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A collection born of polyphony and the rhythms of our cosmos—intimate in its stakes, celestial in its dreams. Tethered to Stars inhabits the deductive tongue of astronomy, the oracular throat of astrology, and the living language of loss and desire. With an analytical eye and a lyrical heart, Fady Joudah shifts deftly between the microscope, the telescope, and sometimes even the horoscope. His gaze lingers on the interior space of a lung, on a butterfly poised on a filament, on the moon temple atop Huayna Picchu, on a dismembered live oak. In each lingering, Joudah shares with readers the palimpsest of what makes us human: “We are other worms / for other silk roads.” The solemn, the humorous, the erotic, the transcendent—all of it, in Joudah’s poems, steeped in the lexicon of the natural world. “When I say honey,” says one lover, “I’m asking you whose pollen you contain.” “And when I say honey,” replies another, “you grip my sweetness / on your life, stigma and anthophile.” Teeming with life but tinged with a sublime proximity to death, Tethered to Stars is a collection that flows “between nuance and essentialization,” from one of our most acclaimed poets.
The poems in Alight alternate between the estranging familial and strangely familiar, between burning and illumination. As father, husband, and physician, Fady Joudah gives children and vulnerable others voice in this hauntingly lyrical collection, where, with quiet ferociousness, one’s self can be reclaimed from suffering’s grip over mind and spirit. Fady Joudah is a Palestinian-American poet, translator, and physician of internal medicine. He received his medical training from the Medical College of Georgia and University of Texas, and served with Doctors Without Borders in 2002 and 2005. His first book, The Earth in the Attic, won the 2007 Yale Series of Younger Poets competition, judged by Louise Glück. In 2010 he received a PEN translation award for his translations of Palestinian poet Mahmoud Darwish.
Graceful and resonant new work by a lyric poet at the height of his skill. "Like something broken of wing, lying there. Other than breathing's rise, catch, release, a silence, as of some especially wounded animal that, nevertheless, still is conscious, you can see straight through the open eye to where instinct falters because for once it has come divided" --from "Chamber Music" In the art of falconry, during training the tether between the gloved fist and the raptor's anklets is gradually lengthened and eventually unnecessary. In these new lyric poems, Carl Phillips considers the substance of connection -- between lover and beloved, mind and body, talon and perch -- and its the cable of mutual trust between soaring figure and shadowed ground. Contemporary literature can perhaps claim no poetry more clearly allegorical than that of Carl Phillips, whose four collections have turned frequently to nature, myth, and history for illustration; still, readers know the primary attributes of his work to be its physicality, grace, and disarming honesty about desire and faith. In The Tether, his fifth book, Phillips's characteristically cascading poetic line is leaner and more dramatic than ever.
One of Betches' 7 Books by Black Authors You Need to Read This Summer One of Elite Daily’s Books Featuring Interracial Relationships You Should Read In 2020 One of Marie Claire’s 2020 Books You Should Add to Your Reading List When a Nigerian woman falls for a man she knows will break her mother’s heart, she must choose between love and her family. At twelve years old, Azere promised her dying father she would marry a Nigerian man and preserve her culture, even after immigrating to Canada. Her mother has been vigilant about helping—well forcing—her to stay within the Nigerian dating pool ever since. But when another match-made-by-mom goes wrong, Azere ends up at a bar, enjoying the company and later sharing the bed of Rafael Castellano, a man who is tall, handsome, and…white. When their one-night stand unexpectedly evolves into something serious, Azere is caught between her feelings for Rafael and the compulsive need to please her mother. Soon, Azere can't help wondering if loving Rafael makes her any less of a Nigerian. Can she be with him without compromising her identity? The answer will either cause Azere to be audacious and fight for her happiness or continue as the compliant daughter.
At times both haunting and thrilling, a woman is forced to reconcile with her own haunted past to save a child from an abusive household in this novel that explores the ties that bind us together Clara Marsh is an undertaker who doesn’t believe in God. She spends her solitary life among the dead, preparing their last baths and bidding them farewell with a bouquet from her own garden. Her carefully structured life shifts when she discovers a neglected little girl, Trecie, playing in the funeral parlor, desperate for a friend. It changes even more when Detective Mike Sullivan starts questioning her again about a body she prepared three years ago, an unidentified girl found murdered in a nearby strip of woods. Unclaimed by family, the community christened her Precious Doe. When Clara and Mike learn Trecie may be involved with the same people who killed Precious Doe, Clara must choose between the stead-fast existence of loneliness and the perils of binding one’s life to another.
Sasha returns to Aurora, the parallel universe of generals, princesses, body doubles, and the boy she loves, Thomas, where she tries to help and find missing people and save them all.
In 1578, during months of imprisonment for his reformist beliefs, San Juan de la Cruz composed a series of narrative poems inspired by the Biblical Song of Songs—and, the story goes, a popular love song overheard from his cramped cell—that take God as the beloved. Erotically charged, initially scandalous, his mystical poetry engages with the journey of the soul through the darkest trenches of suffering and despair toward an enlightened spiritual connection with God. For hundreds of years, these poems have resonated deeply with those who search for meaning in the dark, and have influenced generations of poets, artists, and philosophers. This bilingual edition of the Complete Poems—including “Dark Night” and both the Sanlúcar and Jaén manuscripts of “Spiritual Canticle”—presents an intimate and exceptionally collaborative new translation from María Baranda and Paul Hoover. Baranda, one of the most distinguished Mexican poets of her generation, lends her deft hand with expansive, meditative poetry. Hoover—the accomplished American poet, editor, and translator—offers his dexterity with form and the possibilities of language. The product is uniquely faithful to image and idea, and loyal to the ecstatic lyricism of this canonical text. A volume that hums with the soul’s longing to find solace, The Complete Poems of San Juan de la Cruz is a collection to be treasured.
"Few books of American poetry seem to me as essential as this one. These poems blaze into the visionary." --MARY SZYBIST
Three questing strangers, one desperate chase, and a magical mystery that will push them to the edge. Tethered Spirits is a YA fantasy novel full of magic and memorable characters.
It was supposed to be one night.One night to let my hair down and forget all the heartbreak, all the disappointments.One night to forget that the guy I thought might be the one, is in love with someone else.One night, just for me.He was supposed to be a stranger.An escape.No strings attached.Instead, he made me believe we could be more.But when one night turns into something more and my guard starts to fall, it only takes one slip of the tongue for him to walk away.He's impossible to forget, especially when I'm left with a reminder of our brief time together, a life-long tether.Little did I know, our lives were already inextricably linked.Or that our paths were destined to collide againin the most explosive way.