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This book presents a systematic study of tenor clef for the intermediate cellist. The exercises teach one or two notes at a time, while corresponding pieces utilize the notes that were just learned. Much of the book focuses on the transition from bass to tenor clef on the cello, as well as the relationship between the two clefs. Teachers can use this book as a method for teaching the clef to their students, preparing them for tenor clef found in many intermediate and advanced cello pieces, including Saint-Saens' Allegro Appassionato and The Swan, and Vivaldi's Cello Concerto in E Minor.
Position Pieces for Cello is designed to give students a logical and fun way to learn their way around the fingerboard. Each hand position is introduced with exercises called "Target Practice," "Geography Quiz," and "Names and Numbers." Following these exercises are tuneful cello duets which have been specifically composed to require students to play in that hand position. In this way, students gain a thorough knowledge of how to find the hand positions and, once there, which notes are possible to play. Using these pieces (with names like "I Was a Teenage Monster," "The Irish Tenor," and "I've Got the Blues, Baby"), position study on the cello has never been so much fun!
The Swan Study Book for Cello helps you learn and perfect every measure of the famous piece. The Swan is broken down into short sections and taught through carefully graded exercises. Skills that would otherwise be difficult, such as shifts and fast scale patterns, can now be mastered. You can be free to concentrate on artistic expression by solidifying your cello technique. The Swan Study Book gives you essential tools to be a better cellist. This book is appropriate for intermediate level cellists who can play up through eighth position and know some tenor clef. An overview of tenor clef is included, as well as a section on producing better tone. If needed, preparatory exercises for The Swan are in the back of the book. The entire cello part to Camille Saint-Saens' The Swan is presented at the end of the book (the piano accompaniment is not included).
A very different sort of cello method, A Modern Cellist's Manual combines technical information and plenty of photographs with advice on approach. Topics addressed range from the basics of a painless bow grip to injury avoidance, working with a metronome, and tenor clef. Emily's tone and sense of humor lighten the mood of any practice session. A Modern Cellist's Manual is suitable for those taking private lessons as well as returning cellists looking to bolster rusty technique.
(Bass). All six of J.S. Bach's essential suites for unaccompanied cello are arranged here for bass guitar in standard notation and tablature. Includes: Suite No. 1 in G Major, BWV 1007 * Suite No. 2 in D Minor, BWV 1008 * Suite No. 3 in C Major, BWV 1009 * Suite No. 4 in Eb Major, BWV 1010 * Suite No. 5 in C Minor, BWV 1011 * Suite No. 6 in D Major, BWV 1012.
Perhaps Dotzauer's most famous cello work is his 113 Etudes in four volumes. Masterfully prepared by him, this edition is a reprint of the authoritative G. Schirmer plate 26746 printed around 1917. This is the first volume in the series. 57pps, Extra note and staff paper in back for teacher annotations. Edition Fleury 2013. A must have for any student, teacher or cellist to have in his/her library.
Learn the notes and spaces in advanced violin scales and never guess where to shift again!
Intermediate cello shifting studies in rows and patterns.
Award-winning jazz educator Caleb Chapman and multiple GRAMMY(R) Award-winning saxophonist Jeff Coffin have created a highly effective approach to jazz articulation. Step by step, The Articulate Jazz Musician details Caleb's proven approach for mastering the fundamentals of jazz articulation, phrasing, and interpretation. The play-along tracks are designed for C, B-flat, E-flat, and bass clef instruments. Rhythm section instruments can use the play-along tracks as a how to play it reference. The tracks feature a world-class quartet of Jeff Coffin (tenor saxophone), Victor Wooten (bass), Roy Futureman Wooten (drums), and Chris Walters (piano). This method makes approaching jazz articulation easy and fun. Follow the explanations, do lots of listening, play along, practice what you have heard, and before long, you too will be an articulate jazz musician! This title is available in MakeMusic Cloud.