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Hopson's service of Tenebrae follows a tradition of the early church dating back to the eighth century, and commemorates the final hours of Christ's life on earth as He prepared for and suffered death on the cross. Tenebrae: A Service of Darkness may be performed as a service in its entirety, or portions of the work may be extracted and performed separately throughout Holy Week. This exceptionally moving work is destined to become a staple in Holy Week repertoire for decades to come.
The narrator of "Tenebrae" inhabits a decaying, desolate mansion in the remote and wild countryside with his younger brother and their mad old uncle, driven insane by abuse of opium and alcohol. This nameless narrator is a morbid young man who passes most of his time in a room painted all black, poring over arcane manuscripts dealing with the mysteries of death, while sipping garishly coloured liquors brewed by his uncle or cups of coffee flavoured with arsenic. When he falls in love with a neighbour, he looks forward to marrying her and trading his life of despondency for one of joy. Perhaps unsurprisingly, though, she finds him rather unpleasant company and instead falls in love with his brother. Driven to murderous jealousy, he resolves upon a brutal crime. But after the consummation of his terrible act, he finds himself haunted by a huge, monstrous spider. Is it a delusion brought on by incipient madness? the reincarnated soul of his murdered victim, returned for vengeance? or does it foretell a fate even more horrifying than can be possibly imagined? Published in 1898, at the end of a decade in which English writers explored the literary possibilities of the Gothic with such characters as Dorian Gray, Dr Jekyll and Mr Hyde, Dracula, and The Beetle, Ernest G. Henham's weird horror novel "Tenebrae" is reminiscent of the works of Poe. Perhaps unequalled in its extreme darkness and gloom, and yet at times grimly, though possibly unintentionally, hilarious, "Tenebrae" remains one of the strangest productions of this fertile literary period. This newly typeset edition includes the unabridged text of the first edition, as well as an introduction and notes by Gerald Monsman, the foremost scholar of Henham (1870-1946), who later published under the name John Trevena. Also featured is a reproduction of the cover of the incredibly scarce first edition.
A guide to the science and process of etymology for the layperson explains how the origins and history of hundreds of words are determined, discussing such topics as folk etymology, changes of meaning in language history, borrowed words, and the methods of etymology.
Examines Hill's verse within the context of British and American reaction to the great literary modernists of the early 20th century
Will a love forged in the past survive the future? When a bizarre plane crash strands reporter Lindsay Pawlowski and Navy pilot Alexander MacNeil in 14th century Scotland, they soon find themselves fighting for love, honor, and perhaps the future of the human race
A tour through the dates, colors, and other traditions of the Church year. This third volume in the popular Morehouse series explains why we do what we do and when, and it does so in a user-friendly, thoroughly interesting way.
Beyond Tenebrae is about Christian humanism in all its breadth and depth, and the persons and groups best embodying it in the last century and a half. Readers who sense the greatness of the "Republic of Letters" that has endured for over two millennia will benefit from being introduced to the great men and women presented in these pages.
Liturgical rituals of the high festivals from Christmas to Ascension in late Anglo-Saxon England; liturgical practice derived from from vernacular homilies and sermons.