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The issue of divinizing in South Asian traditions has not been examined before as a process involving various methods to affect the socio-cultural cognition of the community. It is therefore essential to consider the context of "divinizing" and to analyse what groups, institutions or individuals define the discourse, what are the ideological positions that they represent, and who or what is being divinized. This book deals with the issue of divinizing in South Asian traditions. It aims at studying cultural questions related to the representations and the mythologizing of the divine. It also explores the human relations to the "divine other." It studies the interpretations of the divine in religious texts and the embodiment of the "divine other" in ritual practices. The focus is on studying the phenomenon of divinizing in its religious, cultural, and ideological implications. The book comprises eight chapters that explore the question of divinizing from the 2nd century CE up to present-day in North and South India. The chapters discuss the issue both from insider and outsider perspectives, within the framework of textual study as well as ideological and anthropological analysis. All articles explore various aspects of the cultural phenomenon of being in relation to the divine other, of the process of interpreting and embodying the divine, and of the representation of the divinizing process, as revealed in the literatures and cultures of South Asia. Applying theoretical models of religious and cultural studies to discuss texts written in South Asian languages and engage in critical dialogue with current scholarship, this book is an indispensable study of literary, religious and cultural production in South Asia. It will be of interest to academics in the fields of South Asian studies, Asian Studies, religious and cultural studies as well as comparative religion.
In this informative new book, Ravi Kalia continues his examination of the planning of Indian cities begun with his earlier study of Chandigarh. Here, Kalia makes systematic inquiries into the political circumstances that brought about modern Bhubaneswar, the capital of the state of Orissa, to reveal the historical and social circumstances that shaped the city. In this account, Kalia brilliantly shows the interplay of indigenous religious forces, regional loyalty, and Western secular ideas in the context of twentieth-century international architecture and planning movements. This book will prove invaluable to historians, architects, planners, sociologists, and scholars interested in India, as well as those interested in urban planning in developing countries.
First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
From the Taj Mahal to the Parthenon, from Gettysburg to Heidelberg, from Beacon Hill to Tower Hill, from the Great Wall to Hadrian's Wall, from Jerusalem to Kyoto, the International Dictionary of Historic Places presents some 1,000 comprehensive and fully illustrated histories of the most famous sites in the world. Entries include: location, description, and site office details; and a 3,000 to 4,000 word essay that provides a full history of the site and the condition of the site today. An annotated Further Reading list of books and articles about the site completes each entry.
Textiles play a decisive role in history: attire not only indicates status, gender, ethnicity, and religion but illustrates how such boundaries are continuously being negotiated, shifted, and recreated. Fashionable Traditions captures the complex reality of Asian handmade textile production and consumption. From traditionalist discourse and cultural authenticity to fashion and market trends, the contributors to this collection demonstrate the multilayered influence of often contradictory forces. In-depth, ethnographic case studies reveal the entangled relationships between local artisans, external interventions, and consumers, while acknowledging the broader frameworks in which such relationships are situated. Together these stories offer a vivid account of the socio-economic, political, and cultural dynamics in various parts of Asia and emphasize that fashion is neither a Western prerogative nor do its roots reside solely in the West.
This book, the first in the field for two decades, looks at the relationships between geography and religion. It represents a synthesis of research by geographers of many countries, mainly since the 1960s. No previous book has tackled this emerging field from such a broad, interdisciplinary perspective, and never before have such a variety of detailed case studies been pulled together in so comparative or illuminating a way. Examples and case studies have been drawn from all the major world religions and from all continents from both a historical and contemporary perspective. Major themes covered in the book include the distribution of religion and the processes by which religion and religious ideas spread through space and time. Some of the important links between religion and population are also explored. A great deal of attention is focused on the visible manifestations of religion on the cultural landscape, including landscapes of worship and of death, and the whole field of sacred space and religious pilgrimage.
Local/Global: Women Artists in the Nineteenth Century is the first book to investigate women artists working in disparate parts of the world. This major new book offers a dazzling array of compelling essays on art, architecture and design by leading writers: Joan Kerr on art in Australia by residents, migrants and visitors; Ka Bo Tsang on the imperial court in China; Gayatri Sinha on south Asian artists; Mary Roberts on harem portraiture of the Ottoman empire; Griselda Pollock on Parisian studios; Lynne Walker on women patron-builders in Britain; S?shy;ghle Bhreathnach-Lynch and Julie Anne Stevens on Irish women artists; Ruth Phillips on souvenir art by native and settler women; Janet Berlo on North American textiles; Kristina Huneault on white settler identity in Canada; Charmaine Nelson on neo-classical sculpture in North America; and Stacie Widdifield on Mexico. This pioneering collection addresses issues at the heart of feminist and post-colonial studies: the nature of difference, discrepant modernities and cross-cultural encounters. Written in a lively and accessible style, this lavishly illustrated volume offers fresh perspectives on women, art and identity. It is essential reading for anyone interested in the history of women artists and the art of the nineteenth century.