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Looking at a wide swath of Chinese history and literature, this collection examines various issues stemming from immigration to America. Wang Ping conveys the voices of centuries of farmers and factory laborers, revolutionaries, writers, artists, and craftsmen. She has a unique gift for telling small stories with powerful emotional effects. The titular poem, "Ten Thousand Waves," was inspired by a tragedy that occurred on February 5, 2004. More than 20 Chinese laborers drowned in Morecambe Bay, England, when they were caught by an incoming tide. They were collecting cockles late in the evening, having been misinformed about the tidal times. The victims were undocumented immigrants, mainly from Fujian Province, China. In 2006, English filmmaker Nick Broomfield directed and produced Ghosts, a dramatic film based on the tragedy at Morecambe Bay. Not long after that, another filmmaker, Isaac Julien, commissioned Ping to write a narrative script for his film on global immigration, Small Boats. When he saw the finished poem, Julien decided to make a film installation specifically on Chinese immigration, which he entitled Ten Thousand Waves, after Ping's poem. Ten Thousand Waves has been featured at the Pace Foundation galleries in San Antonio, Texas, and at the Museum of Modern Art in New York.
Ten Thousand waves is a true story of a surfer who finds spirituality within the passions he has pursued. The book is a east meets west adventure story where the author found his own path by bringing together meditation, prayer, love and appreciation. Giving explanations by using stories from throughout his life.
The Manyoshu is the great literary work of eighth century Japan, a collection comprising work from more than four hundred writers. Its richness and nobility of sentiments have made the Manyoshu an object of literary fascination for centuries. Ten Thousand Leaves is a selection of love poems from this magnificent anthology,selected and translated by world renowned scholar Harold Wright and complemented by spectacular period art.
Folktales describe the might of the Yellow Emperor, especially when he battled the half human, half dragon warrior known as Chi You. Reprint.
From the mountains of Algeria to the squats of South London via sectarian Northern Ireland, Ten Thousand Apologies is the sordid and thrilling story of the country's most notorious cult band, Fat White Family. Loved and loathed in equal measure since their formation in 2011, the relentlessly provocative, stunningly dysfunctional "drug band with a rock problem" have dedicated themselves to constant chaos and total creative freedom at all costs. Like a tragicomic penny dreadful dreamed up by a mutant hybrid of Jean Genet, the Dadaists and Mark E. Smith, the Fat Whites' story is a frequently jaw-dropping epic of creative insurrection, narcotic excess, mental illness, wanderlust, self-sabotage, fractured masculinity, and the ruthless pursuit of absolute art. Co-written with lucidity and humour by singer Lias Saoudi and acclaimed author Adelle Stripe, Ten Thousand Apologies is that rare thing: a music book that barely features any music, a biography as literary as any novel, and a confessional that does not seek forgiveness. This is the definitive account of Fat White Family's disgraceful and radiant jihad - a depraved, romantic and furious gesture of refusal to a sanitised era.
Born in 1933 in a small village in Korea's North Cholla Province, Ko Un grew up in a Japanese-controlled land that was soon to experience the horrors of the Korean War. He became a Buddhist monk in 1952 and began writing in the late 1950s. This is his major, ongoing work which began during his imprisonment with a determination to describe every person he had ever met. Maninbo, as it is known in Korea is now in its 20th volume and he has plans for five more before its completion. Collected here is a selection from the first 10 volumes.
Winner of the Booker Prize—a tale of the strange obsessions that haunt a playwright as he composes his memoirs Charles Arrowby, leading light of England's theatrical set, retires from glittering London to an isolated home by the sea. He plans to write a memoir about his great love affair with Clement Makin, his mentor, both professionally and personally, and amuse himself with Lizzie, an actress he has strung along for many years. None of his plans work out, and his memoir evolves into a riveting chronicle of the strange events and unexpected visitors-some real, some spectral-that disrupt his world and shake his oversized ego to its very core. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
In Minor China Hentyle Yapp analyzes contemporary Chinese art as it circulates on the global art market to outline the limitations of Western understandings of non-Western art. Yapp reconsiders the all-too-common narratives about Chinese art that celebrate the heroic artist who embodies political resistance against the authoritarian state. These narratives, as Yapp establishes, prevent Chinese art, aesthetics, and politics from being discussed in the West outside the terms of Western liberalism and notions of the “universal.” Yapp engages with art ranging from photography and performance to curation and installations to foreground what he calls the minor as method—tracking aesthetic and intellectual practices that challenge the predetermined ideas and political concerns that uphold dominant conceptions of history, the state, and the subject. By examining the minor in the work of artists such as Ai Weiwei, Zhang Huan, Cao Fei, Cai Guo-Qiang, Carol Yinghua Lu, and others, Yapp demonstrates that the minor allows for discussing non-Western art more broadly and for reconfiguring dominant political and aesthetic institutions and structures.
An exploration of the history and cultural practice of footbinding in China reveals the traditions that contributed to and surrounded its thousand-year enforcement, as well as its related literature, music, contests, and rewards.
The New York Times-bestselling collection of poems from celebrated poet Mary Oliver In A Thousand Mornings, Mary Oliver returns to the imagery that has come to define her life’s work, transporting us to the marshland and coastline of her beloved home, Provincetown, Massachusetts. Whether studying the leaves of a tree or mourning her treasured dog Percy, Oliver is open to the teachings contained in the smallest of moments and explores with startling clarity, humor, and kindness the mysteries of our daily experience.