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Introduced by Jeff VanderMeer - 'a classic: stunning, dangerous, darkly beautiful' - welcome to the post-apocalyptic White Lotus: a luxury hotel at the end of the world in this lost 1967 dystopia ... 'Chilling and prescient.' Andrew Hunter Murray 'Elemental and true.' Kiran Millwood Hargrave 'Mesmerizing.' Sandra Newman 'Like someone from the future screaming to us.' Salena Godden The day we came up from the shelters four people were found dead on the steps of the hotel. Welcome to Termush: a luxury coastal resort like no other. All the wealthy guests are survivors: preppers who reserved rooms long before the Disaster. Inside, they embrace exclusive radiation shelters, ambient music and lavish provisions; outside, radioactive dust falls on the sculpture park, security men step over dead birds, and a reconnaissance party embarks. Despite weathering a nuclear apocalypse, their problems are only just beginning. Soon, the Management begins censoring news; disruptive guests are sedated; initial generosity towards Strangers ceases as fears of contamination and limited resources grow. But as the numbers - and desperation - of external survivors increase, they must decide what it means to forge a new moral code at the end (or beginning?) of the world ... Translated by Sylvia Clayton
The Floodmeadow draws us into a seething pastoral where lightning threatens and thunder gathers, pylons and powerlines hum, and steel-framed gates sing out into the wind. In these incantatory pieces, everything is present at once. The landscape, teetering on apocalypse, is characterised by collision and disintegration. Among fragments of memory and history are meticulously journaled observations of the natural world: the moorhen who 'with exaggerated delicacy steps / free of the reedbeds'; the dragonfly that 'pushes itself through the armour / of its body' to be born. The world is populated by archangels and wild gods, the roar of military aircraft, hunting dogs caught permanently suspended in the chase and a car that veers from the road into the floodwater in which the whole collection is saturated. Human relations are fleeting and vulnerable, appearing in the impression of a wedding or the recurring moments captured between a father and son, who make between them delicate balsawood constructions, which - as the poems do themselves - take flight in the turmoil, ecstatic one moment, plunged into darkness the next. This is a visionary collection that invokes other times, dimensions and soundscapes to tell out some word of beauty and abundance in the here and now.
A NEW YORK TIMES BOOK OF THE YEARHenrietta Lovell is best known as 'The Rare Tea Lady'. She is on a mission to revolutionise the way we drink tea by replacing industrially produced teabags with the highest quality tea leaves. Her quest has seen her travel to the Shire Highlands of Malawi, across the foothills of the Himalayas, and to hidden gardens in the Wuyi-Shan to source the world's most extraordinary teas.Infused invites us to discover these remarkable places, introducing us to the individual growers and household name chefs Lovell has met along the way - and reveals the true pleasures of tea. The result is a delicious infusion of travel writing, memoir, recipes, and glorious photography, all written with Lovell's unique charm and wit.
This is a book about the simple pleasure of pebble spotting. Clarence Ellis is a charming, knowledgeable and witty guide to everything you didn't know there was to know about pebbles. He ruminates on what a pebble actually is, before showing us how they are formed, advising on the best pebble-spotting grounds in the UK, helping to identify individual stones, and giving tips on the necessary kit. You'll know your chert from your schist, your onyx from your agate, and will be on your guard for artificial intruders before you know it. Understanding the humble pebble makes a trip to the beach, lake-side or river bank simply that little bit more fascinating.
In Imaging Reality: The Faber Book of Documentary, Oscar-winning documentary-maker Kevin Macdonald ( One Day in September, Touching the Void) and leading broadcaster/historian Mark Cousins ( The Story of Film) offer an expanded, revised edition of their 'definitive, inspirational' ( Independent) compendium on the roots and history of the documentary film. Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield. The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War.
Why do people hate? A world-leading criminologist explores the tipping point between prejudice and hate crime, analysing human behaviour across the globe and throughout history in this vital book. 'This should be on the curriculum. A must read.' DR JULIE SMITH 'A key text for how we live now.' DAVID BADDIEL 'Wildly engrossing.' DARREN MCGARVEY 'This is a world-changing book.' ALICE ROBERTS 'Fascinating and moving.' PRAGYA AGARWAL Are our brains wired to hate? Is social media to blame for an increase in hateful abuse? With hate on the rise, what can we do to turn the tide? Drawing on twenty years of pioneering research - as well as his own experience as a hate-crime victim - world-renowned criminologist Matthew Williams explores one of the pressing issues of our age. Surveying human behaviour across the globe and reaching back through time, from our tribal ancestors in prehistory to artificial intelligence in the twenty-first century, The Science of Hate is a groundbreaking and surprising examination of the elusive 'tipping point' between prejudice and hate. 'Hate speech online has escalated to unprecedented levels. Matthew Williams, a professor of criminology, is shining a scientific light on who is behind it and why . . . a rallying cry.' OBSERVER 'Fascinating and beautifully written. I heartily recommend it.' HUGO RIFKIND, TIMES RADIO 'Fascinating . . . A harrowing but illuminating work.' EVENING STANDARD 'An indispensable guide to what's gone wrong both here at home and in much of the Western world.' THE HERALD
Toby Martinez de las Rivas is regarded as one of the most distinctive voices to have emerged in recent times; to some, a modern day William Blake. The Guardian described Terror, his first book, as 'visionary' and 'exciting', the New Statesman as 'remarkable', and all combined to praise it's brave and lucid intensity. Black Sun is a sequel of poise and clarity that is, if anything, more open and accessible than its predecessor. Beginning where Terror left off, it pursues that book's fascination with history and with theology, with preservation and redemption.
Beneath the surface we are all connected . . .'An authentically soothing, powerful, thought-provoker.'MATT HAIG'On Connection is medicine for these wounded times.'MAX PORTER'On Connection came to me when I needed it most, and reminded me that the links we have to places, people, words, ourselves, are what keep us alive.'CANDICE CARTY-WILLIAMSThis is a book about connection. About how immersing ourselves in creativity can help us cultivate greater self-awareness and bring us closer to each other.Drawing on two decades of experience as a writer and performer, Kae Tempest champions the role of creativity - in whatever form we choose to practice it - as an act of love, helping us establish a deeper relationship to our true selves, and to others and the world we live in.Honest, hopeful and written with piercing clarity, On Connection is an inspiring personal meditation that will transform the way you see the world.'Persuasive and profound.' OBSERVER'Tempest's prose is crisp and thoughtful.' NEW STATESMAN
In 140 pages, two masterly popularisers present 140 explanations of the biggest questions in physics - in the form of 10 or so tweets per page. They set themselves the challenge of boiling down what is essential on each subject into sentences of 140 characters, and the results are both entertaining and brilliantly informative. Not a word is wasted. The reader is not patronized and learns something on every page. If only all science writing could be so precise and so economical. Only science writers of a very high calibre could achieve such compression. Marcus Chown - 'the finest cosmology writer of our day' (Matt Ridley) - has known the Dutch writer Govert Schilling for twenty years. Schilling pioneered this very swift form of explanation in a Dutch newspaper, and suggested to Chown that they collaborate on bringing it to a wider audience. Tweeting the Universe is unlike any other science book.
'Barcelona is colour, noise, heat, dust, violent traffic and quick-moving people. Many of the men carry rifles slung on their backs...' Tom Wintringham (1898-1949) was a pioneer of the International Brigades in the Spanish Civil War, and commander of the British Battalion in the bloody Battle of Jarama in February 1937, at which he was wounded. English Captain is Wintringham's own startling account of his service to the cause of the Spanish republic. '[Wintringham] was a remarkable man of ideas; the foremost Marxist expert on warfare, a published poet, a brilliant propagandist... He was also a man of action who believed that few things in life could be achieved unless you were prepared to fight for them.' Hugh Purcell, History Today