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The Manyoshu is the great literary work of eighth century Japan, a collection comprising work from more than four hundred writers. Its richness and nobility of sentiments have made the Manyoshu an object of literary fascination for centuries. Ten Thousand Leaves is a selection of love poems from this magnificent anthology,selected and translated by world renowned scholar Harold Wright and complemented by spectacular period art.
Features 1,000 poems from the oldest Japanese poetry anthology, chosen by a scholarly committee based on their poetic excellence and their role in revealing the Japanese national spirit and character. Text is in English only.
Set between Holland and a remote Indonesian island, this intimate magical realism novel offers “an offbeat narrative that has the timeless tone of a legend” (Time). “Dermoût’s sentences came at me like a soft knowing dagger, depicting a far-off land that felt to me like the blood of all the places I used to love.” —Cheryl Strayed, author of Wild The Ten Thousand Things is at once novel of shimmering strangeness—and familiarity. It is the story of Felicia, who returns with her baby son from Holland to the Spice Islands of Indonesia, to the house and garden that were her birthplace, over which her powerful grandmother still presides. There Felicia finds herself wedded to an uncanny and dangerous world, full of mystery and violence, where objects tell tales, the dead come and go, and the past is as potent as the present. First published in Holland in 1955, Maria Dermoût's novel was immediately recognized as a magical work, like nothing else Dutch—or European—literature had seen before. The Ten Thousand Things is an entranced vision of a far-off place that is as convincingly real and intimate as it is exotic, a book that is at once a lament and an ecstatic ode to nature and life.
Twelve-year-old Golden Maroni starts eighth grade determined to be master of his universe, but learns he cannot control everything on the soccer field, in his friendships, and especially in facing his father's incurable disease.
The Cambridge History of Japanese Literature provides, for the first time, a history of Japanese literature with comprehensive coverage of the premodern and modern eras in a single volume. The book is arranged topically in a series of short, accessible chapters for easy access and reference, giving insight into both canonical texts and many lesser known, popular genres, from centuries-old folk literature to the detective fiction of modern times. The various period introductions provide an overview of recurrent issues that span many decades, if not centuries. The book also places Japanese literature in a wider East Asian tradition of Sinitic writing and provides comprehensive coverage of women's literature as well as new popular literary forms, including manga (comic books). An extensive bibliography of works in English enables readers to continue to explore this rich tradition through translations and secondary reading.
Gloria, a young prostitute who has a son, make an ageement to help widower John Williams raise his infant daughter, but, after a tragic event, she finds herself longing for a family.
Grasses of Remembrance, the second volume of Edwin Cranston's monumental Waka Anthology, carries forward the story of Japanese court poetry, drawing on sources dating from the 890s to the 1080s. The book presents over 2,600 poems in lively and readable translation, including all 795 poems from The Tale of Genji.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.
The Hyaku-nin-isshiu, or 'Single Verses by a Hundred People', were collected together in A.D. 1235. They are placed in approximate chronological order, and range from about the year AD 670. Perhaps what strikes one most in connection with the Hyaku-nin-isshiu is the date when the verses were written; most of them were produced before the time of the Norman Conquest (AD 1066), and one cannot but be struck with the advanced state of art and culture in Japan at a time when Europe was still in a very elementary stage of civilization. The Collection consists almost entirely of love-poems and what the editor calls picture-poems, intended to bring before the mind's eye some well-known scene in nature; and it is marvellous what effect little thumbnail sketches are compressed within thirty-one syllables. Some show the cherry blossoms which are doomed to fall, the dewdrops scattered by the wind, the mournful cry of the wild deer on the mountains, the dying crimson of the fallen maple leaves, the weird sadness of the cuckoo singing in the moonlight, and the loneliness of the recluse in the mountain wilds; while those verses which appear to be of a more cheerful type are rather of the nature of the 'Japanese smile', described by Lafcadio Hearn as a mask to hide the real feelings. Japanese poetry differs very largely from anything we are used to in the West. It has no rhyme or alliteration, and little, if any, rhythm, as we understand it. The verses in this Collection are all what are called Tanka which has five lines and thirty-one syllables, arranged thus: 5-7-5-7-7 which is an unusual metre for Western ears. For this translation the editor has adopted a five-lined verse of 8-6-8-6-6 metre, with the second, fourth, and fifth lines rhyming, in the hope of retaining at least some resemblance to the original form, while at the same time making the sound more familiar to English readers. A percentage of the net sale will be donated to charities specialising in educational scholarships. YESTERDAY'S BOOKS for TOMORROW'S EDUCATIONS