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Joe Clark's photographs are going into a bigger album, for many people to see and to discover in his book, Tennessee Hill Folk, a book I predict will be around for a long time to come. His book is one for libraries, schools, and people of all ages--not merely in Appalachia and Tennessee, but all over the United States.
The Ozark region, located in northern Arkansas and southern Missouri, has long been the domain of the folklorist and the travel writer--a circumstance that has helped shroud its history in stereotype and misunderstanding. With Hill Folks, Brooks Blevins offers the first in-depth historical treatment of the Arkansas Ozarks. He traces the region's history from the early nineteenth century through the end of the twentieth century and, in the process, examines the creation and perpetuation of conflicting images of the area, mostly by non-Ozarkers. Covering a wide range of Ozark social life, Blevins examines the development of agriculture, the rise and fall of extractive industries, the settlement of the countryside and the decline of rural communities, in- and out-migration, and the emergence of the tourist industry in the region. His richly textured account demonstrates that the Arkansas Ozark region has never been as monolithic or homogenous as its chroniclers have suggested. From the earliest days of white settlement, Blevins says, distinct subregions within the area have followed their own unique patterns of historical and socioeconomic development. Hill Folks sketches a portrait of a place far more nuanced than the timeless arcadia pictured on travel brochures or the backward and deliberately unprogressive region depicted in stereotype.
For more than fifty years mountain-born Earl Palmer traveled the Southern Appalachians with his camera, recording his personal vision of the mountain people and their heritage. Over these year he created, in several thousand photographs, a distinctive body of work that affirms a traditional image of Appalachia—a region of great natural beauty inhabited by a self-sufficient people whose lives are notable for simplicity and harmony. For this book, Jean Haskell Speer has selected more than 120 representative photographs from Palmer's collection and has written a biographical and critical commentary based on extensive interviews with the photographer. Palmer's photographs, Speer argues, are significant cultural statements that depict not so much a geographical region as a particular idea of Appalachia.
Annie Clyde Dodson and her three-year-old daughter Gracie are among the last holdouts in a tiny town, standing in the way of progress in the Tennessee River Valley. Just a few days before the Long Man river is scheduled to wash Yuneetah off the map, Gracie disappears one stormy evening. Did she simply wander off into the rain, or was she taken—perhaps by the mysterious drifter who has returned to his hometown on the verge of its collapse? Set against the backdrop of real-life historical events, Long Man is a searing portrait of a soon-to-be-scattered community brought together by change and crisis, and of one family facing a terrifying ticking clock.
Livingston discusses selected examples of his music in detail."--BOOK JACKET.
In a sweeping and vibrant novel set in the post-war South, New York Times bestselling author Beverly Barton follows one young woman's journey to love and independence. . . 1885. All of Margaret Campbell's hopes for the future lie in Tuscumbia, Alabama. Since the death of her sharecropper father, eighteen-year-old Maggie has no resources and few allies, aside from the relatives who've agreed to take her in. With luck, she might yet make an upright gentleman of her brother, and a real lady of her rebellious little sister. And perhaps, once her siblings are settled, she'll find a decent, hardworking man to marry. But those plans are jeopardized the moment she meets Aaron Stone. Effortlessly charming, Aaron is building an empire in the South. Maggie knows he wants the right kind of wife to overcome the shadows surrounding his birth--someone like the well-connected widow he's been courting. Someone a million miles from a penniless, outspoken sharecropper's daughter. But neither jealousy, family secrets, nor long-held prejudices will keep Maggie from following her heart. . .
Detailed case studies of novels by Leonard Cohen, Michael Ondaatje, George Bowering, Daphne Marlatt, and Anne Carson, as well as sections on A.M. Klein and Anne Michaels, reveal how these authors framed their early novels according to formal precedents established in their poetry. In tracking the authors’ shift from lyric to long poem to novel, Rae also investigates their experiments with non-literary art forms - photography, painting, film. The authors discussed combine disparate genres and media to alter notions of narrative coherence in the novel and engage the diverse but fragmented cultural histories of Canadian society.