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Amelia Hartliss is employed by British Security Services to defend the nation against attacks. She is used to that, but in the normal run of things, the assaults are coming from abroad, from extremists not born and raised in this country. It is therefore a nasty surprise to find terrorists on her own doorstep, right in her home town. It's a new challenge, and a bigger fight than anything she's ever seen. If only she had help - but her time and attention are being distracted by her cousin Liv, who is asking Melia for help in clearing the name of a mutual friend who has been sent to prison for a crime he says he didn't commit. It's a nasty business, made worse by the fact that the 'crime' is something that polite people don't like to talk about. Her absence only makes things worse at Regional Office, where the Deputy Director finds himself with a new job - clearing out the stable. He has an idea: Melia could be the first to go.
The morning after a storm, Rico searches the beach for rare and unusual objects. He doesn't believe his eyes, the sand is covered with dozens of giant eggs. Rico and his friend, Dr. Agon, will soon discover that the eggs are not the key to treasure but a doorway to terror!
The morning after a storm, Rico searches the beach for rare and unusual objects. He doesn't believe his eyes, the sand is covered with dozens of giant eggs. Rico and his friend, Dr. Agon, will soon discover that the eggs are not the key to treasure but a doorway to terror!
This book includes 432 reviews of horror movies. Half are plausible, half are supernatural. •Decide if you want to watch a horror movie that’s plausible or supernatural. •Roll a six-sided die three times. •Find the sequence within the table of contents. •You will be redirected to a random movie and its review.
Too often, existing literature has conflated the discourses that enabled the 'War on Terror', ignoring the contextual specificities of the states that make up the ’Coalition of the Willing’. Australia's 'war on terror' Discourse fills this gap by providing a full and sustained critical analysis of Australian foreign policy discourse along with the theoretical synthesis for a specific model of critical discourse analysis of the subject. The language of then Prime Minister Howard is the primary focus of the book but attention is also paid to the language of key ministers, political opponents and other prominent actors. The voices of those who challenged the dominant discourse are also considered to shed light on the ways in which discourses can be destabilised. Kathleen Gleeson shows how Howard successfully invoked narratives of identity and sovereignty that resonated with his audience and promoted his reworked narrative of Australia whilst facing dissent from many actors who voiced their opposition most successfully when they capitalised on inconsistencies within the discourse.
The cataclysmic events of September 11, 2001 destroyed the World Trade Center in New York, and later the Pentagon, was attacked by al Qaeda terrorists. The US government responded by invading Afghanistan on October 7, 2001, and the global war on terror had begun. The US and the UK would then invade Iraq on March 20th, 2003, supposedly to stop Saddam Husseins WMD and the Iraqi regimes alleged ties to al Qaeda. The Global War On Terror provides a thorough analysis of 9/11, the Iraq War, the occupation of Iraq, the British role in Iraq, the expansion of the al Qaeda network, and the breakdown of Iraq into sectarian war. The Global War on Terror exposes the underlying political substructure to reveal: o How both the FBI and CIA failed to understand the al Qaeda terrorist plot on 9/11 and failed to stop al Qaeda. o How the Bush administration actually planned the invasion of Iraq before 9/11. o How the Pentagons Office of Special Plans exaggerated both Iraqs WMD threat and the alleged connection between al Qaeda and the Hussein regime. o How American and British casualty levels greatly increased during the occupation of Iraq after combat operations ended with regard to the regime change in Iraq. o How Iraq became a breeding ground for terrorism, and how the Taliban would regroup in Afghanistan. o How the Blair government would attempt to sanitize the David Kelly scandal and how intelligence operations were manipulated concerning the British invasion of Iraq. o How the Plame-gate affair would expose the Bush administrations intricate web of deceit in regard to the alleged Niger uranium and the role Vice President Dick Cheneys office played in the scandal. o How the global war on terror would begin to unravel in Iraq amid the breakdown of Iraq into civil war and chaos.
Upon the 100th anniversary of the most terrifying stretch of shark attacks in American history--a wave said to have been the inspiration for Jaws--comes a reissue of the classic Lyons Press account and investigation. In July 1916, a time when World War I loomed over America and New York City was in the midst of a deadly polio epidemic, the tri-state area sought relief at the Jersey shore. The Atlantic’s refreshing waters proved to be utterly inhospitable, however. In just twelve days, four swimmers were violently and fatally mauled in separate shark attacks, and a fifth swimmer escaped an attack within inches of his life. In this thoroughly researched account, Dr. Richard Fernicola, the leading expert on the attacks, presents a riveting portrait, investigation, and scientific analysis of the terrifying days against the colorful backdrop of America in 1916 in Twelve Days of Terror.
For the uninitiated the author has obligingly supplied a definition for the slasher/splatter film: "Any motion picture which contains scenes of extreme violence in graphic and grisly detail...." For those film viewers who think this is a good thing and are more likely to select The Texas Chainsaw Massacre than The Remains of the Day, or for those who are not quite sure but are nevertheless drawn to the phantasmagoric, or for those horrified by gratuitous violence and blood for blood's sake but are researching this filmic phenomenon, this reference book provides all the gory details. From At Midnight I'll Take Your Soul Away to Zombie 2: The Dead Are Among Us, this book is an exhaustive study of the splatter films of the 1960s and 1970s. After a history of the development of the genre, the main meat of the book is a filmography. Each entry includes extensive credits, alternate names and foreign release titles; availability of the film on videocassette; availability of soundtracks and film novelization; and reviews. Extensive cross-referencing is also included.
It took ten more tries before he finally spied a tiny flashing light in the deep grass. He picked up the phone and held it tightly in his hand. "Hey, O'Brien, I found it!" he cried out. Hank didn't believe in magical thinking, but something about holding the tiny electronic gadget in his hand made him feel connected, as if Peter were sending him a message. It was the first positive feeling Hank had had since Peter's alarming call. Hank stuffed the phone in his pants pocket and ran back to the shoulder of the highway. A black sedan came speeding up behind him. He stepped back to let it go by. Instead the driver braked hard and swerved onto the shoulder in front of him. A hooded figure jumped out from the backseat and lunged at him. Hank raised his left arm and whipped his forearm against the man's throat. The attacker grunted and fell backward. Hank raced toward his car, but he wasn't fast enough.