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"O'Neill photographed the giants of the music world--both on and off stage. For more than fifty years he captured those on the frontline of fame in public and in private: David Bowie, Elton John, Led Zepplin, Amy Winehouse, Dean Martin, The Who, Janis Joplin, AC/DC, Eric Clapton, Sammy Davis Jnr., The Rolling Stones, Bruce Springsteen, Chuck Berry and The Beatles--to name only a few"--Publisher marketing.
* A chronicle of rock 'n' roll history as seen through the lens of master photographer Terry O'Neill"Terry was everywhere in the '60s - he knew everything and everyone that was happening" - Keith RichardsTerry O'Neill (1938-2019) was one of the world's most celebrated and collected photographers. No one captured the front line of fame so broadly - and for so long. Terry O'Neill: The A-Z of Rock 'N' Roll contains some of the most famous and powerful music photographs of all time. At the same time, the book includes many intimate personal photos taken 'behind the scenes' and at private functions.Terry O'Neill photographed the giants of the music world - both on and off-stage. For more than fifty years he captured those on the front line of fame in public and in private. David Bowie, Elton John, Led Zeppelin, Amy Winehouse, Dean Martin, The Who, Janis Joplin, AC/DC, Eric Clapton, Sammy Davis Jnr., The Rolling Stones, Bruce Springsteen, Chuck Berry and The Beatles - to name only a few. O'Neill spent more than 30 years photographing Frank Sinatra as his personal photographer, with unprecedented access to the star. He took some of the earliest known photographs of The Beatles, and then forged a lifetime relationship with members of the band that allowed him to photograph their weddings and other private moments. It is this contrast between public and private that makes Terry O'Neill: The A-Z of Rock 'N' Roll such a powerful document.Without a doubt, Terry O'Neill's work comprises a vital chronicle of rock 'n' roll history. To any fan of music or photography, this book will be a must-buy."Trusted by the stars to make them look good, O'Neill has captured the icons of music for over half a century... Terry O'Neill's Rock 'N' Roll Album, collects a wealth of private moments and memories captured for eternity, with the likes of David Bowie, Bryan Ferry, Dolly Parton, Diana Ross, Bruce Springsteen, Led Zeppelin, Amy Winehouse and even Elvis Presley all the subject of O'Neill's immaculately placed lens. A life in pictures, a legacy in print. Pay heed to history!" - Simon Harper, Clash Magazine
From the Beatles to the Rolling Stones, Terry O'Neill fast became the photographer of the 1960s. This volume features some of his most well-known and iconic images
A limited edition box set of two of Terry O'Neill's most acclaimed books - Terry O'Neill: Opus and Terry O'Neill's Rock 'n' Roll Album - including a framed, ready to hang Terry O'Neill Bardot print, stamped and authenticated Limited to 250 copies. Numbers 1-125: $799. Numbers 126-250: $999 In celebration of Terry O'Neill being awarded a CBE for Services to Photography in this year's Queen's Birthday Honours list, ACC Art Books and Iconic Images are proud to release this limited edition box-set containing two of his most acclaimed books and a special 'Bardot with Cigar' stamped and framed print. The two books, Terry O Neill's Opus and Terry O'Neill's Rock 'n' Roll Album - combined - contain more than 650 pages of the greatest photographs covering Terry O'Neill's remarkable career. From David Bowie to Frank Sinatra, Elton John to Elvis Presley, Terence Stamp, Michael Caine, Raquel Welch and every James Bond in-between, these two books are a treasure trove of images from the frontline of film, music, fashion, royalty and sport - uniquely O'Neill. Widely considered one of O'Neill's signature photographs, 'Bardot with Cigar' was taken on the set of Les Petroleuses, aka The Legend of Frenchie King, in Spain 1971. "I was watching Brigitte prepare for the next scene, and the wind kept blowing her hair - I saw the photo I wanted to take before I snapped the camera. I had to wait weeks before the film was developed to know if I got the shot" remembers O'Neill. The 20 x 28cm print is stamped and framed with a deep bevel envelope mount in 50/50 UV Glass and is ready to hang. This is one of Terry O'Neills most celebrated and collected prints and completely sold out in all small format editions. The two books and framed Bardot print come packaged in a stand-alone box and a certificate of authenticity, signed and numbered by Iconic Images.
- Iconic portraits and contact sheets from Goldfinger, Diamonds are Forever, Live and Let Die, Golden Eye and the Bond spoof, Casino Royale- The new James Bond film, No Time to Die, releases world-wide in April 2020- Documented by one of the world's greatest photographers: Terry O'Neill- Contributions from actors including Honor Blackman, George Lazenby and Jane Seymour- Includes rare and unseen images- The perfect gift for fans of James BondTerry O'Neill was given his first chance to photograph Sean Connery as James Bond in the film Goldfinger. From that moment, O'Neill's association with Bond was made: an enduring legacy that has carried through to the era of Daniel Craig. It was O'Neill who captured gritty and roguish pictures of Connery on set, and it was O'Neill who framed the super-suave Roger Moore in Live and Let Die. His images of Honor Blackman as Pussy Galore are also important, celebrating the vital role of women in the James Bond world. But it is Terry O'Neill's casual, on-set photographs of a mischievous Connery walking around the casinos of Las Vegas or Roger Moore dancing on a bed with co-star Madeline Smith that show the other side of the world's most recognizable spy. Terry O'Neill opens his archive to give readers - and viewers - the chance to enter the dazzling world of James Bond. Lavish color and black and white images are complemented by insights from O'Neill, alongside a series of original essays on the world of James Bond by BAFTA-longlisted film writer, James Clarke; and newly-conducted interviews with a number of actors featured in O'Neill's photographs.
'This is not just another Bowie book. This, it's fair to say, is THE Bowie book... Essential for any fan.' THE SUNDAY TELEGRAPH 'A truly sparkling collection.' THE DAILY MAIL 'More than 500 photos of immense breadth and depth.' VOGUE Chosen as one of Vogue's Best David Bowie Books. This book is the breathtaking result of iconic photographer Terry O'Neill's creative partnership with David Bowie that spanned over a number of years, including images published here for the first time. Containing rare and never-before-seen photographs, their work together includes images from the last Ziggy Stardust performance, recording sessions for Young Americans and the renowned studio portraits for Diamond Dogs - plus live shows, film shoots, backstage moments and more. With more than 500 photographs, this is the ultimate portrait of an inspiring, challenging and ever-changing artist.
"Looking at Terry's photographs is like gazing through a window at the most extraordinary and exciting moments of my life." ELTON JOHN Elton John and iconic photographer Terry O'Neill worked together for many years, taking in excess of 5,000 photographs. From intimate backstage shots to huge stadium concerts, the photographs in this book represent the very best of this archive, with most of the images being shown here for the first time. O'Neill has drawn on his personal relationship with Elton John to write the book's introduction and captions. "I'm so glad he was with us throughout the madness: in his evocative and stylish photos he captured those moments as no other photographer could." ELTON JOHN
At lunchtime on a bitterly cold January day in 1969, the strains of guitar chords could be heard in the streets surrounding London’s Savile Row. Crowds gathered – At ground level and above. People climbed onto roofs and postboxes, skipped lunch to gather and listen: For the first time in more than two years, The Beatles were playing live. Ringing from the rooftops, disturbing the well-to-do ears of the tailors below, they upset the establishment and bewildered the police. It was filmed by director Michael Lindsay-Hogg, who hoped the footage would act as the finale to a celebratory TV special. When it finally surfaced, it was in the bleak, tumultuous documentary Let It Be. And The Beatles would never play live again. Tony Barrell examines the concert within the context of its time. He speaks to those who were there: the fans, film-makers, roadies, Apple Corps staff and police. He explores the politics of 1968, when peace gave way to protest, and how music promotion began to collide with cinéma vérité and reality TV. The Beatles on the Roof makes essential reading for anyone interested in the band’s reinventions and relationships, revealing why the rooftop concert happened at all, why it happened the way that it did, and why it would never happen again.
Can't Find My Way Home is a history of illicit drug use in America in the second half of the twentieth century and a personal journey through the drug experience. It's the remarkable story of how America got high, the epic tale of how the American Century transformed into the Great Stoned Age. Martin Torgoff begins with the avant-garde worlds of bebop jazz and the emerging Beat writers, who embraced the consciousness-altering properties of marijuana and other underground drugs. These musicians and writers midwifed the age of marijuana in the 1960s even as Timothy Leary and Richard Alpert (later Ram Dass) discovered the power of LSD, ushering in the psychedelic era. While President John Kennedy proclaimed a New Frontier and NASA journeyed to the moon, millions of young Americans began discovering their own new frontiers on a voyage to inner space. What had been the province of a fringe avant-garde only a decade earlier became a mass movement that affected and altered mainstream America. And so America sped through the century, dropping acid and eating magic mushrooms at home, shooting heroin and ingesting amphetamines in Vietnam, snorting cocaine in the disco era, smoking crack cocaine in the devastated inner cities of the 1980s, discovering MDMA (Ecstasy) in the rave culture of the 1990s. Can't Find My Way Home tells this extraordinary story by weaving together first-person accounts and historical background into a narrative vast in scope yet rich in intimate detail. Among those who describe their experiments with consciousness are Allen Ginsberg, Timothy Leary, Robert Stone, Wavy Gravy, Grace Slick, Oliver Stone, Peter Coyote, David Crosby, and many others from Haight Ashbury to Studio 54 to housing projects and rave warehouses. But Can't Find My Way Home does not neglect the recovery movement, the war on drugs, and the ongoing debate over drug policy. And even as Martin Torgoff tells the story of his own addiction and recovery, he neither romanticizes nor demonizes drugs. If he finds them less dangerous than the moral crusaders say they are, he also finds them less benign than advocates insist. Illegal drugs changed the cultural landscape of America, and they continue to shape our country, with enormous consequences. This ambitious, fascinating book is the story of how that happened.
* Rare and unseen images from Terry O'Neill's unprecedented access to David Bowie's last performance as Ziggy Stardust, including candid backstage shots* New and original interviews from a host of people who witnessed the last performance, including Geoff MacCormack - one of Bowie's long-time friends and "Spider"; Suzy Ronson - Mick's wife and stylist; Ken Scott - sound engineer and producer; Ava Cherry - backing vocals, and many more* Includes a neon acetate coverWhen Ziggy played The Marquee Club in Soho, London, in October 1973, most of those invited to the small venue did not realize that this would be the last performance David Bowie would ever give as Ziggy Stardust. Terry O'Neill, celebrated photographer, was given unprecedented access to document the event. O'Neill captured Bowie and his crew backstage as they went through costume changes, and Bowie transformed into the character he'd soon put to rest. On stage, dodging television cameras and lights, O'Neill snapped the incredible stage presence for which Bowie and his crew had become renowned. O'Neill remembers of Bowie: "He became a character on stage. As much as a person takes a role in a play for the West End or on Broadway, learning the lines, putting on the costumes - this was, I think, the way Bowie treated his stage. This night at the Marquee, I witnessed a modern-day Hamlet - and it was Ziggy Stardust". Award-winning music writer Daniel Rachel interviews key contributors of the day, including O Neill, Ava Cherry, Amanda Lear and Geoff MacCormack along with new insights and memories from fans who were in the audience who played witness to this incredible moment.