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For fans of the high-stakes tension of the New York Times bestsellers Luckiest Girl Alive and The Lying Game, comes “a brilliantly paced thriller that gets under your skin in the best possible way” (Megan Collins, author of The Winter Sister) about female ambition and what happens when fake violence draws real blood. After years of struggling in the Chicago theater scene, ambitious actress Kira Rascher finally lands the role of a lifetime. The catch? The mercurial Malcolm Mercer is the director and he’s known for pushing his performers past their limits—on stage and off. Kira’s convinced she can handle Malcolm, but the theater’s cofounder, Joanna Cuyler, is another story. Joanna sees Kira as a threat—to her own thwarted artistic ambitions, her twisted relationship with Malcolm, and the shocking secret she’s keeping about the upcoming production. But as opening night draws near, Kira and Joanna both come to the realization that Malcolm’s dangerous extremes are nothing compared to what they’re capable of themselves. An edgy, addictive, and fiendishly clever tale of ambition, deceit, and power suited for fans of the film Black Swan, Temper “revels in its mind games, delivering twist after twist as it races toward a Shakespearian climax. The final page will leave you gasping” (Amy Gentry, author of Last Woman Standing).
Worries can feel like a BIG problem to a LITTLE kid! A Feel Better Book for Little Worriers assures kids that having some worries is normal -- everyone has them, even adults! A Feel Better Book for Little Worriers is a gentle rhyming picture book for children ages 3 to 6 who may be developing anxious feelings but are too young to comprehend the implications. It is easy to use, appealing, and effective for parents to use with their little ones, and includes calming tools based on science-based strategies such as cognitive behavioral therapy and mindfulness principles. The ""Note to Caregivers"" gives information about recognizing and distinguishing worries and managing anxiety.
Temper is at once violent and controlled, unflinching and unforgiving in temperament. The poems are mercilessly recursive, placing pressure on the lyric as a mode of both the elegiac and the ecstatic. The result is an enforced silence, urgent with grief.
"There goes Lester. Watch him fester. His ears start to fizz. He gets mad as a griz. His face turns red. He's a Soda Pop Head. You just never know when Lester will blow. His cap will go flying. If it hits you, you'll be crying, so you'd better stay away from Lester today!" His real name is Lester, but everyone calls him "Soda Pop Head." Most of the time he's pretty happy, but when things seem to be unfair his ears gets hot, his face turns red and he blows his top! Lester's dad comes to his rescue by teaching him a few techniques to "loosen the top" and cool down before his fizz takes control. Soda Pop Head will help your child control his/her anger while helping them manage stress. It's a must for the home or classroom.
Relates in rhyme several issues between parent and child that provoke temper tantrums.
“Passions and Tempers may excite passions and tempers in some of its readers, as a good work of intellectual history should. You will learn a lot from its pages.” —Washington Post The humours—blood, phlegm, black bile, and choler—were substances thought to circulate within the body and determine a person’s health, mood, and character. The theory of humours remained an inexact but powerful tool for centuries, surviving scientific changes and offering clarity to physicians. This one-of-a-kind book follows the fate of these variable and invisible fluids from their Western origin in ancient Greece to their present-day versions. It traces their persistence from medical guidebooks of the past to current health fads, from the testimonies of medical doctors to the theories of scientists, physicians, and philosophers. By intertwining the histories of medicine, science, psychology, and philosophy, Noga Arikha revisits and revises how we think about all aspects of our physical, mental, and emotional selves.
Annotation Examines characteristics of wrought and cast aluminum alloys, then presents basic aluminum alloy and temper designation systems, as developed by the Aluminum Association, and explains them with examples. Wrought and cast aluminum designations are treated in a similar fashion. Processes used to produce aluminum alloy products are described briefly, and representative applications for aluminum alloys and tempers are detailed, in areas such as electrical markets, building and construction, marine and rail transportation, packaging, and petroleum and chemical industry components. A final chapter presents 65 pages of bandw micrographs illustrating the microstructure of a range of aluminum alloys and tempers, to assist in understanding consequences of applying the production technology implied by the temper designations. Annotation copyrighted by Book News, Inc., Portland, OR
"Oceanian ceramic cultures making earthenware pottery spread during the past 3500 years through a dozen major island groups spanning 6000 km of the tropical Pacific Ocean from western Micronesia to western Polynesia. Island potters mixed sand as temper into clay bodies during ceramic manufacture. The nature of island sands is governed by the geotectonics of hotspot chains, island arcs, subduction zones, backarc basins, and remnant arcs as well as by sedimentology. Because small islands with bedrock exposures of restricted character are virtual point sources of sand, many tempers are diagnostic of specific islands. Petrographic study of temper sands in thin section allows distinction between indigenous pottery and exotic pottery transported from elsewhere. Study of 2223 prehistoric Oceanian potsherds from 130 islands and island clusters indicates the nature of Oceanian temper types and documents 105 cases of interisland transport of ceramics over distances typically
An exploration of isolation, tension, and masculinity in the seldom seen region of the Eastern plains of Colorado. Disruptive in its absence, I Dream of Dust strips away context, color, and familiar visual cues, asking the viewer to remove assumptions and not idealize or criticize, but to instead simply exist in quiet reflective space. While being aware of the common trope of documenting "left behind" America, Ben P. Ward hopes to subvert our tendencies to romanticize nostalgia through this work, and instead examine the influence of geography on identity: the tendency of a group of people to mirror the land they inhabit, and the tendency of the land to be equally shaped by its inhabitants.