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Teresa da Silva is an overweight, depressed, drink-dependent, struggling in the city. She is estranged from her daughter who lives with her ex-husband in England. This Anthology contains the first two books in the series.
Among the numerous discursive carriers through which translations come into being, are channeled and gain readership, translation anthologies and collections have so far received little attention among translation scholars: either they are let aside as almost ungraspable categories, astride editing and translating, mixing in most variable ways authors, genres, languages or cultures, or are taken as convenient but rather meaningless groupings of single translations. This volume takes a new stand, makes a plea to consider translation anthologies and collections at face value and offers an extensive discussion about the more salient aspects of translation anthologies and collections: their complex discursive properties, their manifold roles in canonization processes and in strategies of cultural censorship. It brings together translation scholars with different backgrounds, both theoretical and historical, and covering a wide array of European cultural areas and linguistic traditions. Of special interest for translation theoreticians and historians as well as for scholars in literary and cultural studies, comparative literature and transfer studies.
The present work is a summary of Spanish poetry, offered as a spontaneous tribute of affectionate admiration to the contemporaneous Spanish poet--both Peninsular and American--from his English-speaking brethren of the north. This anthology is also offered in the belief that it will greatly facilitate the work of the writer or lecturer on Spanish poetry who has been handicapped by the great difficulty in obtaining English versions adequate to illustrate his theme. For this person, or the student or general reader, the selections are arranged in chronological order, with extensively researched bibliographical notes. The translators have presented in English some of the greatest poets writing in Spanish, while preserving the beauties of this literature.
Women Telling Nations highlights how, from the 16th to the 19th centuries, European women, as readers and writers, contributed to the construction of national identities. The book, which presents twenty countries, is divided into four parts. First, we examine how women belonged to nations: they represented territories and political or religious communities in their own style. Second, we deal with the ways in which women wrote the nation: the network of relationships in which they were involved that were not necessarily national or territorial. The legitimation that women writers succeeded in finding is emphasised in the third section, while in the fourth we analyse how and why women were open to the outside world, beyond the country’s borders. Women Telling Nations underlines the quantitative importance of the circulation of these women’s writings and demonstrates the extent as well as the impact of the international cross-fertilisation of nations, especially by and for women: focusing on routes rather than roots.
An anthology of plays from the Spanish Golden Age contains the full text of 15 plays; an introduction to each play with information about the author, the work, performance issues and current criticism; and glossaries with definitions of difficult words and concepts.
Discover twenty-five remarkable new voices in these award-winning stories published by Unbound in collaboration with Creatd, the parent company of digital storytelling platform Vocal. Based in the US and open to content creators and podcasters of every kind, Vocal has over 700,000 users all over the world. The stories have been chosen from over 13,000 entries submitted to the Vocal+ Fiction Awards and are by writers from round the globe who have risen to the top on the Vocal platform. Winners have been selected by well-known writer, critic and former Times literary editor Erica Wagner. Compelling narrative, vivid language, tales of family, of hope, of terror, of the worlds that await us. These stories showcase the diversity, ingenuity and imagination of Vocal’s unique voices.
This book breaks new ground in considering the nature and function of anthologies of poetry and short stories in twentieth-century Portugal. It tackles the main theoretical issues, identifies a significant body of critical writing on the relationship between anthologies, literary history and the canon, and proposes an approach that might be designated Descriptive Anthology Studies. The author aims to achieve a full understanding of the role of anthologies in the literary polysystem. Moreover, this study considers anthologies published in Portugal in the early years of the twentieth-century, the influential figures who made them, the works they selected, and who read them. It also focuses on the principal publishing houses of the 1940s and 50s, and how their literary directors shaped public taste and promoted intercultural transfer. The author reveals tensions between conservative, nostalgic anthologies that promote an idyllic vision of rural Portugal, and collections of poems that question and challenge the status quo, whether in respect of the colonial wars or repressed female sexuality. The last part of the book explores anthology production in the period following the Revolution of 1974, observing the co-existence of traditional anthologising activity with new trends and innovations, and noting the role of women, both as anthologists and anthology items.
The Spanish mystic Teresa of Avila (1515-82), author of one of the most acclaimed early modern autobiographies (Vida, 1565), has generated a wealth of literary, historical and theological studies, yet none to date has examined the impact of textual models on Teresa's self-construction. In looking at the issue of the self, Carrera draws on revisions
"Appearing for the first time in English, these stories express the anguish and courage of women from their different classes and regions as they recognize their common restlessness and forge a new consciousness."Â -- Booklist "... provocative... Although not all the pieces are outwardly political, there is a political edge to the book; the tone of the stories is bleak as they tell of Brazilian women's struggles with government, society, men and their own private demons. Sadlier's able translations retain a distinctive voice and style for each writer." -- Publishers Weekly "Sadlier... has done a service to students of Comparative Literature and Women's Studies as well as to general readers who sincerely want to know what literature of quality is being written in that all-too-rarely studied Portuguese language of Brazil."Â -- Revista de Estudios Hispanicos "The pieces... convey... the evolution in the consciousness of the writers, their sense of themselves, and their place in society as well as the changes affecting Brazil's political climate and society at large during this century."Â -- Review of Contemporary Fiction "A superb addition to the increasing number of anthologies dedicated to Brazilian literature." -- Choice "A must for any modern literary collection." -- WLW Journal Women writers have revolutionized Brazilian literature, and this impressive collection will provide English readers with a window on this revolution. These twenty previously untranslated selections by some of Brazil's most important writers illustrate the remarkable power of women's voices and the important contributions they have made to twentieth-century literature.