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When Montana became the 41st state in 1889, an old pinoeer lamented, “Now she's gone to hell,” but most Montanans embraced statehood as the inevitable culmination of one of the most rapid and dramatic transformations in United States history. Only twenty-five years after becoming a territory, Montana was profoundly different: the buffalo slaughtered and gone, the Indian wars fought and ended, the tribal nations confined to reservations, cattle and sheep raised by the tens of thousands, Butte exploded into a rich, wide-open town, and railroads built to link the once remote land with the world. Montana 1889 tells the many stories of this overwhelming transformation by entering into the lives, emotions, and decisions of diverse peoples cooperating and competing on this contested ground. As in Ken Egan’s highly acclaimed Montana 1864, these stories are told month by month, deftly showing the flow and friction of events and the unfolding destinies of individuals and nations.
Winner of the Labriola Center American Indian National Book Award One of the American West’s bloodiest—and least-known—massacres is searingly re-created in this generation-spanning history of native-white intermarriage. National Book Award–winning histories such as The Hemingses of Monticello and Slaves in the Family have raised our awareness about America’s intimately mixed black and white past. Award-winning western historian Andrew R. Graybill now sheds light on the overlooked interracial Native-white relationships critical in the development of the trans-Mississippi West in this multigenerational saga. Beginning in 1844 with the marriage of Montana fur trader Malcolm Clarke and his Piegan Blackfeet bride, Coth-co-co-na, Graybill traces the family from the mid-nineteenth century, when such mixed marriages proliferated, to the first half of the twentieth, when Clarke ’s children and grandchildren often encountered virulent prejudice. At the center of Graybill’s history is the virtually unexamined 1870 Marias Massacre, on a par with the more infamous slaughters at Sand Creek and Wounded Knee, an episode set in motion by the murder of Malcolm Clarke and in which Clarke ’s two sons rode with the Second U.S. Cavalry to kill their own blood relatives.
First published in 1981, The Battle for Butte has remained the best treatment of the influence of copper in the political history of Montana. "Fine history: rich in detail, full of finely drawn people, masterfully clear where the subject matter is most complex, constructed to preserve something of the tone and atmosphere of the age."-American Historical Review
Much of Seth Bullock's modern renown comes from TV, film, and his friendship with Theodore Roosevelt. But Bullock was much more than the frontier law enforcer portrayed in fictional accounts. In Seth Bullock, David Wolff examines the life work of Bullock as he helped build Deadwood, found the town of Belle Fourche, and promote the Black Hills.
In 1879, a Canadian Blackfoot known as Spopee, or Turtle, shot and killed a white man. Captured as a fugitive, Spopee narrowly escaped execution, instead landing in an insane asylum in Washington, D.C., where he fell silent. Spopee thus “disappeared” for more than thirty years, until a delegation of American Blackfeet discovered him and, aided by the Commissioner of Indian Affairs, exacted a pardon from President Woodrow Wilson. After re-emerging into society like a modern-day Rip Van Winkle, Spopee spent the final year of his life on the Blackfeet Reservation in Montana, in a world that had changed irrevocably from the one he had known before his confinement. Blackfoot Redemption is the riveting account of Spopee’s unusual and haunting story. To reconstruct the events of Spopee’s life—at first traceable only through bits and pieces of information—William E. Farr conducted exhaustive archival research, digging deeply into government documents and institutional reports to build a coherent and accurate narrative and, through this reconstruction, win back one Indian’s life and identity. In revealing both certainties and ambiguities in Spopee’s story, Farr relates a larger story about racial dynamics and prejudice, while poignantly evoking the turbulent final days of the buffalo-hunting Indians before their confinement, loss of freedom, and confusion that came with the wrenching transition to reservation life.