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This monograph contends that attending to Pratchett’s work could help to save our world. It draws attention to the astonishing capacity of Pratchett’s novels to inspire and argues that Pratchett’s fantasy novels directly address many of the most significant challenges people in the world face: the explosion of weapons technology; the myriad issues involved in the envelopment of human life by corporatized information technology; the destructive human inattention to, and interactions with, the Earth and its life forms; and the problem of devalued labor. Paradoxically, it is Pratchett’s choice of fantasy that lets him address the reality of major issues that humanity and the rest of life confront now. Pratchett’s novels show us how to better understand and confront the problems the world is contending with. The book will interest both scholars and fans.
From the pen of Sir Terry Pratchett, beloved and bestselling author of the Discworld fantasy series, comes a reality-bending tale of virtual heroism that will leaves readers breathless from laughter, and suspense. The alien spaceship is in his sights. His finger is on the Fire button. Johnny Maxwell is about to set the new high score on the computer game Only You Can Save Mankind. Suddenly: We wish to talk. Huh? We surrender. The aliens aren't supposed to surrender -- they're supposed to die! Now what is Johnny going to do with a fleet of alien prisoners who know their rights under the international rules of war and are demanding safe-conduct? It's hard enough trying to save Mankind from the Galactic Hordes. It's even harder trying to save the Galactic Hordes from Mankind. But it's just a game, isn't it? Isn't it...? Read more of Johnny Maxwell's adventures in Johnny and the Dead and Johnny and the Bomb!
This book shows how twenty-first-century writing about Northern England imagines alternative democratic futures for the region and the English nation, signalling the growing awareness of England as a distinct and variegated political formation. In 2016, the Brexit vote intensified ongoing constitutional tensions throughout the UK, which have been developing since the devolution of Scotland, Wales, and Northern Ireland in 1997. At the same time, British devolution developed a distinctively cultural registration as a surrogate for parliamentary representation and an attempt to disrupt the status of London as Britain’s cultural epicentre. Rewriting the North shifts this debate in a new direction, examining Northern literary preoccupation with devolution’s constitutional implications. Through close readings of six contemporary authors – Sunjeev Sahota, Sarah Hall, Anthony Cartwright, Adam Thorpe, Fiona Mozley, and Sarah Moss – this book argues that literary engagement with the North emphasises regional devolution's limited constitutional charge, calling instead for an urgent abandonment of the British centralised state form.
This book offers a discussion of seven “canonical” novels by Ian McEwan (The Cement Garden, The Comfort of Strangers, The Child in Time, The Innocent, Black Dogs, Atonement, On Chesil Beach), introducing radical new readings, which are offered not as ultimate and conclusive “solutions” of the textual puzzles, but as possibilities to engage with the text creatively, to enrich the critical consensus and restore interpretative freedom to the readers. This project formulates a strategy of “inclusive reading” – an approach to the text that does not seek to reduce it to a single interpretation, and yet is comprehensively informed through the analysis of the primary text, critical discussion, authorial comments and the context of the composition. Each reading demonstrates the metafictional structure of the texts, indicating that McEwan’s works may be treated as invitations to roam within their worlds, examining the multiple frames of their structure and the meanings generated thereby. All the chapters attend to submerged, repressed, or deliberately masked voices. The Cement Garden is seen as a multi-layered dream, with a shifting hierarchy of dreamers; The Comfort of Strangers is viewed as an inverted metafiction, with insubstantial characters corrupting more complex heroes; The Child in Time is read as Stephen’s book written for his dead daughter; The Innocent as a memory narrative of Leonard who refuses to notice Maria’s role as a spy. In Black Dogs the over-exposure of unreliability is studied as a screen for personal trauma; in the analysis of Atonement Briony’s claim to authorship is questioned and Cecilia is suggested as an alternative narrative agent. Finally, examining On Chesil Beach, both characters’ voices are reconstructed in search of the superior narrative power, which in the end is seen to be elusive, as the text seeks to undermine the hierarchy of voices.
The ethical approaches to literature have come into prominence in the twentieth century, calling for a ‘turn to ethics’ in the studies of humanities, in general, and literary studies, in particular. By leading the ethical turn in literature, many theorists proposed a moral-oriented approach to literature, which is still a significant part of literary criticism. The ethical turn in literature has changed the spirit of literary criticism in the direction of virtue and value-based approaches. In this respect, this study scrutinises Doris Lessing’s novels in light of virtue ethics in general and ‘virtue politics,’ ‘care ethics,’ and ‘Sufi virtue ethics’ in particular. Lessing’s connection to virtue ethics, which is implicitly or explicitly reflected in her novels, is examined by giving the panorama of ethical movements whose common point is virtues. This study asserts that Lessing implements an ethical concern in her novels, which is based on her own understanding of virtue ethics.
The aim of the book is to propose new interpretations of poets who are among the most valued and discussed in the British Enlightenment. In fulfilling its aim, the book covers English poetry—and intellectual history—from the Restoration to the later eighteenth century. It examines how the myth of the donna angelica (the angelic lady), ancient in origin but given its best-known form within the medieval literature of fin’amor, lives on beyond the Middle Ages and the Renaissance into the Enlightenment. To be more precise, it studies how some major Augustan poets appropriate and recreate what, for convenience, can be called the donna angelica topos (or, the angelic lady motif). They do so for a great many reasons linked with quite diverse circumstances. Nevertheless, the myth’s intellectual richness, emotional intensity, and inherent ambiguities mean that it offers each of them a powerful way for articulating, interpreting, exploring refractions of eros—whether singly or diversely directed, concerned with sexuality or spirituality, informing personal or public experience. The myth has as many faces, so to speak, as does desire; it is one and yet many. Thus, the book pursues a particular fable of eros that appears in a multiplicity of texts in a multiplicity of guises. It studies how some of the most interesting poets from Dryden to Crabbe bring the angelic lady motif into modernity.
After twelve-year-old Johnny Maxwell suddenly starts seeing and talking to ghosts, he and his friends become involved in a battle to save the local cemetery.
"This monograph contends that attending to Pratchett's work could help to save our world. It draws attention to the astonishing capacity of Pratchett's novels to inspire and argues that Pratchett's fantasy novels directly address many of the most significant challenges people in the world face: the explosion of weapons technology; the myriad issues involved in the envelopment of human life by corporatized information technology; the destructive human inattention to, and interactions with, the earth and its life forms; and the problem of devalued labor. Paradoxically, it is Pratchett's choice of fantasy that lets him address the reality of major issues that humanity and the rest of life confront now. Pratchett's novels show us how to better understand and confront the problems the world is contending with. The book will interest both scholars and fans"--
Brutal yet heartbreaking, The Undertaking is an immensely powerful first novel set in Germany and the Soviet Union during World War II Desperate to escape the Eastern front, Peter Faber, an ordinary German soldier, marries Katharina Spinell, a woman he has never met; it is a marriage of convenience that promises "honeymoon" leave for him and a pension for her should he die on the front. With ten days' leave secured, Peter visits his new wife in Berlin, and both are surprised by the attraction that develops between them. When Peter returns to the horror of the front, it is only the dream of Katharina that sustains him as he approaches Stalingrad. Back in Berlin, Katharina, goaded on by her desperate and delusional parents, ruthlessly works her way into the Nazi party hierarchy, wedding herself, her young husband and their unborn child to the regime. But when the tide of war turns and Berlin falls, Peter and Katharina, ordinary people stained with their small share of an extraordinary guilt, find their simple dream of family increasingly hard to hold on to . . .
From a computer game in which the aliens want Johnny to negotiate a peace treaty for them, to the inhabitants of a cemetery who are just discovering how much fun being alive can be, to the time of the Blitz, join Johnny Maxwell and his friends in these three terrific tales from the master of comic fantasy. ONLY YOU CAN SAVE MANKIND - Shortlisted for the Guardian Children's Fiction Award JHNNY AND THE DEAD - Shortlisted for the Carnegie Medal;A Writers' Guild Award Winner; Also televised by LWT for ITV JOHNNY AND THE BOMB - Shortlisted for the Carnegie Medal; Shortlisted for the Children's Book Award; Smarties Prize Silver Medal Winner