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In this “outstanding volume” (Boston Herald) that “ought to be at the top of everyone’s must-read list” (Essence), Black women and men evocatively explore what could make a smart woman ignore doctor’s orders; what could get a hardworking employee fired from her job; what could get a black woman in hot water with her white boyfriend? In a word: hair. In a society where beauty standards can be difficult if not downright unobtainable for many Black women, the issue of hair is a major one. Now, in this evocative and fascinating collection of essays, poems, excerpts, and more, Tenderheaded speaks to the personal, political, and cultural meaning of Black hair. From A’​Leila Perry Bundles, the great-granddaughter of hair care pioneer Madam C.J. Walker celebrating her ancestor’s legacy, to an art historian exploring the moving ways in which Black hair has been used to express Yoruba spirituality, to renowned activist Angela Davis questioning how her message of revolution got reduced to a hairstyle, Tenderheaded is as rich and diverse as the children of the African diaspora. With works from authors including Toni Morrison, Alice Walker, bell hooks, Henry Louis Gates Jr., and more, this “remarkable array of writings and images” (Publishers Weekly) will stay with you long after you turn the final page.
In Janae Johnson's debut poetry collection, the concept of being tenderheaded is less about Black hair; more how we are taught to disguise pain through suppression of macro and micro traumas. What began as a book of poetry about women's basketball transformed into a coming-of-age story centering Black queer masculinity, emotional restoration and belonging. From lyrically experimental to personified prose, each poem encourages humor to rise after an eight hour hair appointment and the ultimate decision to wear a ponytail.
From the very first page of My Story His Glory, readers quickly connect with the colorful characters of this engaging work by first time author, Gwen Lewis. We are quickly introduced to the main character of the story, a little girl born into poverty and inequality. We learn that she grew up during a time when all the social institutions were segregated, and Jim Crow laws prevailed. She is the ninth of ten children born to Ruth and Ab Mason. Demoralized by bigotry and hatred, her parents tried to instill a sense of pride and goodness into their children. Though neither of her parents were formally educated, they championed education as the vehicle to independence and a better way of life for their children.The book reveals intimate details about her impoverished home life in an honest, unpretentious way. Life was sometimes hard, but there were also times of contentment and joy. As we continue to follow her story, we also see ourselves in the struggles she faced when she eagerly left home for college. Choosing to attend the historic Tuskegee Institute located forty miles from where she grew up was a point of great pride for her.We witness the grace and goodness of God and how he never left her alone. It is interesting as well as inspiring to witness the love and compassion of God as he carried her when she didnaEUR(tm)t even know he was there. Later she would learn to recognize his gentle hand. We laugh at her childhood antics, cry with her as she painfully recalls personal losses, and rejoice with her as she triumphs over her enemies! After reading My Story His Glory we walk away inspired, with a desire to know this ever-present God she affectionately calls Father.
Social workers and Infant and Early Childhood Mental Health (IECMH) helpers need practical, relationship-based clinical tools to support families experiencing stress, separation, and loss. Research reveals key parenting behaviors occur during hair combing interaction (HCI) – lively verbal interaction, sensitive touch, and responsiveness to infant cues. This book explores how the simple routine of combing hair serves as an emotionally powerful, trauma-informed, culturally valid therapeutic tool for use by mental health helpers. HCI offers a low-cost opportunity for IECMH helpers to engage families and sustain attachment relationships. In this book, case studies illustrate the use of HCI with diverse families of color. Each chapter includes questions for reflective supervision to understand sociocultural factors that may shape behaviors during HCI. Topics included in the text: The Observing Professional and the Parent’s Ethnobiography Introduction to Reflective Supervision: Through the Lens of Culture, Diversity, Equity, and Inclusion A Case Study in Cross-Racial Practice and Supervision: Reflections in Black and White Tools to Disrupt Legacies of Colorism: Perceptions, Emotions, and Stories of Childhood Racial Features Therapeutic Cultural Routines to Build Family Relationships: Talk, Touch & Listen While Combing Hair© is a unique resource for counselors, psychologists, psychiatrists, home visiting nurses, early childhood educators, and family therapists who work with military families or multiracial families with bi-racial children. “This book provides practical insights useful for professionals and parents. The authors share compelling experiences using strength-based and rich cultural approaches guided by reflective practice. It deserves to be widely read and become a classic resource.” Robert N. Emde, Emeritus Professor of Psychiatry, University of Colorado School of Medicine
EYES. WORDS. WOMB. is the sophomore work of Northern CA poetess Deatrice Nicia DeLovely. This compilation of candid poems for women nurtures growth, healing, discovery, individuality, sensuality and advocacy against abuse. With blatant messages the author speaks to you almost exclusively and certainly compassionately, demonstrating sisterhood in the highest regards. Fearless and feminine, this is one book of poetry with something significant for every woman.
Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.
Funny, poignant, and deeply moving, The Line Tender is a story of nature's enduring mystery and a girl determined to find meaning and connection within it. Wherever the sharks led, Lucy Everhart's marine-biologist mother was sure to follow. In fact, she was on a boat far off the coast of Massachusetts, collecting shark data when she died suddenly. Lucy was seven. Since then Lucy and her father have kept their heads above water--thanks in large part to a few close friends and neighbors. But June of her twelfth summer brings more than the end of school and a heat wave to sleepy Rockport. On one steamy day, the tide brings a great white--and then another tragedy, cutting short a friendship everyone insists was "meaningful" but no one can tell Lucy what it all meant. To survive the fresh wave of grief, Lucy must grab the line that connects her depressed father, a stubborn fisherman, and a curious old widower to her mother's unfinished research on the Great White's return to Cape Cod. If Lucy can find a way to help this unlikely quartet follow the sharks her mother loved, she'll finally be able to look beyond what she's lost and toward what's left to be discovered. ★"Confidently voiced."—Kirkus Reviews, starred ★"Richly layered."—Publishers Weekly, starred ★"A hopeful path forward."—Booklist, starred ★"Life-affirming."—BCCB, starred ★"Big-hearted." —Bookpage, starred ★“Will appeal to just about everyone.” – SLC, starred ★"Exquisitely, beautifully real."—Shelf Awareness, starred
NATIONAL BESTSELLER Winner of the Maya Angelou Book Award Inspired by The Wiz, this debut, full-length poetry collection celebrates South Side Chicago and a Black woman’s quest for self-discovery—one that pulls her away from the safety of home and into her power I Done Clicked My Heels Three Times takes its inspiration and concept from the cult classic film The Wiz to explore a Black woman’s journey out of the South Side of Chicago and into adulthood. The narrative arc of The Wiz—a tumultuous departure from home, trials designed to reveal new things about the self, and the eventual return home—serves as a loose trajectory for this collection, pulling readers through an abandoned barn, a Wendy's drive-thru, a Beyoncé video, Grandma's house, Sunday service, and the corner store. At every stop, the speaker is made to confront her womanhood, her sexuality, the visibility of her body, alcoholism in her family, and various ways in which narratives are imposed on her. Subverting monolithic ideas about the South Side of Chicago, and re-casting the city as a living, breathing entity, I Done Clicked My Heels Three Times spans sestinas, sonnets, free-verse, and erasures, all to reimagine the concept of home. Chicago isn’t just a city, but a teacher, a lingering shadow, a way of seeing the world.