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Set in the American Southwest, "desert terror" films combine elements from horror, film noir and road movies to tell stories of isolation and violence. For more than half a century, these diverse and troubling films have eluded critical classification and analysis. Highlighting pioneering filmmakers and bizarre production stories, the author traces the genre's origins and development, from cult exploitation (The Hills Have Eyes, The Hitcher) to crowd-pleasing franchises (Tremors, From Dusk Till Dawn) to quirky auteurist fare (Natural Born Killers, Lost Highway) to more recent releases (Bone Tomahawk, Nocturnal Animals). Rare stills, promotional materials and a filmography are included.
Set in the American Southwest, "desert terror" films combine elements from horror, film noir and road movies to tell stories of isolation and violence. For more than half a century, these diverse and troubling films have eluded critical classification and analysis. Highlighting pioneering filmmakers and bizarre production stories, the author traces the genre's origins and development, from cult exploitation (The Hills Have Eyes, The Hitcher) to crowd-pleasing franchises (Tremors, From Dusk Till Dawn) to quirky auteurist fare (Natural Born Killers, Lost Highway) to more recent releases (Bone Tomahawk, Nocturnal Animals). Rare stills, promotional materials and a filmography are included.
Does Bolaño's masterpiece hint at his own life, or is the author himself a literary invention? Literary Nonfiction. After Devouring 2666 by Roberto Bola�o on the New York City subway, Jonathan Russell Clark does what any good literary critic would do�he reads everything by Bola�o he can get his hands on. But the more he learns about the writer's unlikely life, the less it makes sense. Bola�o cultivated ambiguities and false identities, almost as if he were laying a trap for his future biographers. Clark's investigation into Bola�o's magnum opus is a stumble through a labyrinth where fiction and self-mythologizing converge. This book is part of a new series from Fiction Advocate called Afterwords. "A Sontag-worthy encapsulation of another writer."--Christopher Wood, The Quarterly Conversation "If you have read 2666 and loved it, like most people who've read 2666, then AN OASIS OF HORROR IN A DESERT OF BOREDOM is something of a must-read."--D. F. Lovett
Set in the American Southwest, "desert terror" films combine elements from horror, film noir and road movies to tell stories of isolation and violence. For more than half a century, these diverse and troubling films have eluded critical classification and analysis. Highlighting pioneering filmmakers and bizarre production stories, the author traces the genre's origins and development, from cult exploitation (The Hills Have Eyes, The Hitcher) to crowd-pleasing franchises (Tremors, From Dusk Till Dawn) to quirky auteurist fare (Natural Born Killers, Lost Highway) to more recent releases (Bone Tomahawk, Nocturnal Animals). Rare stills, promotional materials and a filmography are included.
Memories of Mike's dad resurface when a space shuttle mission goes bad and the family of the pilot witness the shocking disaster in the desert skies above Ambrosia. Will Mike ever discover the truth about his dad's plane crash in the Middle East? Why won't God answer his prayers? Soon another mystery unfolds as reports of strange and frightening apparitions filter in from the desert, along with smoky green fog. Could aliens and enemy soldiers both be attacking Ambrosia? Mike, Winnie, Ben, and Spence investigate at an abandoned military base--only to discover that their greatest fears await them.
The inside story of the covert operation that took down the heads of ISIS No Shadows in the Desert reveals the untold story of the behind-the-scenes fight against ISIS—one coordinated by heads of state and ultimately fought in the alleyways and open deserts of the Middle Eastern battlefield by spies and soldiers. Samuel M. Katz draws upon his sources within the global intelligence and counterterrorism community, as well as the international special operations and espionage fraternity, to tell the story of the covert campaign against ISIS by the operatives who ventured deeply and secretly into enemy territory. In this first-ever look at the secret inner workings of an Arab secret service, Katz tells the story of Jordan’s GID, the masters of human intelligence on the espionage battlefields of the Middle East, who proved pivotal and crucial go-to allies of the CIA and America’s other intelligence agencies in the war against ISIS and the war on terror. With the revealing and intimate insight of the intelligence officers who fought ISIS, No Shadows in the Desert is a rare glimpse into how a strategic partnership helped change how terrorism is fought in the Middle East and beyond.
HE RAISED AN ARMY AGAINST THOSE WHO TOOK EVERYTHING FROM HIM They should have picked their enemies more carefully. Five centuries from now, on a remarkably Earthlike planet that is mankind's sole colony in space, religious fanatics called the "Salafi Ikhwan" have murdered the uncle of former colonel Patrick Hennessey. That was their first mistake, because uncle was rich and Hennessey was rather a good colonel. But they also murdered Hennessey's wife, Linda, and their three small children, and that was their worst mistake for she was the only restraint Hennessey had ever accepted. From the pile of rubble and the pillar of fire that mark the last resting place of Linda Hennessey and her children arises a new warrior¾Carrera, scourge of the Salafis. He will forge an army of ruthless fanatics from the decrepit remains of failed state's military. He will wage war across half a world. He will find those who killed his family. He will destroy them, and those who support them, utterly, completely, without restraint or remorse. Only when he is finished will there be peace: the peace of an empty wind as it blows across a desert strewn with the bones of Carrera's enemies. At the publisher's request, this title is sold without DRM (Digital Rights Management).
Harmon focuses on terrorism and insurgency in the lawless expanse of the Sahara Desert and the adjacent, transitional Sahel zone, plus the broader meta-region that includes countries such as Algeria, Mali, and Nigeria, and to a lesser extent, Niger and Mauritania. Covering such issues as Islamist terrorism, border insecurity, contraband, and human trafficking, this book looks at the interrelated problems of political and social pathologies that affect terrorist movements and security in the region. A valuable publication, it treats a series of related problems on the basis of a broadly defined area, with a special emphasis on the role of Islam as both a moderating and exacerbating factor. The book has a broader appeal than more narrowly focused country studies that derive from the perspective of only one problem such as terrorism or border insecurity.
Scott, age 11, and Robbie, age 9, are left in the desert by a fugitive who has stolen their mother's jeep, and must work to survive and escape the Arizona desert.