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Teresa of Watling Street was inspired by the author Arnold Bennett's own move to Trinity Hall Farm, Bedfordshire, on Watling Street, where his father died. Bennett presents an absorbing tale of finance and revenge, told from the perspective of a private detective who gets mixed up in all sorts of thrilling events. The strong characterization and engaging storyline make this work one of the most beloved works of Bennett. Excerpt from Teresa of Watling Street "Since money is the fount of all modern romantic adventure, the City of London, which holds more money to the square yard than any other place in the world, is the most romantic of cities. This is a profound truth, but people will not recognise it. There is no more prosaic person than your bank clerk, who ladles out romance from nine to four with a copper trowel without knowing it. "
DigiCat Publishing presents to you this special edition of "The City of Pleasure: A Fantasia on Modern Themes" by Arnold Bennett. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This book explores the puzzling phenomenon of new veiling practices among lower middle class women in Cairo, Egypt. Although these women are part of a modernizing middle class, they also voluntarily adopt a traditional symbol of female subordination. How can this paradox be explained? An explanation emerges which reconceptualizes what appears to be reactionary behavior as a new style of political struggle--as accommodating protest. These women, most of them clerical workers in the large government bureaucracy, are ambivalent about working outside the home, considering it a change which brings new burdens as well as some important benefits. At the same time they realize that leaving home and family is creating an intolerable situation of the erosion of their social status and the loss of their traditional identity. The new veiling expresses women's protest against this. MacLeod argues that the symbolism of the new veiling emerges from this tense subcultural dilemma, involving elements of both resistance and acquiescence.
More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.