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Reflexión teórica acerca de los géneros dramáticos. Dirigido a profesionales de la actuación, dirección, la dramaturgia y producción
Este livro não traz apenas um panorama histórico do teatro moderno, mas também análises do autor oferecendo o máximo resultado de uma dialética histórico-filosófica das formas de arte, identificando oposições e continuidades no arco da produção de onze dramaturgos, entre eles Ibsen, Tchékhov, Strindberg, Brecht, Pirandello, Eugene O'Neill e Arthur Miller.
No detailed description available for "Signs of Humanity / L'homme et ses signes".
After the many interdisciplinary perspectives on nonverbal communication offered by the author in his previous seven John Benjamins books, which have generated a wide range of scholarly applications, the present monograph is dominated by a very broad concept of translation. This treatment of translation includes theater and cinema (enriching our intellectual-sensorial experience of both 'reading act' and 'viewing act') and offers among other topics: sensorial-intellectual-emotional pre- and post-reading interactions with books; mute or audible 'oralization' of texts; the translator's linguistic and nonverbal-cultural fluency and implicit textual paralanguage and kinesics; translating functions of pictorial illustrations; the blind's text and film perception; the foreign reader's cultural background and circumstances; theater and cinema spectators' total sensory-intellectual experience of plays and films beyond staging or projection; the multiple interrelationships between cinema and theater performers, spectators and their environments, of special interest to all those involved in the theater; and the translator's challenging textual perception of sounds and movements. Over 800 literary quotations, and two virtually exhaustive English inventories of sound- and movement-denoting words with many examples, offer serious students of translation, language or literature a rich reference and drill source.