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A possessively, melancholically, beautiful poetry book of gentle pain, serene darkness, intense voyages on the sea of existence, paranormally passionate, mesmerizingly mysterious, and wickedly good. Unveil the wisdom in your heart, release the chains of worldly captivity, see the realm beyond reach, discover the magick here to teach. Spare a moment to lie in this chasm of darkened truth. Melt awhile to flow into this graveyard of gothic delight, haunt with me in this realm of surmise... drink with me the real essence of life.
Archangel's Warriors MC: Brothers by choice, not blood. Born to ride until they die. All they wanted was to ride free until lightning strikes them without warning. Consumed by desire, surrounded by danger, they find the "one" who will consume, enchant, frustrate and ultimately love them. They only see each other. When Archangel's Warriors find the "One", they don't back down, they don't ever stray and they will do anything to protect their women, even kill for them. Their women are strong, feisty, and dangerous. They are each other's every fantasy come to life. The sex is hotter than anything they've ever known. Those who stalk their club or threaten their women had better beware!Terror was the president of the Dublin Falls Archangel's Warriors MC. He wasn't looking for a woman. He could have any woman he wanted at any time. Until one night after a dangerous mission, Harlow unexpectedly walks into his life. She was tough, beautiful, sexy, deadly and the daughter of another chapter president. The club has an enemy stalking them already. And now she enters his life with her own enemy. He plans to win her for himself, but first he'll have to keep her father from killing him and their enemies from taking her away from him. Because he's found he can't live without his Temptress.
Book 1 in the Galactic Storm Series The Terran Empire is at war with The Rhimodian cyborgs. The Terrans believe the cyborgs have stolen a system of planets from them. At least, that's how it started. It degenerated into hatred and fear that may destroy both people. Veta, AKA The Temptress, a feared spy for the Terran Empire, protects the Emperor's two daughters, the only family he acknowledges in the galaxy. The Imperial Princesses are ready to end this war they have grown up in. Like their mother before them, they want to broker peace between the Terran Empire and the Rhimodians. Peace would save both species. They arrive with a Rhimodian cyborg escort, but are still attacked. Veta, unsure of where the rest of the ambassadors escaped to, must find the princesses and learn who attacked the envoy. With her enormous cyborg escort whose body suit shows exactly what kind of physical assets he has, Veta has to use all her skills to get this cyborg to trust her. Some of them, she'll enjoy. She's sure of it. If you love sci-fi romance, space opera, war in the stars, Terrans, and cybernetic enhanced humans, you'll love this series about these cyborgs.
Universal Studios created the first cinematic universe of monsters--Dracula, Frankenstein, the Mummy and others became household names during the 1930s and 1940s. During the 1950s, more modern monsters were created for the Atomic Age, including one-eyed globs from outer space, mutants from the planet Metaluna, the Creature from the Black Lagoon, and the 100-foot high horror known as Tarantula. This over-the-top history is the definitive retrospective on Universal's horror and science fiction movies of 1951-1955. Standing as a sequel to Tom Weaver, Michael Brunas and John Brunas's Universal Horrors (Second Edition, 2007), it covers eight films: The Strange Door, The Black Castle, It Came from Outer Space, Creature from the Black Lagoon, This Island Earth, Revenge of the Creature, Cult of the Cobra and Tarantula. Each receives a richly detailed critical analysis, day-by-day production history, interviews with filmmakers, release information, an essay on the score, and many photographs, including rare behind-the-scenes shots.
Abject Terrors is an expansive study of the most significant films from the prolific horror genre - from its origins in the 1920s and 1930s, to its contemporary representations. This survey brings together close analyses of individual motion pictures, demonstrating the interconnections among these filmic texts and their contribution to defining quintessential aspects of the modern and postmodern horror film.
Since ancient times, explorers and adventurers have captured popular imagination with their frightening narratives of travels gone wrong. Usually, these stories heavily feature the exotic or unknown, and can transform any journey into a nightmare. Stories of such horrific happenings have a long and rich history that stretches from folktales to contemporary media narratives. This work presents eighteen essays that explore the ways in which these texts reflect and shape our fear and fascination surrounding travel, posing new questions about the "geographies of evil" and how our notions of "terrible places" and their inhabitants change over time. The volume's five thematic sections offer new insights into how power, privilege, uncanny landscapes, misbegotten quests, hellish commutes and deadly vacations can turn our travels into terror.
This cinefile’s guidebook covers the horror genre monstrously well! Find reviews of over 1,000 of the best, weirdest, wickedest, wackiest, and most entertaining scary movies from every age of horror! Atomic bombs, mad serial killers, zealous zombies, maniacal monsters lurking around every corner, and the unleashing of technology, rapidly changing and dominating our lives. Slasher and splatter films. Italian giallo and Japanese city-stomping monster flicks. Psychological horrors, spoofs, and nature running amuck. You will find these terrors and many more in The Horror Show Guide: The Ultimate Frightfest of Movies. No gravestone is left unturned to bring you entertaining critiques, fascinating top-ten lists, numerous photos, and extensive credit information to satisfy even the most die-hard fans. Written by a fan for fans, The Horror Show Guide helps lead even the uninitiated to unexpected treasures of unease and mayhem with lists of similar motifs, including ... Urban Horrors Nasty Bugs, Mad Scientists and Maniacal Medicos Evil Dolls Bad Hair Days Big Bad Werewolves Most Appetizing Cannibals Classic Ghost Stories Fiendish Families Guilty Pleasures Literary Adaptations Horrible Highways and Byways Post-Apocalyptic Horrors Most Regrettable Remakes Towns with a Secret and many more. With reviews on many overlooked, underappreciated gems, new devotees and discriminating dark-cinema enthusiasts alike will love this big, beautiful, end-all, be-all guide to an always popular film genre. With many photos, illustrations, and other graphics, The Horror Show Guide is richly illustrated. Its helpful appendix of movie credits, bibliography, and extensive index add to its usefulness.
Enjoy the complete run of Terror Illustrated, an innovative “Picto-Fiction” magazine! Containing illustrated prose stories of terror, murder, and more of society’s supernatural secrets—featuring work by the classic crew of the EC bullpen: Al Feldstein, Jack Davis, Joe Orlando Johnny Craig, and more! Features the never printed third issue and a brand-new foreword by Mick Garris! This archive volume contains Terror Illustrated issues 1 though 3.
Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly. Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of “women’s genres” like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era.
Something Wicked: 560+ Horror Classics, Macabre Tales & Supernatural Mysteries stands as a monumental anthology that maps the evolution of horror and supernatural fiction from its nascent stages to its more refined contemporary forms. Capturing an eclectic mix of styles and narrative voices, this collection underscores the genre's capacity to probe into the darkest corners of human experience and imagination. The anthology showcases a diversity in storytelling, ranging from Gothic tales of the supernatural, psychological thrillers, to cosmic horrors, presenting readers with seminal works that have shaped the genre. The inclusion of renowned pieces by iconic figures allows for a comprehensive overview of the genres thematic preoccupations and stylistic variations, making it an indispensable resource for both aficionados and newcomers to horror literature. The illustrious roster of authors featured within this anthology, including literary giants such as Edgar Allan Poe, H.P. Lovecraft, and Mary Shelley, among others, brings together a rich tapestry of cultural and historical contexts. These authors, hailing from diverse backgrounds, have contributed significantly to literary movements such as Romanticism, Victorian Gothic, and the early modernist waves, thereby enriching the anthology with a breadth of perspectives on existential themes of fear, morality, and the supernatural. Their collective work emphasizes the anthologys alignment with significant literary and cultural movements, offering a deeper understanding of the genres evolution and its reflection of societal anxieties and fascinations. Something Wicked invites readers on an unparalleled journey through the annals of horror literature, offering a unique opportunity to indulge in over five hundred tales of terror, mystery, and the macabre. This anthology is not merely a collection of stories; it is a scholarly-curated exploration of horrors multifaceted expressions across time and cultures. Readers are encouraged to delve into this vast compendium, which serves both as an educational tool and as a testament to the enduring power of storytelling in evoking the most profound human emotions. The anthology stands as a testament to horrors capacity to connect readers with the universal fears that resonate through the ages, making it an essential addition to any literary collection.