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In this contemporary retelling of the classic Jewish folktale, a rabbi advises a blended family how to deal with their overcrowded house.
Recounts the events of a day when everything goes wrong for Alexander. Suggested level: junior, primary.
Even if she has lived ten terrible years, terrible, horrible Edie really isn’t terrible and horrible at all, but rather one of the most charming and engaging and gutsy children in American children’s fiction. It’s true of course that Edie does get into—and not always without it being at least a little bit her fault—some pretty terrible and horrible scrapes, and that sometimes she will sulk, but these are the kinds of things that happen to the kid sister of two snooty boys and one fancy-pants girl, not to mention having to deal with the distraction of two half sisters who are no better than babies. Edie’s father and stepmother have headed to Europe for the summer, and though the rest of the family can look forward to good times at a beloved summer house on the sea, Edie still has to fight to hold her own. Adventures on a sailboat and on an island, and the advent of a major hurricane and what Edie takes to be a military coup, all come to a climax when Edie solves the mystery of who stole the neighbor’s jewels and saves, at least for one day, the day. This story of Edie and the other members of the Cares family may remind readers of Arthur Ransome’s Swallows and Amazons, except that Edie has an experimental, even anarchic streak that is all her terrible, horrible own.
Even though Tumford the cat is well loved by George and Violet Stoutt, they despair of ever teaching him to apologize when he does something wrong.
Perry argues that racism in America has moved into a new phase--post-intentional For a nation that often optimistically claims to be post-racial, we are still mired in the practices of racial inequality that plays out in law, policy, and in our local communities. One of two explanations is often given for this persistent phenomenon: On the one hand, we might be hypocritical—saying one thing, and doing or believing another; on the other, it might have little to do with us individually but rather be inherent to the structure of American society. More Beautiful and More Terrible compels us to think beyond this insufficient dichotomy in order to see how racial inequality is perpetuated. Imani Perry asserts that the U.S. is in a new and distinct phase of racism that is “post-intentional”: neither based on the intentional discrimination of the past, nor drawing upon biological concepts of race. Drawing upon the insights and tools of critical race theory, social policy, law, sociology and cultural studies, she demonstrates how post-intentional racism works and maintains that it cannot be addressed solely through the kinds of structural solutions of the Left or the values arguments of the Right. Rather, the author identifies a place in the middle—a space of “righteous hope”—and articulates a notion of ethics and human agency that will allow us to expand and amplify that hope. To paraphrase James Baldwin, when talking about race, it is both more terrible than most think, but also more beautiful than most can imagine, with limitless and open-ended possibility. Perry leads readers down the path of imagining the possible and points to the way forward.
Here is the story Of the Terrible PLOP, With a bear and a rabbit And a hop hop hop. But what is the PLOP? And where does it hide? Open the book And look inside . . . From award-winning author Ursula Dubosarskyand illustrator Andrew Joynercomes an irresistible new picture book about a little rabbit who learns that some things in life aren't as scary as they seem. Based on a Tibetan myth, a sound in the forest sets all the animals running for their lives from the Terrible Plop. Children will be charmed by the wonderful zany energy of the illustrations and the rollicking rhyming story. Publishers Weekly Review Ursula Dubosarsky's rollicking The Terrible Plopis going straight into our story box. With a rhythmic, comic text perfect for joining in with, and dynamic cartoon-like illustrations provided by Andrew Joyner, there are shades of Doctor Seuss in this Henny Penny-style picture book. Children will love the brave little rabbit and big brave bear who isn't really brave at all. Marilyn Brocklehurst, Proprietor, Norfolk Children's Book Centre
Observing that trans studies was founded on a split from and disavowal of madness, illness, and disability, Cameron Awkward-Rich argues for and models a trans criticism that works against this disavowal.
Tim doesn't mean to be terrible, he just likes to draw--and roar, dash--and splash. But at the end of a hectic day, he also loves to cuddle and snuggle!
Rosemond guides parents through the steps of establishing an effective disciplinary style and a tried-and-true recipe for bringing out the very best in young children.
Miles Murphy is not happy to be moving to Yawnee Valley, a sleepy town that’s famous for one thing and one thing only: cows. In his old school, everyone knew him as the town’s best prankster, but Miles quickly discovers that Yawnee Valley already has a prankster, and a great one. If Miles is going to take the title from this mystery kid, he is going to have to raise his game. It’s prankster against prankster in an epic war of trickery, until the two finally decide to join forces and pull off the biggest prank ever seen: a prank so huge that it would make the members of the International Order of Disorder proud. In The Terrible Two, bestselling authors and friends Mac Barnett and Jory John have created a series that has its roots in classic middle-grade literature yet feels fresh and new at the same time. Advance Praise for The Terrible Two “A double helping of fun and mischief!” —Jeff kinney, author of the Diary of a Wimpy Kid Series “The pranks, the brotherhood, the art, the heart! What’s not to love about the Terrible Two?” —Sara Pennypacker, author of the Clementine series “You don’t have to be a cow, like cows, or even know a cow to love the Terrible Two.” —Dave Eggers “This book is terrible! Terribly funny, terribly full of pranks, and terribly wonderful.” —Jon Scieszka, author of The Stinky Cheese Man and the Frank Einstein series “The Terrible Two are my kind of kids. And what’s more, they’re kids’ kind of kids.” —Annie Barrows, author of the Ivy & Bean series “Hilarious.” —Dav Pilkey, author of the Captain Underpants series