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New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
This book provides a warning to the United States about the immanent dangers of a terrorist attack using radioactive materials. Such materials are ubiquitous in our society and can be obtained from over 25,000 sources in the USA. In this unsymmetrical war with terrorism, the beneficial and life-saving advantages of radioactive materials can be turned against us. This book is intended to inform the reader of the dangers of terrorist attacks, to show how attacks can be mounted and, more importantly, to indicate how the consequences of an attack can be mitigated. Terrorist use fear as a weapon; this book shows how an informed public can overcome our natural aversion to all things radioactive and fight back against the potentially paralyzing effects of such an attack.
Since the September 11, 2001 US-Terrorist Attacks there has been an overwhelming increase in documented cases of violent acts of extremism made possible by radical terrorist recruitment of domestic gangs. These new, global criminal alliances combine tech-savvy radical extremists and the local knowledge and manpower of U.S.-based gangs creating a greater potential for biological attacks. As a result, both law enforcement and intelligence agencies have been forced to align their coordination efforts to a greater extent with colleges, universities, private infrastructures, and the military to shift national security efforts from reactive to proactive. D. Darell Dones examines the parallel terrorist-gang activities and prevailing psychosocial factors that explain the varying radical beliefs, causations, and behavioral mindset of these criminal partnerships.
In the 1960s, Andy Warhol’s paintings redefined modern art. His films provoked heated controversy, and his Factory was a hangout for the avant-garde. In the 1970s, after Valerie Solanas’s attempt on his life, Warhol become more entrepreneurial, aligning himself with the rich and famous. Bob Colacello, the editor of Warhol’s Interview magazine, spent that decade by Andy’s side as employee, collaborator, wingman, and confidante. In these pages, Colacello takes us there with Andy: into the Factory office, into Studio 54, into wild celebrity-studded parties, and into the early-morning phone calls where the mysterious artist was at his most honest and vulnerable. Colacello gives us, as no one else can, a riveting portrait of this extraordinary man: brilliant, controlling, shy, insecure, and immeasurably influential. When Holy Terror was first published in 1990, it was hailed as the best of the Warhol accounts. Now, some two decades later, this portrayal retains its hold on readers—as does Andy’s timeless power to fascinate, galvanize, and move us.
A groundbreaking collection of original essays, Stages of Reality establishes a new paradigm for understanding the relationship between stage and screen media. This comprehensive volume explores the significance of theatricality within critical discourse about cinema and television. Stages of Reality connects the theory and practice of cinematic theatricality through conceptual analyses and close readings of films including The Matrix and There Will be Blood. Contributors illuminate how this mode of address disrupts expectations surrounding cinematic form and content, evaluating strategies such as ostentatious performances, formal stagings, fragmentary montages, and methods of dialogue delivery and movement. Detailing connections between cinematic artifice and topics such as politics, gender, and genre, Stages of Reality allows readers to develop a clear sense of the multiple purposes and uses of theatricality in film.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.