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The story of Mexican architecture in the second half of the twentieth century cannot be told without the work of Teodoro Gonzalez de Leon. His banks, civic buildings, museums and office complexes have contributed to defining the urban texture of a large part of Mexico: the product of a conception of monumentality in which modernity and timelessness seem to coexist. Architect, urbanist, painter and sculptor, Gozalez de Leon is also a tireless promoter of architecture understood as a cultural phenomenon. The publication of the complete works of Teodoro Gonzalez de Leon makes it possible to take in a single glance more than fifty years of militant commitment to the discipline. Some of the architect's occasional writings have been inserted into the book, like his own urban icons throughout the city, to illustrate the constant dialectic between work and reflection. The conceptual and constructive rigor of Teodoro Gonzalez de Leon has made possible a forceful and original body of work, monumental, unique, at once Mexican and universal.His works are conceived as assemblages, possessing a singular logic and reality: each one is a paragraph, a chapter in a story, in a method that describes how to make and to understand architecture.
The story of Mexican architecture in the second half of the 20th century cannot be told without the work of Teodoro Gonzalez de Leon, whose complete works are collected in this definitive book. His banks, civic buildings, museums, corporate headquarters and office complexes have contributed to defining the urban texture of a large part of Mexico. Architect, urbanist, painter and sculptor, Gonzalez de Leon is also a tireless promoter of architecture as a cultural phenomenon. This third edition of his Collected Works compiles more than 60 years of militant commitment to the discipline, giving rise to a language as modern as it is timeless. Essays by William J.R. Curtis and Miquel Adria shed light on the evolution and complexity of the architect's work. Also includes texts by the architect himself.
This substantial volume offers an overview of the work of Mexican architect Teodoro González de León (1926-2016), who built over 50 projects in his native country.
Brasilia, Caracas, Mexico City, Rio de Janeiro ... these are cities synonymous with some of the most innovative and progressive architecture of the twentieth century. The period between 1930 and 1960 in particular, when many Latin American economies expanded rapidly, was an era of incomparable inventiveness and creative production, as the various governments strove to shake off their colonial pasts and make public their modernising intentions. This book focuses on major state-funded architectural projects, featuring not only the high-profile prestigious building like the House of Representatives in Barsilia but also social architecture such as schools and los-cost housing developments. Architects like Pani, Costa, Reidy and Niemeyer, who undertook this work with considerable autonomy and significant financial resources, in effect became social planners, their avant-garde aesthetic and technical experimentation often being teamed with radical social agendas. By 1960, the year in which Brasilia was inaugurated, economic growth in the region was slowing and faith in the modernist project in general was faltering. The English-speaking world, which had previously endorsed and even envied Latin American architectural production, changed its opinion and largely dismissed it from the history of twentieth-century architecture. Building the New World redresses the balance. It provides an accessible introduction to the most important examples of state-funded modernism in Latin America during a period of almost unimaginable optimism, when politicians and architects saw architecture as, literally, a way of building themselves out of underdevelopment and into the new world of a culturally rich and socially inclusive future .
Designed as a survey and focused on key examples and movements arranged chronologically from 1903 to 2003, this is the first comprehensive history of modern architecture in Latin America in any language. Runner-up, University Co-op Robert W. Hamilton Book Award, 2015 Modern Architecture in Latin America: Art, Technology, and Utopia is an introductory text on the issues, polemics, and works that represent the complex processes of political, economic, and cultural modernization in the twentieth century. The number and types of projects varied greatly from country to country, but, as a whole, the region produced a significant body of architecture that has never before been presented in a single volume in any language. Modern Architecture in Latin America is the first comprehensive history of this important production. Designed as a survey and focused on key examples/paradigms arranged chronologically from 1903 to 2003, this volume covers a myriad of countries; historical, social, and political conditions; and projects/developments that range from small houses to urban plans to architectural movements. The book is structured so that it can be read in a variety of ways—as a historically developed narrative of modern architecture in Latin America, as a country-specific chronology, or as a treatment of traditions centered on issues of art, technology, or utopia. This structure allows readers to see the development of multiple and parallel branches/historical strands of architecture and, at times, their interconnections across countries. The authors provide a critical evaluation of the movements presented in relationship to their overall goals and architectural transformations.
A lo largo de 40 años, el despacho de Francisco J. Serrano ha construido un vasto conjunto de obras que reflejan tanto la madurez de su lenguaje como la solidez de su oficio, diseñando con igual versatilidad edificios corporativos y grandes desarrollos de vivienda, la ampliación de la Universidad Iberoamericana y la nueva Terminal del Aeropuerto de laciudad de México. Este libro recoge los hitos más significativos de su trayectoria.
With over 6,000 entries, this is the most authoritative dictionary of architectural history available.