Download Free Tender Head Book in PDF and EPUB Free Download. You can read online Tender Head and write the review.

Tender Headed, selected by Camille Rankine as a winner of the 2022 National Poetry Series, is a musical and formally playful meditation on Black identity and masculinity "In this dynamic debut collection, Nigerian American poet Osinaike unpacks ideas of masculinity with playful musicality . . . Acutely attuned to poetic lineage, Osinaike cites established poets Yona Harvey, Ladan Osman, and Morgan Parker, setting a context for his own new and versatile voice." —Booklist The irony of transformation often is that we mistake it to have occurred long before it does. Tender Headed takes its time in asserting the realization that growth remains ever ahead of you. Examining the themes of Black identity, accountability, and narration, we encounter a series of revealing snapshots into the role language plays in chiseling possibility and its rigid command of depiction. Olatunde Osinaike's startling debut sorts through the many-minded masks behind Black masculinity. At its center lies an inquiry about the puzzling nature of relationships, how ceaseless wonder can be in its challenge of a truth. In the name of music and self-identity, the speaker weaves their way through fault and how it amends Black life in America. This is demonstrated best in how the demanding, yet vulnerable tone for the collection is set in "Men Like Me," its restless opening poem. Here, we find the speaker reciting a chronicle of generational neglect from men that became him also. Earnest and sharp, there is a beauty in seeing a poet not shy away from both the melancholy and resolve of rescripting their path while cherishing their steps and missteps along the way. This collection is a panel aching of fathers, sons, uncles, grandfathers, all of whom would do well to join in and confront shared privileges that are typically curtailed or altogether avoided in conversation. Tender Headed entrusts the heart to be a compass, insisting on a journey unto itself and a melodic detour toward tenderness precise with its own footing.
Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.
The Pocket Book is for use by doctors nurses and other health workers who are responsible for the care of young children at the first level referral hospitals. This second edition is based on evidence from several WHO updated and published clinical guidelines. It is for use in both inpatient and outpatient care in small hospitals with basic laboratory facilities and essential medicines. In some settings these guidelines can be used in any facilities where sick children are admitted for inpatient care. The Pocket Book is one of a series of documents and tools that support the Integrated Managem.
"Report of the Dominion fishery commission on the fisheries of the province of Ontario, 1893", issued as vol. 26, no. 7, supplement.
The Tender Bud is the moving story of one woman's journey through breast cancer. The woman in question happens to be a senior psychiatrist of broad learning and deep clinical insight. Madeleine Meldin weathered the crisis of breast cancer without the support of an immediate family and in the context of ongoing professional burdens. This book is the journal that she wrote for herself as an aid to coping with the personal upheaval of diagnosis, mastectomy, and the aftermath of treatment. It was written while these events unfolded. With arresting candor, Meldin chronicles her emotions at each stage of her odyssey - the recurrent cycles of denial, anxiety, and despair; the conflicting feelings engendered by her physicians, surgeons, and the treatment "establishment" in general; her struggle between resignation and emergent hopefulness. Unique to Meldin's account is her ongoing juxtaposition of the different dimensions of "having cancer." Simply and gracefully, she chronicles the everyday dimension of cancer, with its obligation to proceed maturely and dispassionately with medical and surgical care, to meet one's professional responsibilities, to maintain the appearances that allow one to carry on with one's life. Meldin excels at showing how even the most mundane experiences of everyday life - conversations with friends and colleagues, the selection of clothes, a trip to the hairdresser - became saturated with her illness, with her sense of herself as a cancer patient.