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A wonderful allegory of great spiritual depth. "Here is an insightful allegory of a journey to wholeness, a journey that should be made by everyone... Ten Little Black Boys tells a story of discovery, of God and the mission we have to bring the commandments of God to our fellow seekers by first applying them in our own lives... A very special reading experience for anyone seeking the Spirit of Life, God, the Creator." (Richard Fuller, Metaphysical Reviews)
Los Angeles Times Book Prize Finalist: A “stellar collection” of stories about navigating life off the reservation, filled with laughter and heartbreak (People). In these lyrical, affectionate tales from the author of The Absolutely True Diary of a Part-Time Indian and The Lone Ranger and Tonto Fistfight in Heaven, characters navigate the crossroads of culture, battle stereotypes, and find themselves through everything from politics to basketball. Richard, the narrator of “Lawyer’s League,” grows up in Seattle, the son of “an African American giant who played defensive end for the University of Washington Huskies” and “a petite Spokane Indian ballerina.” A woman is caught in a restaurant when a suicide bomb goes off in “Can I Get a Witness.” And Estelle Walks Above (née Estelle Miller), studies her way off the Spokane Indian Reservation and goes on to both enjoy and resent the company of the white women of Seattle—who see her as a shamanic genius, and look to her for guidance on everything from sex and fashion to spirituality. These and the other “warm, revealing, invitingly roundabout stories” in Ten Little Indians run the gamut from earthy wit to sobering emotional truth, mapping the outer reaches of the human heart (The New York Times Book Review). From a New York Times–bestselling and National Book Award–winning author, these tales, “rambunctious and exuberant, bristle with an edgy and mordant humor” (Chicago Tribune). This ebook features an illustrated biography including rare photos from the author’s personal collection.
First published in 1968, Ten Black Dots is a counting book, a book of simple rhymes, and a book of everyday objects.
One by one, the guests arrived at the mansion on Indian Island, summoned by a mysterious host. And one by one, with terrifying meticulousness, they were stalked by a cunning murderer. Utterly baffling...and yet there was a pattern, concealed in a nursery rhyme hanging over the fireplace.
Ten little caterpillars are out and about in our big, wide world--come join them! You never know what you might find. . . . A butterfly, perhaps? Readers of all ages have celebrated the work of Bill Martin Jr and Lois Ehlert ever since their first collaboration on Chicka Chicka Boom Boom more than twenty-five years ago. Now these two picture-book geniuses are together again in this dynamic and visually stunning counting-and-natural history picture book that's just perfect for reading aloud--and comes complete with a glossary filled with intriguing information about all of the caterpillar stars!
Ten people find themselves stranded in the lonely house on Indian Island when their supposed hosts send word that they have been detained. A mysterious voice, afterwards discovered to come from a gramophone record, indicts each on of them -- the eight guests and the two servants -- of murder. It transpires that no-one has met their hosts and that they have evidently been decoyed to the island. First one and then another dies; each death according to the rhyme of "Ten little Indians," and with each death one of the little china figurines on the mantelpiece is found broken. The tension grows as they realize that the killer is, in fact, one of themselves. Eventually only two little Indians are left; the real killer appears (his death having been feigned) and the remaining two are able to outwit him--Publisher's description
A special 75th anniversary edition of Richard Wright's powerful and unforgettable memoir, with a new foreword by John Edgar Wideman and an afterword by Malcolm Wright, the author’s grandson. When it exploded onto the literary scene in 1945, Black Boy was both praised and condemned. Orville Prescott of the New York Times wrote that “if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy.” Yet from 1975 to 1978, Black Boy was banned in schools throughout the United States for “obscenity” and “instigating hatred between the races.” Wright’s once controversial, now celebrated autobiography measures the raw brutality of the Jim Crow South against the sheer desperate will it took to survive as a Black boy. Enduring poverty, hunger, fear, abuse, and hatred while growing up in the woods of Mississippi, Wright lied, stole, and raged at those around him—whites indifferent, pitying, or cruel and Blacks resentful of anyone trying to rise above their circumstances. Desperate for a different way of life, he headed north, eventually arriving in Chicago, where he forged a new path and began his career as a writer. At the end of Black Boy, Wright sits poised with pencil in hand, determined to “hurl words into this darkness and wait for an echo.” Seventy-five years later, his words continue to reverberate. “To read Black Boy is to stare into the heart of darkness,” John Edgar Wideman writes in his foreword. “Not the dark heart Conrad searched for in Congo jungles but the beating heart I bear.” One of the great American memoirs, Wright’s account is a poignant record of struggle and endurance—a seminal literary work that illuminates our own time.
One by one, ten excitable dachshunds pile onto a chair.