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Terry Riley, most commonly associated with the minimalist and experimental schools of music, draws influence from a vast number of sources, including jazz and Indian classical music. In turn, his influence on contemporary classical composers is enormous. With Terry Riley: The Piano Works, you can learn a selection of his fascinating, hypnotic and simply stunning compositions for solo Piano. Terry Riley himself offers an extensive foreword containing fascinating biographical and compositional information. At times humourous and always eloquent, he tells the story of his journey from humble student to creator of masterpieces. At the end of the book Riley also offers a selection of his own handwritten scores, a fascinating insight into his working process and the beauty he sees in the music. While suited for advanced pianists, there are introductory performance notes for each piece by pianist Sarah Cahill which expound the techniques, skills and experience necessary to master Terry Riley’s compositions. Songlist: - Be Kind To One Another (Rag) - Misha’s Bear Dance (No.1 from The Heaven Ladder Book 7) - Venus In 94 (No.2 from The Heaven Ladder Book 7) - Ragtempus Fugatis (No.3 from The Heaven Ladder Book 7) - Fandango On The Heaven Ladder (No.4 from The Heaven Ladder Book 7) - Simone's Lullaby (No.5 from The Heaven Ladder Book 7) - Keyboard Study No.1 - Keyboard Study No.2 - Two Pieces For Piano - I. - Two Pieces For Piano - II. - The Philosopher's Hand - The Walrus In Memoriam
Offers the most detailed account yet of the early works of these four minimalist composers.
Setting the stage for a most intriguing journey into the world of minimalism, Robert Carl's Terry Riley's In C argues that the work holds its place in the canon because of the very challenges it presents to "classical" music. Carl examines In C in the context of its era, its grounding in aesthetic practices and assumptions, its process of composition, presentation, recording, and dissemination.
Max Richter: Piano Works presents, for the first time in print, 15 of Max Richter’s piano pieces, suitable for the intermediate pianist. Each piece is accompanied by notes specially written by the composer. This ground-breaking collection represents a unique drawing together of Max Richter’s varied output, embracing his work with the London Philharmonic (Memoryhouse), The Blue Notebooks, Royal Ballet-commissioned Infra and subsequent his acclaimed concept albums. Innovative and imaginative, yet at the same time accessible and easy to play, some of Max Richter's most famous Piano Works are at last available in what will surely become an instant classic collection. This volume includes: - Andras - The Blue Notebooks - Circles from the rue Simon-Crubellier - Departure - The Family - Fragment - From the rue Villin - H in New England - Horizon Variations - INFRA 3 - Leo's Journal - The Tartu Piano - The Twins (Prague) - Vladimir's Blues - Written On The Sky
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
A fascinating history of the piano explored through 100 pieces chosen by one of the UK's most renowned concert pianists "Tomes . . . casts her net widely, taking in chamber music and concertos, knotty avant-garde masterworks and (most welcome) jazz."--Richard Fairman, Financial Times, "Best Books of 2021: Classical Music" "[One of] the most beautiful books I got my hands on this year. . . . About the shaping of this maddening, glorious, unconquerable instrument."--Jenny Colgan, Spectator, "Books of the Year" An astonishingly versatile instrument, the piano allows just two hands to play music of great complexity and subtlety. For more than two hundred years, it has brought solo and collaborative music into homes and concert halls and has inspired composers in every musical genre--from classical to jazz and light music. Charting the development of the piano from the late eighteenth century to the present day, pianist and writer Susan Tomes takes the reader with her on a personal journey through 100 pieces including solo works, chamber music, concertos, and jazz. Her choices include composers such as Bach, Mozart, Beethoven, Robert Schumann, Tchaikovsky, Debussy, Gershwin, and Philip Glass. Looking at this history from a modern performer's perspective, she acknowledges neglected women composers and players including Fanny Mendelssohn, Maria Szymanowska, Clara Schumann, and Amy Beach.
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The Library Of Modern Piano Music strives to illustrate the vigour and variety of modern piano music. These original compositions span standalone pieces, albums, suites and arrangements from talents as diverse as Igor Stravinsky, Francis Poulenc, Lennox Berkeley, Witold Lutosławski , Hans Werner Henze, Peter Maxwell Davies, Philip Glass and Ludovico Einaudi. As well as these concert pieces, a number of works have been written specially for screen. From Michael Nyman’s celebrated music for ‘The Piano’ to Richard Rodney Bennett’s score for the now rarely seen but superb 1980s miniseries of ‘Tender Is The Night’, there is ample proof of the richness added to international screen dramas by first-rate composers. These and over 100 more piano pieces make The Library Of Modern Piano Music a true classic.
New York Times Bestseller An NPR Best Book of the Year Winner of the Chicago Tribune Literary Award Finalist for the Marfield Prize, National Award for Arts Writing "Reads the way Mr. Glass's compositions sound at their best: propulsive, with a surreptitious emotional undertow." —Corinna da Fonseca-Wollheim, New York Times Philip Glass has, almost single-handedly, crafted the dominant sound of late-twentieth-century classical music. Yet in Words Without Music, his critically acclaimed memoir, he creates an entirely new and unexpected voice, that of a born storyteller and an acutely insightful chronicler, whose behind-the-scenes recollections allow readers to experience those moments of creative fusion when life so magically merged with art. From his childhood in Baltimore to his student days in Chicago and at Juilliard, to his first journey to Paris and a life-changing trip to India, Glass movingly recalls his early mentors, while reconstructing the places that helped shape his creative consciousness. Whether describing working as an unlicensed plumber in gritty 1970s New York or composing Satyagraha, Glass breaks across genres and re-creates, here in words, the thrill that results from artistic creation. Words Without Music ultimately affirms the power of music to change the world.
DVD, entitled Wow and flutter, contains recordings of concerts at the festival, held Oct. 1-2. 2004, RPI Playhouse, Rensselaer Polytechnic Institute, Troy, N.Y.