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Through a decade of trial and error, Douglas Green has developed a completely new method of growing roses, one that is guaranteed to revolutionize this popular hobby.
Describes both traditional and newer methods of winter protecting roses in cold climates, offering an expanded catalog of rose plants, profiles of major clases of roses, and instructions to achive ideal growing conditions.
Suggests over 800 species of plants suitable for use the in colder half of the United States and in Canada, covering care and characteristics, season extenders, and tips on protecting plants from unexpected freezes.
Tough-but-beautiful plant picks There’s a growing demand for dependably hardy plants that require less maintenance and less water, but look no less beautiful in the garden. Plant Select—the leading purveyor of plants designed to thrive in difficult climates—meets this need by promoting plants that allow gardeners everywhere to have stunning, environmentally-friendly gardens that use fewer resources. Pretty Tough Plants highlights 135 of Plant Select’s top plant picks. Each profile features a color photograph and specific details about the plant’s size, best features, and bloom season, along with cultural needs, landscape features, and design ideas. The plant list includes perennials and annuals, groundcovers, grasses, shrubs, and trees. A chart at the end of the book makes it easy to choose the right plants for specific conditions and needs.
In the first, bestselling volume of the What Grows Here? Series, Jim Hole offered practical answers to gardening's most important questions. Now, Jim turns his attention to problems, answering questions both mundane and bizarre, solving the most perplexing gardening dilemmas and describing today's best plant varieties, plants you can count on to tackle the garden's toughest challenges while providing peerless beauty. With over 400 full colour photographs, tips from other successful gardeners, and advice from one of Canada's most accomplished gardening professional, What Grows Here? Volume 2: Problems is a must-own volume for today's gardener.
"Impossible to put down. It haunts me still.” -Alex Marzano-Lesnevich, author of The Fact of a Body: A Murder and a Memoir A riveting, deeply personal exploration of the opioid crisis-an empathic memoir infused with hints of true crime. In November 2013, Rose Andersen's younger sister Sarah died of an overdose in the bathroom of her boyfriend's home in a small town with one of the highest rates of opioid use in the state. Like too many of her generation, she had become addicted to heroin. Sarah was 24 years old. To imagine her way into Sarah's life, Rose revisits their volatile childhood, marked by their stepfather's omnipresent rage and their father's pathological lying. As the dysfunction comes into focus, so does a broader picture of the opioid crisis and the drug rehabilitation industry in small towns across America. And when Rose learns from the coroner that Sarah's cause of death was a methamphetamine overdose, the story takes a wildly unexpected turn. As Andersen sifts through her sister's last days, we come to recognize the contours of grief and its aftermath: the psychic shattering which can turn to anger, the pursuit of an ever-elusive verdict, and the intensely personal rites of imagination and art needed to actually move on. Reminiscent of Alex Marzano-Lesnevich's The Fact of a Body, Maggie Nelson's Jane: A Murder, and Lacy M. Johnson's The Other Side, Andersen's debut is a potent, profoundly original journey into and out of loss.
Love’s Work is at once a memoir and a work of philosophy. Written by the English philosopher Gillian Rose as she was dying of cancer, it is a book about both the fallibility and the endurance of love, love that becomes real and lasting through an ongoing reckoning with its own limitations. Rose looks back on her childhood, the complications of her parents’ divorce and her dyslexia, and her deep and divided feelings about what it means to be Jewish. She tells the stories of several friends also laboring under the sentence of death. From the sometimes conflicting vantage points of her own and her friends’ tales, she seeks to work out (seeks, because the work can never be complete—to be alive means to be incomplete) a distinctive outlook on life, one that will do justice to our yearning both for autonomy and for connection to others. With droll self-knowledge (“I am highly qualified in unhappy love affairs,” Rose writes, “My earliest unhappy love affair was with Roy Rogers”) and with unsettling wisdom (“To live, to love, is to be failed”), Rose has written a beautiful, tender, tough, and intricately wrought survival kit packed with necessary but unanswerable questions.