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“A superb guide to 400 statues, columns, reliefs, and other components of the state’s commemorative landscape.” —Gary W. Gallagher, author of The Union War Throughout Tennessee, Civil War monuments stand tall across the landscape, from Chattanooga to Memphis, and recall important events and figures within the Volunteer State’s military history. In Tennessee Civil War Monuments, Timothy S. Sedore reveals the state’s history-laden landscape through the lens of its many lasting monuments. War monuments have been cropping up since the beginning of the commemoration movement in 1863, and Tennessee is now home to four hundred memorials. Not only does Sedore provide commentary for every monument—its history and aesthetic panache—he also explores the relationships that Tennessee natives have with these historic landmarks. A detailed exploration of the monuments that enrich this Civil War landscape, Sedore’s Tennessee Civil War Monuments is a guide to Tennessee’s spirit and heritage.
This richly illustrated collection of fourteen essays examines the ways in which Confederate memorials - from Monument Avenue to Stone Mountain - and the public rituals surrounding them testify to the tenets of the Lost Cause, a romanticized narrative of the war. Several essays highlight the creative leading role played by women's groups in memorialization, while others explore the alternative ways in which people outside white southern culture wrote their very different histories on the southern landscape. The authors - who include Richard Guy Wilson, Catherine W. Bishir, W. Fitzhugh Brundage, and William M.S. Ramussen - trace the origins, objectives, and changing consequences of Confederate monuments over time and the dynamics of individuals and organizations that sponsored them. Thus these essays extend the growing literature on the rhetoric of the Lost Cause by shifting the focus to the realm of the visual. They are especially relevant in the present day when Confederate symbols and monuments continue to play a central role in a public - and often emotionally charged - debate about how the South's past should be remembered. The editors: Art Historian Cynthia Mills, a specialist in nineteenth-century public sculpture, is executive editor of American Art, the scholarly journal of the Smithsonian American Art Museum. Pamela H. Simpson is the Ernest Williams II Professor of Art History at Washington and Lee University. She is the coauthor of The Architecture of Historic Lexington.
“A superb guide to 400 statues, columns, reliefs, and other components of the state’s commemorative landscape.” —Gary W. Gallagher, author of The Union War Throughout Tennessee, Civil War monuments stand tall across the landscape, from Chattanooga to Memphis, and recall important events and figures within the Volunteer State’s military history. In Tennessee Civil War Monuments, Timothy S. Sedore reveals the state’s history-laden landscape through the lens of its many lasting monuments. War monuments have been cropping up since the beginning of the commemoration movement in 1863, and Tennessee is now home to four hundred memorials. Not only does Sedore provide commentary for every monument—its history and aesthetic panache—he also explores the relationships that Tennessee natives have with these historic landmarks. A detailed exploration of the monuments that enrich this Civil War landscape, Sedore’s Tennessee Civil War Monuments is a guide to Tennessee’s spirit and heritage.
He refutes the notion that members were backward-looking dilettantes and instead draws a complex portrait of women who were actively involved in a broad spectrum of civic, patriotic, religious, educational, and even reform activities. As Simpson reveals, this alliance of women actively shaped southern culture in the early decades of the century, and his analysis sheds new light on the role of professional and club women in southern history."--BOOK JACKET.
Charles Reagan Wilson documents that for over half a century there existed not one, but two civil religions in the United States, the second not dedicated to honoring the American nation. Extensively researched in primary sources, Baptized in Blood is a significant and well-written study of the South’s civil religion, one of two public faiths in America. In his comparison, Wilson finds the Lost Cause offered defeated Southerners a sense of meaning and purpose and special identity as a precarious but distinct culture. Southerners may have abandoned their dream of a separate political nation after Appomattox, but they preserved their cultural identity by blending Christian rhetoric and symbols with the rhetoric and imagery of Confederate tradition. “Civil religion” has been defined as the religious dimension of a people that enables them to understand a historical experience in transcendent terms. In this light, Wilson explores the role of religion in postbellum southern culture and argues that the profound dislocations of Confederate defeat caused southerners to think in religious terms about the meaning of their unique and tragic experience. The defeat in a war deemed by some as religious in nature threw into question the South’s relationship to God; it was interpreted in part as a God-given trial, whereby suffering and pain would lead Southerners to greater virtue and strength and even prepare them for future crusades. From this reflection upon history emerged the civil religion of the Lost Cause. While recent work in southern religious history has focused on the Old South period, Wilson’s timely study adds to our developing understanding of the South after the Civil War. The Lost Cause movement was an organized effort to preserve the memory of the Confederacy. Historians have examined its political, literary, and social aspects, but Wilson uses the concepts of anthropology, sociology, and historiography to unveil the Lost Cause as an authentic expression of religion. The Lost Cause was celebrated and perpetuated with its own rituals, mythology, and theology; as key celebrants of the religion of the Lost Cause, Southern ministers forged it into a religious movement closely related to their own churches. In examining the role of civil religion in the cult of the military, in the New South ideology, and in the spirit of the Lost Cause colleges, as well as in other aspects, Wilson demonstrates effectively how the religion of the Lost Cause became the institutional embodiment of the South’s tragic experience.
From well-known battlefields, such as Manassas, Fredericksburg, and Appomattox, to lesser-known sites, such as Sinking Spring Cemetery and Rude’s Hill, Sedore leads readers on a vivid journey through Virginia’s Confederate history. Tablets, monoliths, courthouses, cemeteries, town squares, battlefields, and more are cataloged in detail and accompanied by photographs and meticulous commentary. Each entry contains descriptions, fascinating historical information, and location, providing a complete portrait of each site. Much more than a visual tapestry or a tourist’s handbook, An Illustrated Guide to Virginia’s Confederate Monuments draws on scholarly and field research to reveal these sites as public efforts to reconcile mourning with Southern postwar ideologies. Sedore analyzes in depth the nature of these attempts to publicly explain Virginia’s sense of grief after the war, delving deep into the psychology of a traumatized area. From commemorations of famous generals to memories of unknown soldiers, the dead speak from the pages of this sweeping companion to history.
In this expansive history of South Carolina's commemoration of the Civil War era, Thomas J. Brown uses the lens of place to examine the ways that landmarks of Confederate memory have helped white southerners negotiate their shifting political, social, and economic positions. By looking at prominent sites such as Fort Sumter, Charleston's Magnolia Cemetery, and the South Carolina statehouse, Brown reveals a dynamic pattern of contestation and change. He highlights transformations of gender norms and establishes a fresh perspective on race in Civil War remembrance by emphasizing the fluidity of racial identity within the politics of white supremacy. Despite the conservative ideology that connects these sites, Brown argues that the Confederate canon of memory has adapted to address varied challenges of modernity from the war's end to the present, when enthusiasts turn to fantasy to renew a faded myth while children of the civil rights era look for a usable Confederate past. In surveying a rich, controversial, and sometimes even comical cultural landscape, Brown illuminates the workings of collective memory sustained by engagement with the particularity of place.
The monuments of South Carolina bear on their weathered faces and cracked tablets a history of honor and of memory embodied in stone. Whether revealing the lost graves of Southern sons, unveiling the history of the only national cemetery to inter Confederate soldiers alongside the Union fallen during wartime or recording the simple obelisks that reach for heaven throughout the Palmetto State, this volume is a story of remembrance and of mourning. Kristina Dunn Johnson, curator of history with the South Carolina Confederate Relic Room and Military Museum, shares with us the powerful stories of memory and acceptance that are the legacy of the Confederacy, as varied as those who lie beneath the Southern soil.
What did the Civil War mean to Virginia-and what did Virginia mean to the Civil War?
Wall Street Journal’s Five Best Books on the Confederates’ Lost Cause Southern Association for Women Historians Julia Cherry Spruill Prize Even without the right to vote, members of the United Daughters of the Confederacy proved to have enormous social and political influence throughout the South—all in the name of preserving Confederate culture. Karen Cox traces the history of the UDC, an organization founded in 1894 to vindicate the Confederate generation and honor the Lost Cause. In this edition, with a new preface, Cox acknowledges the deadly riots in Charlottesville, Virginia, showing why myths surrounding the Confederacy continue to endure. The Daughters, as UDC members were popularly known, were daughters of the Confederate generation. While southern women had long been leaders in efforts to memorialize the Confederacy, UDC members made the Lost Cause a movement about vindication as well as memorialization. They erected monuments, monitored history for "truthfulness," and sought to educate coming generations of white southerners about an idyllic past and a just cause—states' rights. Soldiers' and widows' homes, perpetuation of the mythology of the antebellum South, and pro-southern textbooks in the region's white public schools were all integral to their mission of creating the New South in the image of the Old. UDC members aspired to transform military defeat into a political and cultural victory, in which states' rights and white supremacy remained intact. To the extent they were successful, the Daughters helped to preserve and perpetuate an agenda for the New South that included maintaining the social status quo. Placing the organization's activities in the context of the postwar and Progressive-Era South, Cox describes in detail the UDC's origins and early development, its efforts to collect and preserve manuscripts and artifacts and to build monuments, and its later role in the peace movement and World War I. This remarkable history of the organization presents a portrait of two generations of southern women whose efforts helped shape the social and political culture of the New South. It also offers a new historical perspective on the subject of Confederate memory and the role southern women played in its development.