, the most beloved is Tevye, the compassionate, irrepressible, Bible-quoting dairyman from Anatevka, who has been immortalized in the writings of Sholem Aleichem and in acclaimed and award-winning theatrical and film adaptations. And no Yiddish writer was more beloved than Tevye’s creator, Sholem Rabinovich (1859–1916), the “Jewish Mark Twain,” who wrote under the pen name of Sholem Aleichem. Beautifully translated by Hillel Halkin, here is Sholem Aleichem’s heartwarming and poignant account of Tevye and his daughters, together with the “Railroad Stories,” twenty-one tales that examine human nature and modernity as they are perceived by men and women riding the trains from shtetl to shtetl.
A sparkling and eye-opening history of the Broadway musical that changed the world In the half-century since its premiere, Fiddler on the Roof has had an astonishing global impact. Beloved by audiences the world over, performed from rural high schools to grand state theaters, Fiddler is a supremely potent cultural landmark. In a history as captivating as its subject, award-winning drama critic Alisa Solomon traces how and why the story of Tevye the milkman, the creation of the great Yiddish writer Sholem-Aleichem, was reborn as blockbuster entertainment and a cultural touchstone, not only for Jews and not only in America. It is a story of the theater, following Tevye from his humble appearance on the New York Yiddish stage, through his adoption by leftist dramatists as a symbol of oppression, to his Broadway debut in one of the last big book musicals, and his ultimate destination—a major Hollywood picture. Solomon reveals how the show spoke to the deepest conflicts and desires of its time: the fraying of tradition, generational tension, the loss of roots. Audiences everywhere found in Fiddler immediate resonance and a usable past, whether in Warsaw, where it unlocked the taboo subject of Jewish history, or in Tokyo, where the producer asked how Americans could understand a story that is "so Japanese." Rich, entertaining, and original, Wonder of Wonders reveals the surprising and enduring legacy of a show about tradition that itself became a tradition. Wonder of wonders, miracle of miracles.