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"Because these new churches evoked a much-beloved myth of tightly-bound communities sharing democratic values and faith in God, they have often been romanticized as emblems of a bygone era of pastoral serenity. Yet, New England of the early nineteenth century - and its religious life in particular - was anything but tranquil. Revivalism, evangelicalism, and religious pluralism meshed with social, economic, and political dislocation to create a volatile period in which Christianity's place was uncertain."--Jacket.
"A large format book of photographs of the art and architecture--temples filled with murals, sculpture, mosaic, and stained glass--built by devoted members of the Alps communal village of Damanhur. Text describes the development of a contemporary utopian society practicing spirituality inclusive of all world cultures"--Provided by publisher.
A gripping story of how an entire family, deeply enmeshed in Mormonism for thirty years, found their way out and found faith in Jesus Christ. For thirty years, Lynn Wilder, once a tenured faculty member at Brigham Young University, and her family lived in, loved, and promoted the Mormon Church. Then their son Micah, serving his Mormon mission in Florida, had a revelation: God knew him personally. God loved him. And the Mormon Church did not offer the true gospel. Micah's conversion to Christ put the family in a tailspin. They wondered, Have we believed the wrong thing for decades? If we leave Mormonism, what does this mean for our safety, jobs, and relationships? Is Christianity all that different from Mormonism anyway? As Lynn tells her story of abandoning the deception of Mormonism to receive God's grace, she gives a rare look into Mormon culture, what it means to grow up Mormon, and why the contrasts between Mormonism and Christianity make all the difference in the world. Whether you are in the Mormon Church, are curious about Mormonism, or simply are looking for a gripping story, Unveiling Grace will strengthen your faith in the true God who loves you no matter what.
After World War II, America’s religious denominations spent billions on church architecture as they spread into the suburbs. In this richly illustrated history of midcentury modern churches in the Midwest, Gretchen Buggeln shows how architects and suburban congregations joined forces to work out a vision of how modernist churches might help reinvigorate Protestant worship and community. The result is a fascinating new perspective on postwar architecture, religion, and society. Drawing on the architectural record, church archives, and oral histories, The Suburban Church focuses on collaborations between architects Edward D. Dart, Edward A. Sövik, Charles E. Stade, and seventy-five congregations. By telling the stories behind their modernist churches, the book describes how the buildings both reflected and shaped developments in postwar religion—its ecumenism, optimism, and liturgical innovation, as well as its fears about staying relevant during a time of vast cultural, social, and demographic change. While many scholars have characterized these congregations as “country club” churches, The Suburban Church argues that most were earnest, well-intentioned religious communities caught between the desire to serve God and the demands of a suburban milieu in which serving middle-class families required most of their material and spiritual resources.