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Tennessee Taproots is a pictorial collection of the state's ninety-five county courthouses. This handy guide offers something for everyone, from the lifelong resident to the first-time traveler. The wide variety of the courthouses illustrates the economic, social, and scenic diversity of this great southern state.
Whether you are reading from your armchair or on the road, this comprehensive tour guide to the state of Tennessee will inform you about the incredible diversity of historic places from east to west. Focusing on the built environment, this reference covers architectural achievements from the state capitol in Nashville to the earliest humble cabins in East Tennessee.
The United States government got into the art business when it instituted a series of programs to keep artists working during the Depression years. Tennessee received its fair share, and most of the original thirty are still in existence. A few have been moved to different locations, but the author notes that most of the murals “are still on that same wall in the same small post office in that same small town where they were placed so long ago.” Unfortunately, many people are not aware of these murals—even in the areas where they are located. Written for the purpose of enhancing the knowledge of Tennesseans about the murals found in their post offices, this book will be of interest to artists and historians as well. Hull has included numerous photographs along with his descriptions of each mural and its composition, the mural’s relation to history, and a biographical sketch of each artist.
With some 6,000 entries, A Bibliography of Tennessee History will prove to be an invaluable resource for anyone--students, historians, librarians, genealogists--engaged in researching Tennessee's rich and colorful past. A sequel to Sam B. Smith's invaluable 1973 work, Tennessee History: A Bibliography, this book follows a similar format and includes published books and essays, as well as many unpublished theses and dissertations, that have become available during the intervening years. The volume begins with sections on Reference, Natural History, and Native Americans. Its divisions then follow the major periods of the state's history: Before Statehood, State Development, Civil War, Late Nineteenth Century, Early Twentieth Century, and Late Twentieth Century. Sections on Literature and County Histories round out the book. Included is a helpful subject index that points the reader to particular persons, places, incidents, or topics. Substantial sections in this index highlight women's history and African American history, two areas in which scholarship has proliferated during the past two decades. The history of entertainment in Tennessee is also well represented in this volume, including, for example, hundreds of citations for writings about Elvis Presley and for works that treat Nashville and Memphis as major show business centers. The Literature section, meanwhile, includes citations for fiction and poetry relating to Tennessee history as well as for critical works about Tennessee writers. Throughout, the editors have strived to achieve a balance between comprehensive coverage and the need to be selective. The result is a volume that will benefit researchers for years to come. The Editors: W. Calvin Dickinson is professor of history at Tennessee Technological University. Eloise R. Hitchcock is head reference librarian at the University of the South.
A history of the land and people of Tennessee, with special photo sections, maps, graphs, charts, and tables.
Tracing the development of tap dancing from ancient India to the Broadway stage in 1903, when the word "Tap" was first used in publicity to describe this new American style of dance, this text separates the cultural, societal and historical events that influenced the development of Tap dancing. Section One covers primary influences such as Irish step dancing, English clog dancing and African dancing. Section Two covers theatrical influences (early theatrical developments, "Daddy" Rice, the Virginia Minstrels) and Section Three covers various other influences (Native American, German and Shaker). Also included are accounts of the people present at tap's inception and how various styles of dance were mixed to create a new art form.